Joseph Pollia

Joseph Pasquale Pollia (6 March 1894, Sicily, Italy 12 December 1954, New York City)[1] was an Italian-born American sculptor who created numerous monuments and war memorials.

My Buddy (1925), Richmond Hill World War Memorial, Forest Park, Queens, New York City.

Biography

He and his family parents Pasquale and Alexandra, and older sister Caterina emigrated from Sicily to the United States in 1896, and settled in Boston, Massachusetts.[2] His father worked as a barber at 21 High Street.[3]

He studied with Bela Pratt at the School of the Museum of Fine Arts, Boston.[4][5] He succeeded Joseph Bailey Ellis as director of the Modern School of Sculpture in Boston,[6] and taught summer courses at the Sawyer's Island Art School in Boothbay, Maine.[7]

He had an early success with his statue My Buddy (1925), for the Richmond Hill World War Memorial at Forest Park in Queens, New York City:[8]

The memorial features a strapping soldier who takes a moment to stand before the grave of a lost comrade. His head is bowed in contemplation of a small cross protruding from a mound of dirt. A helmet hangs from his right arm, leaving his lowered head bare, and showing off thick locks of hair that fall in waves onto his forehead.[9]

The soldier was reputedly modeled after silent movie star Francis X. Bushman.[10] Replicas of the statue are in Storm Lake, Iowa; Tarrytown, New York;[11] and Franklin, Massachusetts (as Mourning Doughboy).

Stonewall Jackson Monument (1938-40), Manassas, Virginia.

His most famous work is the Equestrian statue of General Thomas "Stonewall" Jackson at Manassas National Battlefield Park, near Gainesville, Virginia. The Virginia Fine Arts Commission announced a design competition for the monument in 1938, and his winning submission was chosen from 80 entries in March 1939.[12] The monument was dedicated August 31, 1940.[13]

[A] Herculean Jackson sits tall upon an equally muscular horse as he gazes out across Henry Hill. He wears a cape that appears to be lifted by a dramatic wind, lending itself to his heroic stance. The large lettering on the base of the monument boldly declares, "There Stands Jackson Like a Stone Wall," referencing the words purportedly spoken by General Bernard Bee at the Battle of first Manassas, immortalizing Jackson with his nickname.[13]

Pollia was a member of the Architectural League of New York and the National Sculpture Society, and exhibited at the 1929 NSS show.[5] He was elected an academician of the National Academy of Design in 1953.[14]

Death

News of his death was reported by several newspapers.[15] He and his wife, Mary G. Anastasi, are buried together at Santa Clara Mission Cemetery in Santa Clara, California.

Selected works

War memorials

References

  1. Regina Soria, American Artists of Italian Heritage, 17761945: A Biographical Dictionary, (Fairleigh Dickinson, 1993), p. 178.
  2. Joseph Pollia - 1900 Census Records, from MooseRoots.
  3. Report of Proceedings of the City Council of Boston for the Year 1899, (Boston: Municipal Printing Office, 1900), p. 578.
  4. Opitz, Glenn B, Editor, Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers, Apollo Book, Poughkeepsie NY, 1986
  5. The National Sculpture Society, Contemporary American Sculpture, The California Palace of the Legion of Honor, Lincoln Park, San Francisco, (New York: Kalkhoff Co. Press, 1929).
  6. The International Studio, vol. 61, no. 243 (May 1917), (New York: John Lane Company), p. 6.
  7. The School Arts Magazine, vol. 16, no. 9 (May 1917), (Boston: Davis Press), p. 400.
  8. Richmond Hill War Memorial, from NYC Parks.
  9. Jennifer Wingate, Sculpting Doughboys: Memory, Gender and Taste in America's World War I Memorials. Ashgate Publishing Ltd., 2013. pp. 104-07.
  10. Donald Martin Reynolds, Monuments and Masterpieces: Histories and Views of Public Sculpture in New York City, (New York: Thames & Hudson, 1988), p. 199.
  11. "Tarrytown, New York World War I Memorial," from Adventures in History (blog).
  12. Pollia's plaster model at the National Sculpture Society's 1940 exhibition.
  13. Shae Adams, "Cultural Distortions: The Dedication of the Thomas "Stonewall" Jackson Monument at Manassas National Battlefield Park," The Gettysburg College Journal of the Civil War Era, vol. 2, no. 3 (2011), pp. 9-26.
  14. Joseph P. Pollia, from National Academy of Design.
  15. Obituary, The Kansas City Times, December 14, 1954, p. 15.
  16. The Atlanta Constitution, January 10, 1920, p. 10.
  17. The Volunteer Fireman, from SIRIS.
  18. Nick Stoner monument, from The Stoner Lakes, The Adirondacks.
  19. Eberly Hutchinson, "The Stoner Statue," from Jeptha R. Simms, The Trappers of New York (1935).
  20. Pulaski Monument, from SIRIS.]
  21. Shekilammy Boulder, from SIRIS.
  22. Hail to the Sunrise, Around and About with Viv (blog).
  23. Youth, from SIRIS.
  24. John Brown Statue, from SIRIS.
  25. Admiral Robert E. Peary Monument, from SIRIS.
  26. Admiral Peary Monument, from Do Johnstown.
  27. Wright Quadrangle Reliefs, from SIRIS.
  28. 5 Maquettes by Joseph P. Pollia, from San Jose Museum of Art.
  29. Richmond Hill World War Memorial, from SIRIS.
  30. The Buddy Monument, from SIRIS.
  31. Tarrytown World War I Memorial, from SIRIS.
  32. Karen L. Davis, National Register of Historic Places Nomination: Franklin Common Historic District, January 2003, p. 3. PDF
  33. Civil War Soldier, from SIRIS.
  34. World War I Doughboy, from SIRIS.
  35. 74th New York Infantry Statue, from Cuban Battlefields.
  36. Membi Victoriese, from Trip Advisor.
  37. Rockaway Beach War Memorial, from SIRIS.
  38. Barre World War I Monument, from SIRIS.
  39. Greenfield Spanish War Memorial, from SIRIS.
  40. Iowa Veterans Home, from SIRIS.
  41. Milford World War I Memorial, from SIRIS.
  42. Spanish War Memorial, from SIRIS.
  43. Suffolk and Nansemond World War Monument, from SIRIS.
  44. It Shall Not Be Again, from SIRIS.
  45. George C. Marshall Memorial Plaza, Uniontown, PA, from Waymarking.
  46. Sheridan Memorial, from SIRIS.
  47. Lynn World War I Memorial, from SIRIS.
  48. Stonewall Jackson Monument, from SIRIS.
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