Juana Valdes

Valdés was born in Cabañas, Pinar Del Rio, Cuba in 1963. She migrated to Miami with her mother, brother and sister in 1971; her father arrived a year later.[7] Her work is, in part, informed by this early experience of migration, her childhood memories of Cuba, and adjusting to life in the United States.[8]

She received her B.F.A. in Sculpture from the Parsons School of Design in 1991 and her M.F.A. in Fine Arts from the School of Visual Arts in 1993. She attended the Skowhegan School of Painting & Sculpture in 1995 after receiving a Cosby Fellowship from the Skowhegan School of Painting & Sculpture, in Maine, United States.[9]

Valdés’ career as an academic started in 1996 when she was invited by Bard College to teach Studio Art and exhibit a site-specific installation in the Fisher Arts Building, where Judy Pfaff and William Tucker were co-chairs the Department.[10] From 2002 to 2005 Valdés participated in the Artist-Teacher MFA program in the Visual Arts Department at Vermont College of Norwich University. During that time, Valdés led a Digital Screen Print Workshop in the Yale School of Art at Yale University in 2004. Starting in 2005, Valdés taught sculpture as an adjunct professor in the College of Arts and Letters Art and Technology program at the Stevens Institute of Technology. Between 2005 and 2010 Valdés taught Studio Art at Brooklyn College, City University of New York (CUNY) before joining the faculty at Florida Atlantic University as an Assistant Professor of Printmaking in the Department of Visual Arts and Art History from 2010 to 2015. In 2015, Valdés was an Associate Professor of Printmaking in the Department of Art in the College of Humanities and Fine Arts at the University of Massachusetts Amherst, where she was awarded tenure.[11]

Valdés's work has been exhibited in over 100 museums and galleries nationally and internationally, including spaces such as El Museo del Barrio, Whitebox Gallery, and P.S. 1 Contemporary Art Center.[12]

Her work is held in museums and private collections throughout the United States, including the Smithsonian National Museum of African American History and Culture, Newark Museum of Art,[13][14][15] and the Pérez Art Museum Miami.[16]

Her work has been favorably reviewed in journals such as Art in America,[17] Frieze,[18] Latinx Spaces, Miami Herald,[19][20] Berlin Art Link,[21] Santa Fe New Mexican,[22] South Florida Sun-Sentinel,[23] Newcity Art,[24] El Nuevo Herald,[25] The New Tropic.[26]

Valdés's work is also the subject of several scholarly publications including Bending Bone China: Juana Valdes’ Politics of the Skin by Josune Urbistondo (2015)[27] and Latinx Art: Artists/Markets/Politics by Arlene Dávila.[28][29]

Juana Valdés has received several awards from the Skowhegan School of Painting and Sculpture in 1995, the National Association of Latino Arts and Cultures Fund for the Arts grant in 2016,[30] the Pollock-Krasner Foundation,[31] Cuban Artist Fund,[32] New York Foundation for the Arts, Netherland-America Foundation, Faculty Research Mentoring Program, Lifelong Learning Society, Oolite Arts Ellies Award[33],[34][35] Joan Mitchell Foundation,[36] and Anonymous Was A Woman Award,[37][38] among others.

Her work can be found in many books including Women and Migration: Responses in Art and History,[39] Relational Undercurrents: Contemporary Art of the Caribbean Archipelago,[40] Four Generations: The Joyner Giuffrida Collection of Abstract Art,[41] Much Wider Than a Line,[42] and Multiplicity: Contemporary Ceramic Sculpture.[43]

• JuanaMValdes.com