Katharina Grosse

Katharina Grosse (born 2 October 1961) is a German visual artist. She is known for her large-scale, site-related installations to create immersive visual experiences.[1] Grosse's work employs a use of architecture, sculpture and painting. She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.

Katharina Grosse
Grosse in 2012
Born (1961-10-02) 2 October 1961
Freiburg im Breisgau, Germany
EducationKunstakademie Münster
Kunstakademie Düsseldorf
Known forPainting
Websitewww.katharinagrosse.com

Early life and education

Grosse was born in 1961 in Freiburg im Breisgau, Germany.[2] Grosse studied at the Kunstakademie Münster from 1982 to 1986, and Kunstakademie Düsseldorf from 1986 to 1990.[3][2] In subsequent years, she completed artist-in-residence programs at the Villa Romana in Florence, Italy (1992); Chinati Foundation in Marfa, USA (1999);[4] Elam School of Fine Art in Auckland, New Zealand (2001); and Headlands Center for the Arts in San Francisco, USA (2002).

Work

Grosse maintains studios in Berlin's Moabit district (since 2008),[5] Auckland[6] and Groß Kreutz (since 2020).[7]

Commissions

Grosse has been commissioned with various site-specific installations, including for the Federal Labour Court in Erfurt (1999)[8] Gate 122 of Terminal 1 at Toronto Pearson International Airport in Toronto (2003)[9] and the German Parliament in Berlin (2015).[10]

Other activities

Grosse taught at the Weißensee Academy of Art from 2000 to 2010. She was a professor of painting at the Kunstakademie Düsseldorf from 2010 to 2018. She was a member of the juries that selected Hito Steyerl as recipient of the Käthe Kollwitz Prize (2019)[11] and Sheela Gowda of the Maria Lassnig Prize (2019).[12]

Since 2021, Grosse has been chairing the board of KW Institute for Contemporary Art.[13] In this capacity, she was part of the search committee that chose Emma Enderby as the KW's new director in 2023.[14]

Art market

Grosse is represented by Galerie Max Hetzler (since 2022)[15] and Gagosian Gallery (since 2017).[16] She previously worked with Johann König until 2022.[17]

Personal life

Grosse is in a relationship with artist Judy Millar.[18] She has been living and working in Berlin since 2000.[19] In 2005, she purchased a former supermarket in Berlin's Friedrichshain district and turned it into her primary residence.[20]

Public commissions (selected)

Collections

Grosse's work is held in several permanent collections, including the following:

