Joe Shishido

Joe Shishido was born in the Kita Ward of Osaka, Japan. He had two older brothers, one younger sister and a younger brother who also became an actor under the name Eiji Go. Shishido attended schools in Tokyo and Miyagi. In 1952, he graduated from high school and enrolled in the theatre course at Nihon University. Two years later, he auditioned for the Nikkatsu Company's New Face contest. He was one of 21 selected from 8,000 applicants. Shishido dropped out of school and began working for Nikkatsu, appearing in small film roles.[3]

In 1954, Joe Shishido signed on as a contract player at Nikkatsu. Studio bosses encouraged Shishido to change his name, as popular tales of the samurai Miyamoto Musashi contained a villain named Shishido, and they were trying to model him into a romantic lead. Shishido refused. His first major role was in Policeman's Diary (1955, Keisatsu Nikki), in which he played a young patrolman who challenges a police chief in a kendo (bamboo sword fighting) match.[3]

Displeased with his middling success in melodramas and "blandly handsome features",[3][4] Shishido underwent cheek augmentation surgery in 1957, increasing the size of his cheekbones. His altered look has been described both as "ruggedly handsome",[3] and as chipmunk-like.[5][6] Afterward, he began getting bigger parts, predominantly as villains in action movies. Two of his biggest roles in the late 1950s and early 1960s were opposite Akira Kobayashi in the Wataridori ("Birds of Passage") series, and Keiichirō Akagi in the Kenjū Buraichō series. When Akagi died in a go-karting accident, Shishido replaced him as Nikkatsu's action star. His first starring role was in Joe of Aces-Gambling for a Living aka Rokudenashi Kagyō directed by Buichi Saitō.[7] The film was a success and spawned two immediate sequels, Joe of Aces-Body Guard and Joe of Aces-Give and Take'7 (1961). He gained national popularity and the lifelong nickname "Joe the Ace" ("Eisu no Jō") for his eponymous role in Quick Draw Joe (1961), in which he played the "third-fastest draw in the world—0.65 seconds."[3][8]

Though he worked predominantly in comic action roles, Shishido also gained a tough-guy loner image in such films as Seijun Suzuki's Youth of the Beast, (1963) in which he played an ex-cop who infiltrates two rival yakuza gangs.[3] Shishido is best known in the West for films he made with Suzuki, e.g. Detective Bureau 2-3: Go to Hell, Bastards! (1963) and Gate of Flesh (1964).[4] His best known film internationally is Suzuki's Branded to Kill (1967), in which he starred as the number three hitman in Japan. The film received only moderate success on its original release, due largely to poor promotion by Nikkatsu stemming from the studio's growing disaffection with Suzuki, which ended with the director's firing. Shishido later recalled seeing the film with friends and finding the theater nearly deserted.[3]

Nikkatsu action movies began to lose favour through the late 1960s and production was scaled back resulting in fewer jobs for Shishido. He began taking roles with other companies and in television, which were primarily of a comic nature. He also starred in Nikkatsu "new action" films such as the all-star vehicle Yakuza Bird of Passage:Bad Guys' Work (1969), with Akira Kobayashi and Tetsuya Watari, and Bloody Battle (1971). In 1971, Shishido ended his contract and left the failing company,[3] which had transitioned into softcore roman porno ("romantic pornography") films in order to stay profitable.[4]

Joe Shishido continued to work in television and appeared in films for other studios such as the fifth installment of Toei's highly popular yakuza series Battles Without Honor and Humanity: Final Episode (1974). By this time, yakuza films had begun to lose favour with the public, and Shishido ceased appearing in those types of roles. Over the next 20 years, he focused predominately on television with occasional film appearances, including Exchange Students (1982), Bound for the Fields, the Mountains, and the Seacoast (1986) and A Mature Woman (1994). His roles in Kaizo Hayashi's Mike Hama: Private Eye (a play on Mike Hammer) trilogy marked a reemergence of his tough-guy persona. The trilogy included The Most Terrible Time in My Life (1994), The Stairway to the Distant Past (1995) and The Trap (1996).[3]

On February 4, 2013, his house was destroyed in a fire. He was not at home at the time, and no one was injured.[9]

Shishido was found in his home on January 21, 2020, having died on January 18, 2020. He was survived by his three children.[1][10]

• Official website
• Midnight Eye interview: Joe Shishido and Toshio Masuda
• Joe Shishido at IMDb
• Joe Shishido at AllMovie
• Joe Shishido at the Japanese Movie Database (in Japanese)