John A. Ross (composer)

John Ross was born to Olga Evelyn White and Melvin Everand Ross[4] on December 15, 1950. He grew up in Roxbury, Massachusetts, with his parents and sister Paula Ann Ross. His childhood was heavily influenced by music and the presence of Langston Hughes. Hughes would come and stay with Ross's family when he lectured in Boston, Massachusetts because of his long-standing relationship with Ross's father, Melvin. As a child, Ross was somewhat unaware of Hughes's celebrity status and was able to maintain an organic relationship with the Harlem Renaissance writer.[5]

Ross began attending Boston University to pursue a concentrated degree in Church Music.[1] Ross received a degree from Boston University's College of Liberal Arts in 1960 and another degree from Boston University's School of Fine and Applied Arts in 1964.

John Ross began working at the Elma Lewis School of Fine Arts in 1969 and stood as the chairman of the Music Department.[3] Ross had a preexisting relationship with Elma Lewis prior to his employment at her school, and she saw a similar appreciation for the musical arts in Ross as she did herself.[1] Ross's responsibilities as the chairman of the Department of Music included overseeing a staff of over forty teachers who were educating more than four hundred students. To alleviate some of the stress from having to supervise so many employees, Ross hired Betty Hillmon as the director of Musical Instruction in 1972.[1] With Hillmon standing as the director of Musical Instruction, Ross was able to take a few steps back from his position as chairman of the Department of Music. With his extra time, Ross focused on forming the choral ensembles Children of Black Persuasion and its adult equivalent, Voices of Black Persuasion.

John Ross began working as the director of the Music Division at the National Center of Afro-American Artists (NCAAA) in the 1970s. While he held this position, he was also standing as the chairman of the Music Department at the Elma Lewis School of Fine Arts (ELSFA).[3] The National Center of Afro-American Artists was initially a professional organization associated with ELSFA and later merged with ELSFA in the 1980s.

Joyful John during choir practice at First Parish UU, Brookline, MA

John Ross worked with the congregation at the First Parish Church in Brookline, Massachusetts beginning in 1986.[4] After working with the congregation, Ross pursued and later became ordained as the Minister of Music for the First Parish Church in Brookline on November 12, 1995.[6]

Ross joined the production of "Black Nativity" as the Musical Director in 1970. His work with "Black Nativity" is what he is most known for. Ross remained as the Musical Director until his passing in 2006. The first production of "Black Nativity" that Ross worked on drew inspiration from the voice of Vivian Cooley-Collier.[1] "Black Nativity" is the story about Christmas performed by an entirely black cast. The show was originally imagined by Langston Hughes and is performed every year in Boston, Massachusetts.

Ross worked on many side projects while serving as the Musical Director of "Black Nativity," and the Minister of Music at the First Parish Church in Brookline, Massachusetts. Ross was an active member of the American Guild of Organists, a published author, and lead the music ensembles Contra-Band and the Voices of Black Persuasion.

• Comin' up Shoutin': Gospel Songs and Spirituals Newly Arranged, (1997)[3]
• Black Nativity : NCAA'S sound track of 'Black Nativity' performed by the Voices of Black Persuasion and the Children of Black Persuasion. (1995) a Milestones and Marvels Production, Produced by John Andrew Ross

• Climbing Jacob’s Ladder: Heroes of the Bible in African-American Spirituals (1987)[4]
• What a Morning: The Christmas Story in Black Spirituals,1991