Awards

Publications (catalogues)
  • Location, Location, Location. Contributions by Steffen Bodekker, Roman Kurzmeyer, Judy Millar, Retrograde Strategies Cooperative, Angela Schneider, Beat Wismer, Düsseldorf, 2002.
  • Katharina Grosse. Kunstverein Ruhr. Contribution by Peter Friese, Essen 2002.
  • Cool Puppen / Der weisse Saal trifft sich im Wald / Ich wüsste jetzt nichts. Ikon Gallery, Birmingham; Städtische Galerie im Lenbachhaus, München; Kunstmuseum St. Gallen, St. Gallen; Kunsthalle zu Kiel, Kiel. Contributions by Marion Ackermann, Beate Ermacora, Jonathan Watkins, Roland Wäspe, Wolfratshausen 2002.
  • Katharina Grosse. Fred Thieler Preis für Malerei 2003. Berlinische Galerie, Berlin. Contribution by Armin Zweite, Berlin 2003.
  • Infinite Logic Conference. Magasin 3 Stockholm Konsthall, Sweden. Contributions by Richard Julin, Lars Mikael Raattamaa, Stockholm 2004.
  • Double Floor Painting. Kunsthallen Brandts Klaedefabrik, Denmark. Contributions by Lene Burkard, Tor Nørretranders, Cecilie Bepler, Odense 2004.
  • Holey Residue. de Appel, Amsterdam. Contribution by Janneke Wesseling, Amsterdam 2006.
  • Picture Park. Queensland Art Gallery/Gallery of Modern Art. Contributions by Nicholas Chambers, Robert Leonard, Brisbane 2007.
  • The Poise of the Head und die anderen folgen. Kunstmuseum Bochum. Contributions by Hans Gunther Golinski and Katharina Grosse, Nuremberg 2007.
  • Atoms Outside Eggs. Museu de Arte Contemporânea (Fundação de Serralves), Porto. Contributions by Leonhard Emmerling, Ulrich Loock, Porto 2007.
  • Another Man Who Has Dropped his Paintbrush. Galleria Civica di Modena. Contributions by Arno Brandlhuber & Katharina Grosse, Milovan Farronato, Angela Vettese, Cologne 2008.
  • The Flowershow / SKROW NO REPAP. FRAC Auvergne, Clermont-Ferrand. Contribution by Jean-Charles Vergne, Cologne 2008.
  • Ich wünsche mir ein grosses Atelier im Zentrum der Stadt. Contributions by Georg Augustin, Laura Bieger, Andreas Denk, Ulrich Loock, Philip Ursprung, Baden, Switzerland 2009.
  • Shadowbox. Temporäre Kunsthalle Berlin. Contributions by Laura Bieger, Katja Blomberg, Uta Degner, Antje Dietze, Alexander Koch, Gerd G. Kopper, Cologne 2009.
  • Atoms Inside Balloons. The Renaissance Society at the University of Chicago, Chicago, ILL, USA. Contributions by David Hilbert, Nana Last and Hamza Walker, Chicago 2009.
  • Barbara und Katharina Grosse. Museum für Neue Kunst Freiburg. Contributions by Walter von Lucadou, Isabel Herda, Nuremberg 2010.
  • Transparent Eyeballs. Quadriennale 2010, Kunsthalle Düsseldorf. Contributions by Gregor Jansem, Annika Reich, Uwe Vetter, Düsseldorf 2011.
  • Eat child eat. Contribution by Ulrich Wilmes, Berlin, 2011.
  • One floor up more highly. MASS MoCA, MA, North Adams, USA. Contribution by Susan Cross, Massachusetts 2012.
  • Wunderblock, Nasher Sculpture Center, Dallas, TX, USA. Contributions by Jeremy Strick, Catherine Craft, Dallas 2013.
  • Katharina Grosse. Monograph. Contributions and published by Ulrich Loock, Annika Reich, Katharina Grosse, Cologne 2013.
  • Wer, ich? Wen, Du?. Kunsthaus Graz, Austria. Contributions by Peter Pakesch, Katrin Bucher Trantow, Adam Budak, Graz 2014.
  • Inside the Speaker. Museum Kunstpalast, Düsseldorf. Contributions by Dustin Breitenwischer, Philipp Kaiser, Ulrich Loock, Beat Wismer, Cologne 2014.
  • psychylustro. City of Philadelphia Mural Arts Program. Contributions by Douglas Ashford, Anthony Elms, Jane Golden, Daniel Marcus, Elizabeth Thomas, Cologne 2015.
  • Katharina Grosse: Seven Hours, Eight Voices, Three Trees. Museum Wiesbaden. Contributions by Ann Cotten, Dustin Breitenwischer, Jörg Daur, Alexander Klar, Sally McGrane, Teresa Präauer, Annika Reich, Monika Rinck, Cologne, 2015.
  • Katharina Grosse. Museum Frieder Burda. Contributions by Helmut Friedel and Katrin Dillkofer (both in German), Cologne, 2016.

