Kamal Tarbas

Kamal Ibrahim Suleiman, better known as Kamal Tarbas, (Arabic: كمال ترباس, born 1 January 1950, Omdurman, Sudan) is a Sudanese singer-songwriter. He has contributed to the development of popular music in Sudan in the 1970s by his personal, down-to-earth way of singing, backed by orchestras with western musical instruments.

Kamal Tarbas
Birth nameKamal Ibrahim Suleiman
Born1 January 1950
Omdurman
OriginSudan
GenresMusic of Sudan, Arabic music, Music of Africa
Occupation(s)singer-songwriter
Years active1967-present

Life and artistic career

Tarbas grew up in an Islamic mystical environment and started working as a carpenter. Starting his career as a singer in the late 1960s, he developed his own Sudanese musical sub-genre, known as "al-fann al-shaabi" (the people's art) that has been described as "earthy populism" and down-to-earth.[1] Further, he became known during the "Golden Years" of popular music in Sudan[2] as "King of Sudanese Folk" music for his "laid-back voice," accompanied by Sudanese tom-tom rhythms and orchestras with western musical instruments.[3]

After a military coup in 1989, the imposition of sharia law by the Islamist government of Omar al-Bashir brought about the closing of music halls and outdoor concerts, as well as many other restrictions for musicians and their audiences.[4][5] Despite this development, Tarbas has appeared on stage in support of Sudanese football teams and with other popular singers, such as Mohammed al Amin. He has continued to perform both at home in Sudan and in the Gulf Emirate of Abu Dhabi up to the present.[6][7]

On the compilation album Two Niles to Sing a Melody with songs by famous Sudanese musicians of the 1970s, he was featured with his song "Min Ozzalna seebak seeb" (Whoever humiliated us will cry).[8][9] Another of his popular songs is "Gana El Baby" written by poet Othman Awad that likens his beloved to a papaya fruit.

Further, he founded the Dar Karouma Centre for Music, named after the Sudanese musical pioneer Abdel Karim Karouma, in 1985.[10] Also, Tarbas is known for his distinctive style of appearing on stage dressed in elegant abaya cloaks and large sized white turbans, measuring up to 9 meters.[11] For this appearance and "shameful" personal coduct, he was criticized by members of the Union of Sudanese Musicians after a meeting in 2015.[12]

Selected discography
Albums
  • 1985: Ya kamar Bain
  • 1985: Gana El Baby
Singles
  • Hban Qsay
  • Ma Mank
  • Ashan Baridk
  • Gay Tftsh Al Mady
  • Sayek Dalaloh
  • Tany
  • Nseem Shabal

See also

References
  1. Broughton, Simon; Ellingham, Mark; Lusk, Jon; Clark, Duncan Antony (2006). The Rough Guide to World Music: Africa & Middle East. Rough Guides. p. 400. ISBN 978-1-84353-551-5.
  2. "World Music Matters - Sudan's forgotten musical heritage revived with violins and synths". RFI. 2018-09-13. Retrieved 2022-11-05.
  3. Duane, Orla; McConnachie, James (1999). World Music: Africa, Europe and the Middle East. Rough Guides. p. 680. ISBN 978-1-85828-635-8.
  4. "BBC World Service - Newsday, Uncovering Sudan's lost music heritage". BBC. Retrieved 2022-11-05.
  5. Sohonie, Vik. "A journey through Sudan's golden era of music". www.aljazeera.com. Retrieved 2022-11-05.
  6. Sudanow. Khartoum: Ministry of Culture and Information. January 1962. p. 12.
  7. "كمال ترباس للفنانين الشباب: استفيدوا من خبرات المخضرمين". كمال ترباس للفنانين الشباب: استفيدوا من خبرات المخضرمين (in Arabic). 2020-10-07. Retrieved 2022-09-19.
  8. Sohonie, Vik. "A journey through Sudan's golden era of music". www.aljazeera.com. Retrieved 2022-09-17.
  9. "Ostinato Records' Vik Sohonie talks about latest Sudanese project – part 1". Music In Africa. 2018-07-31. Retrieved 2022-09-19.
  10. "العمامة السودانية تلف في طياتها تاريخا وهوية". اندبندنت عربية (in Arabic). 2022-07-13. Retrieved 2022-09-19.
  11. "«العِمّة السودانية»... هوية وزينة وحاجة". الشرق الأوسط (in Arabic). Retrieved 2022-09-19.
  12. "من أخذ (عمة) كمال ترباس؟!! - النيلين" (in Arabic). 4 June 2015. Retrieved 2022-09-19.
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