Jimmy Murphy (cartoonist)

In the summer of 1918, William Randolph Hearst beckoned, and Murphy arrived in New York for a job with Hearst's New York Journal and the New York American, where he decided to try a comic strip. For the New York American Murphy created Doc Attaboy, a strip about a middle-aged doctor more concerned with writing the bills instead of curing his patients. That short-lived strip continued until December 1918.

The same month he dropped Doc Attaboy, he began Toots and Casper for the American, using his wife, Matilda Katherine Crane Murphy, as the model for Toots. The strip was picked up by King Features Syndicate in 1919, and by 1925, it was being carried in numerous newspapers. He left New York and moved to California, living for decades in Beverly Hills. His hobbies of motoring and golf often interfered with his deadlines, and his business records from the 1930s revealed that he often was so late that he shipped strips east by air express. The daily Toots and Casper ran until 1951, with the Sunday strip continuing until 1956.[1]

Beginning in 1926, he drew another Sunday comic strip, It's Papa Who Pays!, which ran above Toots and Casper as a topper until 1956. Toots and Casper remained a popular favorite with newspaper readers for decades. Between 1932 and 1941, he began including collectible stamps and paper dolls in his Sunday page. These features were so popular they were subsequently imitated by other cartoonists.

In 1942, Murphy joined other King Features cartoonists (Carl Anderson, Lee Falk and Ray Moore, George McManus, Alex Raymond, Otto Soglow, Russ Westover and Chic Young) in donating art for a World War II booklet on nutrition, Eat Right to Work and Win, published in Toronto by Swift Canadian Co. Ltd. The booklet was created through several contributors, the National Nutrition Program, Office of Defense Health and Welfare Services, King Features and the Office of Civilian Defense.

Murphy profited from the licensing and merchandising of his creation. Toots and Casper items ran the gamut from dolls, books and pins to comic books and bisque nodders.

Murphy had a circulatory ailment, and between 1950 and 1955, he endured three major abdominal operations. His illness near the end of the comic strip's run prompted the hiring of ghost artists and the recycling of earlier strips (with new dialogue). He died in Beverly Hills, California in 1965.

• Lambiek