Katie Lee (lyricist)

The first song Lee wrote was Tai Hsiang Lee's “Gau Bie 告別”. The creation of the song began with an intellectual property dispute between different record companies. Chung-tan Tuan from Rock Records advised Tai Hsiang Lee to rewrite the lyrics and contacted Hsia Yu to assist. By combining the pronunciation of her English name with Tai Hsiang Lee's surname, Hsia Yu created her pen name for writing lyrics: “Katie Lee”. The new lyrics were completed in one afternoon, but did not satisfactorily match the melodies from the original song. Tai Hsiang Lee decided to rewrite the melody and create a completely new song. The song “Gau Bie告別” was completed and this was the beginning of Lee's lyricist career. She has continued to write under various pen names, including “Talung Tung” and “Fei Lee”.[5][1]

Since her debut as a lyricist in 1984, Lee has written over 200 songs, including “I'm Not Good Looking But I'm Very Gentle 我很醜，可是我很溫柔” by Chief Chao, “Ni Zai Fan Nao Xie She Me Ne? Qin Ai De 你在煩惱些什麼呢？親愛的” and “Impulsiveness 情不自禁” by Hsueh Shih-ling, “Feng De Tan Xi 風的嘆息” by Mavis Hee, “Ni Shi Wu Wo Shi Jiu Guan 你是霧我是酒館” by Joey Wong, “Ta De Xin Shi Ge Ju Da Ting Che Chang 她的心是個巨大停車場” by Sylvia Chang, “Zhuang Man Wo, Ni De Yan Jing 裝滿我，你的眼睛” by Pauline Lan, “Ai Cing Du Zhu 愛情賭注” by Michelle Pan, “Ni Shi Tian Shang Zui Yuan De Na Ke Xing Xing 你是天上最遠的那顆星星” and “Can Ku De Wen Rou 殘酷的溫柔” by Chyi Chin, “Woman & The Child 女人與小孩” by Yu Chyi, “Mei Ge Ren Dou You Zi Ji De Bang Yao Hun 每個人都有自己的幫要混” by Bobby Chen, etc.[6][7]

Several singers have had success with songs written by Lee. For example, as a new artist Chief Chao had success with the song “I'm Not Good Looking But I'm Very Gentle 我很醜，可是我很溫柔”, the song chosen by the producer Kay Huang. In addition to songs like “Impulsiveness 情不自禁” and “Ni Zai Fan Nao Xie She Me Ne? Qin Ai De 你在煩惱些什麼呢？親愛的” , Hsueh Shih-ling also collaborated with Lee on his very last album in 1990, “Life 生老病死”. The songs included “Alone or Together 一個人、兩個人”, “A Lonely Island 一座孤獨的島” and “Bloody Mary 血腥瑪麗”.[8]

Lee also created Sandee Chan's “Leaving on a Jet Plane乘噴射機離去”, Jolin Tsai's “Play我呸”, Waa Wei's “You Lovely Bastard 還是要相信愛情啊混蛋們”, and others. “Play我呸” has served as a significant work in Jolin's music career. “Play我呸” received many awards globally and paved new ways for Jolin Tsai's performing career.

More recent lyrics by Lee include Cheer Chen's “A Box of Rain 雨水一盒”, Hebe Tien's “A Better Rival in Love 請你給我好一點的情敵”, Jam Hsiao “Golden Love 純金打造”, Chris Lee “Cun Zai Gan 存在感”, Shin “煉金術 Alchemy”, and songs she collaborated on with Greeny Wu such as “As a Monster作為怪物” and “Ah! Muo Qi 啊！默契”, etc.[9] [10] Some of the terms in her lyrics have also become widely-used slang expressions, such as “cool”, “happy while in pain”, “play”, and “everyone has their gang to hang”.[8] She has also written the lyrics for three of Jimmy's musicals.

In 2002, Lee released an album with the title “Hsia Yu’s Yue Hun Band 夏宇愈混樂隊” (The trashier the better band of Hsia Yu). In the album, she compiled 13 of the lyrics that were not shortlisted by record companies and invited producer Rou Zheng Chen to write and produce the songs. These songs were performed by many indie artists, including Faye, the former vocalist of F.I.R. Lee also personally narrated the album in the name of Hsia Yu.[8] In 2016, Lee and sound artist Jun Yan together published “7 Poems and Some Tinnitus七首詩和一些耳鳴”, an experimental sound artwork with seven tracks of Lee's narration along with Yan's music arrangement.[11]

Lee has also made a few occasional appearances in other artists’ works, mostly through narration of poems under the name of Hsia Yu. Such albums include Sandee Chan's song “Ni Zai Fan Nao Xie She Me Ne? Qin Ai De 你在煩惱些什麼呢？親愛的”, Hello Nico “Wo Men Ku Nan De Ma Xi Ban我們苦難的馬戲班”, Waa Wei's “Gou Yin勾引”, Sodagreen's “Spring 春．日光” album, and Chiu Pi's “Zheng Ye Da Yu整夜大雨”.

Being the producer of “I'm Not Good Looking But I'm Very Gentle 我很醜，可是我很溫柔” and “Nan Hai Kan Jian Ye Mei Gui 男孩看見野玫瑰”, Kay Huang once commented on working with Lee: “as Lee’s words are not limited to the framework of pop music, rhyming, and stanzas, her lyrics are unique. They allow songwriters to explore new possibilities from different perspectives.” Music critic Shi Fang Ma commented, “I adore Katie Lee. She can’t be copied for she’s too smart and sharp for industry standards. There are two personalities in lyricist Katie Lee and poet Hsia Yu, and they each hold different missions. I think you can feel this warmth that embraces the world mortals in Lee’s works. She can write songs like “告別Gau Bie” and also “Play我呸”. How good can she get?”[13]

The Nobel laureate in Literature, Xingjian Gao commented on Hsia Yu’s work: “This anthology defeats all misty poems. This girl defeats the whole misty poetry genre.”

In contrast to Chinese pop music productions, Lee usually writes the lyrics first and then hands it to someone to write the melody. In her early career, she submitted the handwritten drafts directly. Lee would also meet with the singer to get more understanding of the person, so she could feel the personality of the singer and be inspired to write lyrics that are suitable for him/her.[14] Occasionally, she has filled in the lyrics according to the melody, such as the collaboration with Jian Min Jiang “Happy While In Pain痛並快樂著”, and many songs in 2019's collaboration with Shin's “Alchemy 煉金術” album, including “Alchemy 煉金術” and “Ran Liao 燃料”, and “醒” (melody by David Tao).[15] Lee has said that writing poems and lyrics are equally important to her and that they are mutually dependent on each other.[5]