Juliet Fraser

Fraser studied at the Purcell School and at the University of Cambridge, where she read Music and History of Art. Initially an oboist, she began her vocal training at the age of 21, combining private lessons with freelance performing.[3]

A former chorister in the chapel choir of Clare College, Cambridge, Fraser began her professional career singing with British choirs such as Polyphony, Tenebrae, the Monteverdi Choir and BBC Singers. In 2002, she co-founded EXAUDI vocal ensemble[4] with James Weeks and was executive director of the group until 2014.[5] She remains one of the core members, performing early and contemporary music around Europe. She was a member of the soloists of Collegium Vocale Gent (dir. Philippe Herreweghe) from 2007 to 2012, performing and recording Renaissance polyphony by Orlande de Lassus,[6] Tomas Luis de Victoria, Carlo Gesualdo and William Byrd.

Fraser is best known as an interpreter of contemporary classical music. Her repertoire focuses on new works for solo voice, voice and tape/electronics, voice and piano (with duo partner Mark Knoop), and voice and ensemble.

She has performed as a soloist with Ensemble MusikFabrik, Klangforum Wien, Ensemble Modern, London Sinfonietta, BBC Scottish Symphony Orchestra, Asko|Schönberg, Talea Ensemble, Remix Ensemble, Plus-Minus and Quatuor Bozzini. She has a long-standing duo with pianist Mark Knoop.

Festival appearances include Aldeburgh Festival, Huddersfield Contemporary Music Festival, TECTONICS Glasgow, IRCAM's ManiFeste Paris, Lucerne Festival, Milano Musica, Munich Biennale, Musikfest Berlin, November Music and TIME:SPANS (NYC). She has performed at venues including the Wigmore Hall, Queen Elizabeth Hall and Kings Place London, Symphony Hall Birmingham, Berlin Philharmonie, Elbphilharmonie Hamburg, Alte Oper Frankfurt, Wiener Konzerthaus, Centre Pompidou Paris, L'Auditori Barcelona, Casa da Música Porto and Helsinki Music Centre.[7][8]

Fraser has developed particularly close partnerships with a range of significant contemporary composers. In 2016 she premiered Bernhard Lang's The Cold Trip, part 2 at the MaerzMusik festival in Berlin and Michael Finnissy's Andersen-Liederkreis at Transit festival in Belgium, both with pianist Mark Knoop.[9][10] In the same year, Rebecca Saunders wrote Skin for Fraser and Klangforum Wien; it was premiered at the Donaueschingen Festival and performed again at the Huddersfield Contemporary Music Festival, where she was described as sounding "positively alien at various points, adding unsettling frissons to our perception of the nature of the voice".[11] The premiere recording of this work appears on the Donaueschingen-released recording from that year.[12] Fraser has given premiere performances of a number of works by Saunders, notably The Mouth, for voice and electronics, in 2020. In the 2021/22 season she premiered two new works by Pascale Criton.

Since 2016 Fraser has been collaborating with Canadian composer Cassandra Miller, resulting in an ongoing and modular series of compositions called Tracery. This project had its first outing at Cafe OTO[13] and subsequent iterations have been programmed by Experimental Sound Studio[14] Chicago, Klangspuren in Schwaz[15] and Bastard Assignments.[16]

Fraser has performed Gerard Grisey’s final work Quatre chants pour franchir le seuil across Europe, including a performance in 2019 with conductor Susanna Mälkki and Scholars of the Karajan Academy at the Berlin Philarmonie as part of Musikfest Berlin, where she "sang the solo part with pathos and a beautifully dark hue".[17]

During a series of summer concerts at Snape Maltings in 2021, Fraser performed a double bill of Samuel Beckett’s Not I and Morton Feldman’s Three Voices. Her performance was described as a “tremendous tour de force”, with “every element perfectly executed”.[18] In 2022, she performed Feldman's monumental Neither at the Melos-Ethos Festival in Bratislava.

Recent premieres include Laurence Crane's Natural World performed at Musica Sacra, Maastricht in September 2021, and subsequently at Oxford Lieder Festival, Huddersfield Contemporary Music Festival and Music We'd Like to Hear, London;[19][20] Christopher Fox’s The air is just desire with Quatuor Bozzini, alongside a “direct, and powerfully moving” performance of Schoenberg’s Second String Quartet at the 2022 Dartington International Summer School;[21] and a “fearless” performance of Laura Bowler's ground-breaking multimedia chamber piece Distance at Sound Festival in Scotland, Cheltenham Music Festival and Spitalfields Music Festival, which involved Fraser performing live in the UK, alongside Talea Ensemble who were live-streamed from New York.[22]

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