Georges Cochevelou

Georges (Jord or Jorj in Breton) Cochevelou was born on May 16, 1889, in the rue Vercingétorix (Vercingétorix Street) of the 14th arrondissement of Paris. His father was a native of Nouec Vihan in Gourin, and his mother of Pontivy. Georges was baptised in Vannetais territory in the south of Brittany, after which his family moved away from Paris.[1] He was raised for some years by his maternal grandmother in Moustoir-Ac, and lived in Morbihan until he was thirty years old.

He was raised as a speaker of Gwenedeg before he became a soldier in World War I. He was wounded and taken prisoner in Germany in 1917. On Armistice of 11 November 1918, he was in Poland, where he studied Polish and Russian.

After the war he worked as a banker, administrator and interpreter, but his real passion was for the arts. He was a winner in the Lépine competition for several artistic works: he made an "astignomètre" (an ophthalmological device), created a table lamp (sold by Lancel - French leatherwear), built furniture like a cabinetmaker (French polish and marquetry) and painted in an original technique "of water-color in oil" on panels of hardboard painted in white, which were shown at an exhibition of independent artists at the academy of Raymond Duncan.

On August 1, 1932, he married Fanny-Julienne Dobroushkess, native of Baltic states, from which her father, Hain-Woulf Dobroushkess was an emigrant. She gave birth to their son, Jean, in December, 1935. On the eve of the Second World War Georges was fifty years old, and although he was over the age limit for his rank (captain of the reserves) and not ably fit, he considered it his duty to answer the call and was allocated to the east army to Épinal and to Saint-Dié. His wife and their son joined him in the spring of 1940. Their second child Yves was born on May 18, 1940, in Épinal. At the beginning of June, the east army started their withdrawal. They travelled for a week before finding a family near Villeneuve-sur-Lot. Georges eventually found employment in Châtel-Guyon where his family lived until autumn 1945.[2]

On January 6, 1944, Alan Cochevelou, the future Alan Stivell, was born. A short time later, the family settled down in Paris again. At that time Georges was working as an English interpreter and contract employee for the Ministry of Finance where he translated documents to French from English, Russian, Polish and Spanish. Fanny was working in the secretarial department of the civic and social Feminine Union, at 25 Rue de Valois. Cochevelou lived for five years in a small apartment on the boulevard of Belleville. They then lived on Rue Marne, then in Vincennes. Georges adopted ideas appropriate to the right-wing middle class, despite he and his family having relatively low incomes.[3] His wife Fanny encouraged him to resume contact with family members remaining in Brittany.

Gradually Georges' interest in Brittany was rekindled, particularly in the Breton movement, of which he had never completely lost sight. One of his passions was in cabinetmaking—he made furniture and musical instruments. Furthermore, he played the piano, the transverse flute and the oboe. He tried to recreate the Celtic harp, an instrument forgotten when the Duchy of Brittany lost its independence, at the end of the Middle Ages. He did research about it in the years 1946-1951, increasing his number of meetings and document retrievals, until finally he produced a prototype based on his personal designs. At the age of sixty three, he brought ambition, passion and perfectionism to this work which began in April, 1952 which lasted a year. Fifteen years of work allowed him to create a "perfect and magical harp" according to his son, realizing his dream in the early 1950s. He created, in April 1953, "Telenn gentañ", a harp model equipped with nylon strings. This work was the outcome of much research and calculation.

The sound of this harp, as well as the various performances and the recitals by his son Alan, created an enthusiasm for the harp which caused the revival of the instrument in Brittany in the 1950s. In 1959, he harmonized and arranged the pieces of Alan's first record. He produced about twenty copies which in the Celtic circles of Saint-Malo, Pontivy, Redon. In 1964, he created an instrument inspired by the 15th or 16th century Irish harp, fitted with metallic strings which gave him a tone similar to the twelve-stringed guitar or zither.

Jord died on December 20, 1974, in Saint-Mandé (Val-de-Marne). In 1976, Alan dedicated his album Trema'n Inis ("Towards the island") to Georges. His wife died on September 26, 2005, in Limeil-Brévannes (Val-de-Marne) at the age of 102. Alan paid tribute to her with the song "Over there, over there" on the album Explores in 2006. Both rest in the cemetery of Gourin, following the wishes of Georges.