Kakure Kirishitan

A Dehua porcelain "Guanyin bringing child" statue, interpreted to be "Maria Kannon" in connection with Christian worship. Nantoyōsō Collection, Japan.

The gion-mamori, crest of the Gion Shrine, was adopted by the kakure kirishitan as their crest under the Tokugawa shogunate[4]

Kakure kirishitan are the Catholic communities in Japan which hid themselves during the ban and persecution of Christianity by Japan in the 1600s.[3][5]

Depictions of Mary modeled on the Buddhist deity Kannon (Avalokiteśvara), goddess of mercy, became common among kakure kirishitan, and were known as "Maria Kannon".[6] The prayers were adapted to sound like Buddhist chant, yet retained many untranslated words from Latin, Portuguese, and Spanish. The Bible and other parts of the liturgy were passed down orally, because printed works could be confiscated by authorities.[1]

Kakure kirishitan were recognized by Bernard Petitjean, a Catholic priest, when Ōura Church was built in Nagasaki in 1865. Approximately 30,000 secret Christians, some of whom had adopted these new ways of practicing Christianity, came out of hiding when religious freedom was re-established in 1873 after the Meiji Restoration. The Kakure Kirishitan became known as Mukashi Kirishitan (昔キリシタン), or "ancient" Christians, and emerged not only from traditional Christian areas in Kyushu, but also from other rural areas of Japan.[1]

Japan's ban on Christianity was lifted in 1873.[3]

The majority of kakure kirishitan rejoined the Catholic Church after renouncing unorthodox, syncretic practices. Some Kakure Kirishitan did not rejoin the Catholic Church, and became known as the hanare kirishitan (離れキリシタン, separated Christians).[1][3] Hanare Kirishitan are now primarily found in Urakami and on the Gotō Islands.[2]

In the early 1990s, anthropologist Christal Whelan discovered some Hanare Kirishitans still living on the Gotō Islands where Kakure Kirishitans had once fled. There were only two surviving priests on the islands, both of whom were over 90, and they would not talk to each other. The few surviving laity had also reached old age, and some of them no longer had any priests from their lineage and prayed alone. Although these Hanare Kirishitans had a strong tradition of secrecy, they agreed to be filmed for Whelan's documentary Otaiya.[7]

The Kakure Kirishitan still exist today, forming "what is arguably a separate faith, barely recognizable as the creed imported in the mid-1500s by Catholic missionaries".[3]