John Craton

Craton was born August 6, 1953, in Anniston, Alabama. Though neither of his parents was musical, his extended family included many musicians, both amateurs and professionals,[2] among them his cousin, concert pianist and composer Barbara Gallagher. He began his formal musical training at age 10 studying violin under retired violinist and conductor, Robert Louis Barron. After graduating from Saks High School he studied violin and piano at Jacksonville State University before transferring to Lipscomb University, where he earned his B.A. Craton studied theory and composition under John Maltese, Gerald Moore, and Henry Fusner. His graduate degree from Indiana University Bloomington was in audiology, and Craton practiced as a clinical audiologist for several years in Indiana before returning to his musical roots and devoting his full-time to teaching and composing.[3]

Craton's music is highly tonal and in general reflects a style of English pastoralism, often incorporating onomatopoeic elements sometimes described as "nature music."[4] His music has been variously characterized as "atmospheric,"[5] "dramatic and challenging,"[6] "largely traditional ... playful,"[7] and occasionally even reflecting "a medieval/Renaissance flavor."[8] He has been performed by such artists and ensembles as Sebastiaan de Grebber, Gertrud Weyhofen, Sinella Aghasi, Ljubomir Velickovic, Takumi Mamiya, Lisa Ferrigno, Het CONSORT, the Netherlands Symphony Orchestra, Filarmonica Mandolini Alba Sapporo, Townsend Opera, and the Bloomington and Amsterdam Symphony Orchestras. Romanian opera composer and conductor Leonard Dumitriu has described Craton's music as "coming from some other time and planet," stating that although he "may be an American living in the present, ... [his] music comes from the time of Haydn and Mozart, or, better, from a world without time, where ... even the cares are easy and bright ... a musical world of sonorous peace and joy." Many of Craton's works are published by Wolfhead Music.[9]

While in his early years Craton often performed on violin, piano, recorder, and other instruments, he abandoned public performance after a hand injury and has since devoted himself completely to teaching and composing. He currently operates a private music studio in Bedford, Indiana.[10]

• Excerpt from Gilgamesh: An Assyrian Opera — Tablet VII: "Enkidu's Death & Lament of Gilgamnesh." Gottschalk Music Center Orchestra, John Kendall Bailey, cond. Assyryt: The Assyrian Diamond CD and DVD. Assyrian Market, MN2009DVD/CD.
• Excerpts from Gilgamesh: An Assyrian Opera — Overture; Tablet VI: "The Bull of Heaven." Excerpts from Inanna: An Opera of Ancient Sumer — Aria: "I, the Lady"; Ballet: "The Huluppu Tree"; Drinking Song from beginning of Act III. Sibel Demirman, Donn Bradley, Lorraine Davis, Julie Anne Miller, Barbara Wesley, vocalists; Sarah Weaver, Joseph Adkins, David Riskin, dancers of the Central West Ballet; René Daveluy, choreographer; orchestra of the Townsend Opera Players; Chase Spruill, solo violin; Ryan Murray, cond. Mediterranean Night CD and DVD. Assyrian Market, mesc-001 (CD), mesd-001 (DVD).
• The Orchestral Music of John Craton. Ann Putnam Overture, Excerpts from The Parliament of Fowls, The Reconciliation, The Fashionable Lady, La Boîte à musique, and The Curious Affair of the Count of Monte Blotto; Orchestral Suite from Inanna. Wolfhead Music, 884501052672.
• "The Gray Wolf." Fantasia Romantica. Sebastiaan de Grebber, mandolin. Stemra, SDG001-07.
• "The Legend of Princess Noccalula." Music for Mandolin Orchestra. Sebastiaan de Grebber, solo mandolin. Het CONSORT. Alex Timmerman, conducting. Stemra ATSDG03-08.

• John Craton's Official Website
• American Music Center Composer Website
• Contemporary Music for Mandolin
• National Opera America Center
• Wolfhead Music Composer Biography