Kai Althoff

Kai Althoff was born in Cologne, Germany, in February 1966. He is a multimedia artist and a painter. Borrowing from moments of history, religious iconography, and counter-cultural movements, Althoff creates imaginary environments in which paintings, sculpture, drawing, video, and found objects commingle.[1] Tapping a multitude of sources, from Germanic folk traditions to recent popular culture, from medieval and gothic religious imagery to early modern expressionism, Althoff’s characters inhabit imaginary worlds that serve as allegories for human experience and emotion.[2] His image bank and painterly style also draw on the past, especially early-20th-century German Expressionism, reconfigured by introducing collaged technique.[3]

Much of Althoff's work is collaborative. For the 4th Berlin Biennale, Althoff and Lutz Braun created the site-specific installation Kolten Flynn, made up of three vitrines draped in red foil and full of a child’s paintings, drawings, pens and other abandoned materials.[4] Along with Yair Oelbaum, he conceived the dramatic play There we will be buried (2010), which debuted in 2011 at the Dixon Studio in Southend-on-Sea in Essex, England. For their U.S.-premiere performance at the Whitney Museum of American Art, the pair portrayed the show’s main characters, Orpah and Lydia, two single mothers searching for a lost daughter.[5] In Die Kleine Bushaltestelle (Gerüstbau) (Little Bus Stop [Scaffolding], 2012) Althoff performed alongside fellow artist Isa Genzken in a 70-minute absurdist comedy shot on home video.[6]

Althoff's work has been included in several books listing contemporary artists, such as Art Now, published by Taschen. He is also a musician, releasing solo work under such monikers as Fanal, Engelhardt/Seef/Davis Coop. or Ashley's. He and Justus Köhncke perform as Subtle Tease, and he co-founded the band Workshop with Christoph Rath, Stefan Mohr and Stephan Abry.[7]

Althoff is represented by Gladstone Gallery in New York, Galerie NEU in Berlin, and Michael Werner Gallery in London.

Althoff has been the subject of solo exhibitions worldwide, including Kaiki, an exhibition of artist Kai Althoff’s work selected by Saim Demircan at Focal Point Gallery in Southend-on-Sea in 2011; Kai Althoff in 2008 at Vancouver Art Gallery;[8]Kai Althoff: Ich meine es auf jeden fall schlecht mit ihnen[9] in 2007 Kunsthalle Zürich;[10] Kai Althoff: Kai kein Respekt (Kai No Respect) in 2004 at Institute of Contemporary Art, Boston[11] and Museum of Contemporary Art, Chicago;[12] Immo[13] in 2004 at Simultanhalle, Cologne;[14] Kai Althoff and Armin Kraemer[15] in 2002 at Kunstverein Braunschweig, Braunschweig; and Heetz, Nowak, Rehberger in 1997 at Museo de Arte Contemporanea USP, São Paulo. From 18 September 2016 through 22 January 2017, Kai Althoff: and then leave me to the common swifts was on view at the Museum of Modern Art, New York. In 2014, a solo exhibition, Kai Althoff, was presented at Michael Werner Gallery, London.

Current group exhibitions include Invisible Adversaries: the Marieluise Hessel Collection, Center for Curatorial Studies, Hessel Museum of Art, Bard College, Annandale-on-Hudson and Identity Revisited, The Warehouse, Dallas in 2016; Avatar and Atavism: Outside the Avant-Garde, Kunsthalle Düsseldorf, Düsseldorf in 2015; Not Yet Titled, Museum Ludwig, Cologne in 2013.

• Michael Bracewell, Peter Doig, Romeo Klein and Helena Morell, Kai Althoff: Recent Paintings, Michael Werner (2015), ISBN 9781938809187
• Kai Althoff, Kai Althoff: and then leave me to the common swifts, Museum of Modern Art, New York (2016), ISBN 9781568980836

• Kai Althoff on ArtFacts.Net
• Kai Althoff collection at the Israel Museum. Retrieved September 2016.
• Althoff on artnet.com
• Kai Althoff at the Saatchi Gallery
• Kai Atlhoff on Artcyclopedia
• Kai Althoff discography at Discogs