See also

References
  1. Westall, Mark (16 March 2023). "Katharina Grosse, Spectrum without Traces, new solo exhibition". FAD Magazine. Retrieved 30 May 2023.
  2. "Grosse". Akademie der Künste (ADK) (in German). Staatsministerin für Kultur und Medien. Retrieved 30 May 2023.
  3. "Chill Seeping". SCAD Museum of Art. Retrieved 30 May 2023.
  4. Hammer Projects: Katharina Grosse, 17 October 2001 – 27 January 2002 Hammer Museum.
  5. Boris Pofalla (4 May 2023), Katharina Grosse: „Ich möchte malen, als ob ich allein wäre“ Die Welt.
  6. Ulrike Knöfel (14 April 2020), Künstlerin Katharina Grosse über die Corona-Folgen: "Die Krise ist nun Teil meiner Arbeit" Der Spiegel.
  7. Boris Pofalla (4 May 2023), Katharina Grosse: „Ich möchte malen, als ob ich allein wäre“ Die Welt.
  8. Falk Jaeger (18 November 1999), Örtlicher Widerstand - Das Bundesarbeitsgericht in Erfurt, ein Entwurf der Berliner Architektin Gesine Weinmiller Der Tagesspiegel.
  9. Andrew Blum (28 March 2004), The White Zone is for Loading and Unloading Art New York Times.
  10. Isabell Jürgens (9 January 2021), Im Auftrag des Staates – Kunst am Bau Berliner Morgenpost.
  11. Alex Greenberger (25 October 2018), Hito Steyerl Wins 2019 Käthe Kollwitz Prize ARTnews.
  12. Annie Armstrong (12 March 2019), Sheela Gowda Wins 2019 Maria Lassnig Prize ARTnews.
  13. Katharina Grosse zur neuen Vorstandsvorsitzenden des KUNST KW Institute for Contemporary Art, press release of 30 September 2021.
  14. Emma Enderby to become director of KW Institute for Contemporary Art, Berlin KW Institute for Contemporary Art, press release of 10 October 2023.
  15. Ingeborg Ruthe (21 March 2023), Katharina Grosse macht aus sechs Farben Energiebündel Berliner Zeitung.
  16. Randy Kennedy (11 January 2017), The Woman With the Power Sprayer? She’s a German Artist New York Times.
  17. Alex Greenberger (28 November 2022), Artists and König Galerie Cut Ties Amid Allegations Against Founder Johann König ARTnews.
  18. Boris Pofalla (4 May 2023), Katharina Grosse: „Ich möchte malen, als ob ich allein wäre“ Die Welt.
  19. Gabriela Walde (24 January 2014), Katharina Grosse ist die Meisterin der Spritzpistole Berliner Morgenpost.
  20. Boris Pofalla (4 May 2023), Katharina Grosse: „Ich möchte malen, als ob ich allein wäre“ Die Welt.
  21. "Toronto Airports Authority commissions art for new terminal building at Pearson Airport". California Aviation Alliance. Retrieved 5 January 2017.
  22. "KATHARINA GROSSE: IN SEVEN DAYS TIME". Kunstmuseum Bonn. Retrieved 5 January 2017.
  23. Julin, Richard. "Blue Orange - Katharina Grosse". Public Art Agency Sweden. Retrieved 5 January 2017.
  24. "Katharina Grosse: Just Two of Us". Public Art Fun. Retrieved 5 January 2017.
  25. "Installation by Katharina Grosse". Sam Fox School, Washington University in St. Louis. Retrieved 5 January 2017.
  26. "Rockaway! at Fort Tilden". MoMA PS1. Retrieved 5 January 2017.
  27. "Mural at MFA". MFA. Retrieved 25 November 2019.
  28. "Katharina Grosse | MoMA".
  29. "Katharina Grosse".
  30. "Katharina Grosse".
  31. "Katharina Grosse | Pomeranz Collection".
  32. "Katharina Grosse | Accueil | Collection Société Générale".
  33. "Villa Romana Prize".
  34. "Schmidt-Rottluff Stipend, Buchfreund.de".
  35. "Katharina Grosse – the Chinati Foundation".
  36. "The Elam International Artist in Residence Programme - the University of Auckland".
  37. "Katharina Grosse". Headlands Center for the Arts. Retrieved 30 May 2023.
  38. "Katharina Grosse Wins First Oskar Schlemmer Prize". Artforum.com. 22 May 2014. Retrieved 30 May 2023.
  39. "Otto-Ritschl-Preis | Otto Ritschl".
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