Kaisa Korhonen

Kaisa Korhonen (born 20 July 1941) is a Finnish singer, actor, theatre director and writer. She was a central figure in the Finnish leftist music scene of the 60s and 70s, appearing both as a solo artist, and with KOM-teatteri. After her singing career, Korhonen has become an accomplished director and teacher of theatre directing.[1][2][3]

Korhonen in 2008

Career

Korhonen studied scenography at the Taideteollinen oppilaitos (now Aalto University School of Arts, Design and Architecture) between 1961 and 1965.[4]

Korhonen had first started singing in public in 1962, but her career as a vocalist really began in the spring of 1964, with performances at the Lilla Teatern in Helsinki. At the time, she also starred in the Orvokit series of political cabarets, which aired on the radio between 1965 and 1966.[5] Korhonen has become especially known for her interpretations of Kaj Chydenius' songs.[1][2][3][4]

Korhonen's style is marked by her loud, even shouting expression. Her singing became a symbol of the rise of leftist politics in the 60s, and especially the Taistoist movement of the 70s.[4] Societal reactions to her singing were thus split, as conservatives objected both to the songs' messages, and her passionate delivery.[4][5][1]

In 1965, Korhonen was named leader of the Helsinki Ylioppilasteatteri. In her work as director, she was inspired by Bertolt Brecht, whose plays she had seen when she visited East Berlin in 1962. Her first stage production was Brecht's A Respectable Wedding; this production went on to win an award at a student theatre festival in Nancy. Here Korhonen also directed her then-husband Kaj Chydenius' Lapualaisooppera in 1966. Korhonen remained at the Ylioppilasteatteri until 1967.[4]

Korhonen briefly directed the Swedish Theatre's KOM-scenen, before co-founding the independent KOM-teatteri, acting as both director and actor. This travelling theatre company aimed to thus reach audiences not accustomed to theatre as an art form. KOM-teatteri also released two musical records: Porvari Nukkuu Huonosti (English: The Bourgeois Sleeps Badly) and Kansainvälinen (English: The Internationale)[2][4]

In 1972, Korhonen moved on to become a teacher of directing at the Suomen Teatterikoulu (now the Helsinki Theatre Academy). Here she stayed until 1977.[4]

From 1981 to 1984, Korhonen was the leader of the Swedish-speaking Lille Teatern. Afterwards, she became a professor of acting at Tampere University, where she remained for five years. In 1989, Korhonen co-founded and subsequently directed the Musta Rakkaus (English: Black Love) theatre company at the Tampere Theatre.[4]

After finishing with Musta Rakkaus in 1992, Korhonen proceeded to take a year-long temporary professorship at the Theatre Academy, before becoming director of the Helsinki City Theatre for a two-year term. In 1995, she then returned to teaching directing at the Theatre Academy this time as a professor for another five years. Between 2002 and 2004, Korhonen worked as guest professor at the Swedish Institute of Dramatic Art.[4]

Since 2007, Korhonen has worked as a freelance director. Between 2007 and 2009, she received an art professorship, a kind of prestigious grant, from the Finnish state. In total, she has directed more than 100 plays.[4]

Personal life

Korhonen was born in Sotkamo in 1941 to provost Kusti Vihtori Korhonen and his wife, Kirsti Johanna Korhonen. The family moved to Helsinki in 1957.

In 1965 she married composer Kaj Chydenius. They had two sons, Kalle and Jussi Chydenius, born in 1970 and 1972, respectively. Jussi Chydenius is a member of the a capella group Rajaton. They divorced in 1980.[4]

In 1991, Korhonen married actor Matti Tapio Rasila.[4]

Awards and accolades

Discography

Solo albums

  • Kaisa Korhonen (1969)
  • Työstä Ja Taistelusta (1970)
  • Maamme Lauluja (1977)
  • Elämäni Laulut (Compilation, 1993)

KOM-teatteri

  • Porvari Nukku Huonosti (1971)
  • Kansainvälinen (1972)

Bibliography

  • Enemmän kuin totta hetken aikaa : Kaisa Korhonen, Kalle Holmberg ja Pekka Milonoff keskustelevat ohjaajantyöstä (English: More than true for a moment: Kaisa Korhonen, Kalle Holmberg, and Pekka Milonoff converse about the work of a director) (1977)
  • Uhma, vimma, kaipaus : muistiinpanoja työstä ja elämästä (English: Defiance, rage, longing: notes from work and life) (1993)
  • Koirien ajama kettu : ohjaustaiteen kysymyksiä (English: A fox chased by dogs: questions of the art of directing) (editor, 1998)
  • Näytös vailla loppua (English: The Neverending Play) (editor with K. Tanskanen, 2005)
  • Theatre People People's Theatre (editor with K. Tanskanen, 2006)
  • Näytöksen paikka : suomalaisen teatterin vuosi 2007 (English: Place of performance: year of Finnish theatre 2007) (editor with J. Lahtinen, 2007)
  • Kiihottavasti totta (English: Provocatively true) (with H.-L. Helavuori, 2008)
  • Människan som skådeplats (English: The human as stage) (with H.-L. Helavuori, 20012)

References

  1. "Kaisa Korhosen ääni jakoi kuulijat" (in Finnish). Yle. 8 April 2008. Retrieved 2 November 2017.
  2. Mäkelä, Olli. "Esittely: Kaisa Korhonen". Näytelmät.fi (in Finnish). Archived from the original on 14 August 2016. Retrieved 2 June 2022.
  3. "Kaisa Korhosesta taiteiljaprofessori". Yle uutiset (in Finnish). 17 October 2006. Retrieved 2 June 2022.
  4. Helavuori, Hanna-Leena. "Korhonen, Kaisa (1941 - )". Kansallisbiografia. Finnish Literature Society. Retrieved 2 June 2022.
  5. Lindfors, Jukka (10 April 2008). "Radion Orvokki-kabareet ravistelivat arvoja". Yle Uutiset. Retrieved 3 June 2022.
  6. "Kaisa Korhonen". TeaK. Helsinki Theatre Academy. Archived from the original on 20 February 1999. Retrieved 2 June 2022.
  7. "Suomen Teatterijärjestöjen Keskusliiton myöntämät kultaiset kunniamerkit 2014-1947" (PDF). Teatterijärjestön Keskusliitto. Archived from the original (PDF) on 10 March 2016. Retrieved 2 June 2022.
  8. Skara, Marija (2 October 2009). "Teatterikorkeakoulussa promovoitiin ensimmäiset tohtorit". Yle Uutiset (in Finnish). Retrieved 2 June 2022.
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