Karl Davydov

Karl Yulievich Davydov (Russian: Карл Юльевич Давидов; 15 March [O.S. 3 March] 1838 – 26 February [O.S. 14 February] 1889) was a Russian cellist, described by Pyotr Ilyich Tchaikovsky as the "czar of cellists". He was also a composer, mainly for the cello. His name also appears in various different spellings: Davydov, Davidoff, Davidov, and more, with his first name sometimes written as Charles or Carl.

Karl Davydov
Background information
Birth nameKarl Yulievich Davydov
Карл Юльевич Давыдов
Born15 March 1838 [O.S. 3 March 1838]
Goldingen, Courland Governorate, Russian Empire
Died26 February 1889 [O.S. 14 February 1889] (age 51)
Moscow, Imperial Russia
GenresClassical
Occupation(s)Cellist, composer, conductor, pedagogue
Instrument(s)Violoncello
Years activefl. ca. 1850–1889

Biography

Davydov was the son of a Jewish physician and amateur violinist, Yuly Petrovich Davidhoff from Courland Governorate.[1] His elder brother August Davidov was a noted mathematician and educator, and his nephew Alexei Davidov also became cellist and composer and also a businessman.

In his youth Davydov studied mathematics at St. Petersburg University, and then pursued a career as a composer, studying with Moritz Hauptmann at the Leipzig Conservatory. He became a full-time cello soloist in 1850 while continuing to compose. He took a post as a professor of cello at the St Petersburg Conservatory in 1863, and subsequently became director in 1878. In 1886 scandal forced him from his position, and Anton Rubinstein took the helm. He had many students, including Aleksandr Verzhbilovich.

He intended to write an opera on the subject of Mazeppa. Viktor Burenin wrote a libretto for this purpose in 1880, but when Davydov proved unable to find the time to compose, Burenin offered the libretto to Tchaikovsky.[2] Although closely associated with Tchaikovsky, Karl Davydov was not related to the Princes Davydov, Russian Orthodox, into which Tchaikovsky's sister Alexandra married.

Davydov was well-connected with a great number of the top-tier composers, musicians and nobility. In 1870 Count Wilhorsky, a patron of the arts, presented Davydov with a Stradivarius cello constructed in 1712. This cello, now known as the Davidov Stradivarius, was owned by Jacqueline du Pré until her death and is currently on loan to cellist Yo-Yo Ma.[3] Several composers dedicated works to him, notably Tchaikovsy's Cappricio Italien and Anton Arensky's first piano trio.

Davydov went on to write his still-popular "cello school" book of etudes and technique, completed in 1888, taking the physical limitations into considerations for advancing the possibilities in both the bow hand and playing in the high registers.[4] Davydov died in Moscow on 26 February 1889.

In 2019 a Moscow regional cello competition was established in his name.[5]

Cello transcriptions

Davydov transcribed and arranged Chopin's solo piano works for violoncello and piano accompaniment. Transcription albums of Walzer and Mazurkas published by Breitkopf & Härtel. Another transcription album is a selection of Nocturnes and others solo piano works published by Edition Peters.

Selected works
  • Opus 5, Cello Concerto No. 1 in B minor (1859)
  • Opus 6, Souvenir de Zarizino: 2 salon pieces (Nocturne – Mazurka) for cello and piano
  • Opus 7, Fantasie from a Russian folk song for cello and orchestra
  • Opus 9, 3 Pièces caractéristiques for cello and piano
  • Opus 11, Concert Allegro in A minor for cello and orchestra or cello and piano
  • Opus 14, Cello Concerto No. 2 in A minor (1863)(1860?)
  • Opus 16, 3 Salon pieces (Mondnacht, Lied, Märchen) for cello and piano
  • Opus 17, Souvenirs d'Oranienbaum (Adian – Barcarolle)
  • Opus 18, Cello Concerto No. 3 in D major (1868)
  • Opus 20, 4 Pieces for Cello and Piano
    • No. 1, Sonntag Morgen (Sunday Morning)
    • No. 2, Am Springbrunnen (At the Fountain)
    • No. 3, An der Wiege
    • No. 4, Abenddämmerung
  • Opus 23, Romance sans Paroles in G major
  • Opus 25, Ballade for cello and orchestra or piano in G major (1875)
  • Opus 30, 3 salon pieces
  • Opus 31, Cello Concerto No. 4 in E minor (1878)
  • Opus 35, String Sextet
  • Opus 37, Suite pour l'orchestre (Suite for Orchestra)
    • I. Scéne rustique
    • II. Quasi valse
    • III. Scherzo
    • IV. Petite romance
    • V. Marche
  • "Poltawa", Opera after Pushkin (1876, unfinished)
  • Hymn for 10 Celli and Percussion
  • Opus 40, Quintet for Piano and Strings in G minor (1884)

References
  1. "Karl Davydov - Tchaikovsky Research".
  2. "Karl Davydov - Tchaikovsky Research". en.tchaikovsky-research.net. Retrieved 2021-09-28.
  3. "Property". Tarisio. Retrieved 2021-09-28.
  4. "Schools of Cello Playing: Russia and Armenia". Interlude. 2018-08-24. Retrieved 2021-09-28.
  5. "Московский областной открытый конкурс виолончелистов имени К .Ю. Да". Московский областной (in Russian). Retrieved 2021-09-28.
  • Wasielewski, Wilhelm Joseph von; Stigand, Isobella S. E. (1894). The violoncello and its history. University of Michigan. London, Novello and Company, Limited; New York, Novello, Ewer and co: Complete text at archive.org
  • "Karl Davidov". Great Cellists of the Past. Internet Cello Society. Retrieved 2007-09-07.
  • Карл Юльевич Давыдов (in Russian). Peoples.ru. Retrieved 2007-01-17. (family name written incorrectly)
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