Kyōiku

While vocalist Ringo Sheena has been a member of several rock bands, she parted with her bandmates when she debuted as a solo musician in 1998.[3] She had always wanted to be a member of a band, however, and used her first three solo albums, Muzai Moratorium (1999), Shōso Strip (2000) and Kalk Samen Kuri no Hana (2003) as a presentation for musicians who wanted to work with her.[3]

After the release of Sheena's third album, Kalk Samen Kuri no Hana in 2003, Sheena embarked on a nationwide tour entitled Sugoroku Ecstasy. Sheena asked the backing members well in advance to perform for the tour, so that her first choices would not be double-booked.[3] These members were dubbed Tokyo Jihen, a name that was publicised during the tour.[4] Tokyo Jihen was officially announced as Sheena's main musical unit on May 31, 2004, and first performed at a series of summer music festivals in July and August 2004.[5][6]

The album is composed of nine songs composed by Sheena, as well as three songs composed by pianist H Zetto M, "Gunjō Biyori", "Genjitsu ni Oite" and "Service".[2] The album features 10 songs sung in Japanese, plus "Genjitsu ni Oite", an instrumental, and "Genjitsu ni Warau", a song sung in English. For her first three solo albums, Sheena worked as the sole songwriter on all of the songs.[7][8][9] Sheena stated that it had been "a dream of sorts" to release music that collaborated with different songwriters, and she wanted Tokyo Jihen to be different from her solo project, in which her opinion was final on all matters.[3][10] Later Tokyo Jihen albums featured much more song-writing from other members, most notably Variety (2007), however Sheena still had the feeling that it was "taboo" for other people to write songs for her during Kyōiku.[11] All 17 of the songs for the Kyōiku era were recorded over a period of four days.[12]

Sheena wanted to create a fun album, after noting that critics had not reviewed many albums that were "like an overturned toy-box" in recent years.[12] Being a fan of all four members, wrote the songs as "love letters" to each members' techniques, writing songs that would show off techniques she wanted to see each member performing.[12] Sheena's songs were inspired by the image of the Sugoroku Tour that Tokyo Jihen performed with her during her solo era. "Sōnan" was the first song she wrote for the album in 2003, shortly after the tour finished.[13] The theme of each Tokyo Jihen album is based around a television channel, and Kyōiku was themed around NHK Educational TV.[14][15]

Sheena recorded the demos of her compositions songs with guitarist Ryosuke Nagaoka, who would later join Tokyo Jihen as their second guitarist in 2005.[13][16] During the pre-production stages of the album, H Zetto M also gave Sheena a collection of demos he had composed for her. "Gunjō Biyori" was the first song present, and after listening Sheena felt as if he had written the song specifically for Sheena, and everything she was experiencing.[17]

The first song on the album, "Ringo no Uta", is a self-cover of a song Sheena released as a single in 2003.[18] Sheena decided to add the song to the album to make it easier for fans of her solo work to accept her transition into becoming a member of Tokyo Jihen.[19]

In July and September 2004, Tokyo Jihen performed at four festivals across Japan: 0724 Yamabikari at Kobe Chicken George on July 24, Meet the World Beat on July 25, 2004 in Suita, Osaka, the Fuji Rock Festival in Niigata Prefecture on July 30 and the SunSet Live 2004 festival in Fukuoka Prefecture on September 3.[6] In September 2004 the band announced a national tour entitled Live Tour 2005 "Dynamite!". Held in January and February 2005, the 14-date tour featured dates in Matsuyama, Ehime, Hiroshima, Kanazawa, Ishikawa, Kyoto, Sapporo, Saitama and two performances each in Osaka, Fukuoka, Nagoya and Tokyo.[21]

The album was preceded by two singles, "Gunjō Biyori" in September and "Sōnan" in October. "Gunjō Biyori" was used in a commercial campaign for the Sanyo-manufactured au W21SA range of cellphones.[1] The band first performed on television on October 29, when they performed "Sōnan" at Music Station.[22] They performed two more times on the program, on November 26 where they performed "Ringo no Uta" and the B-side for "Sōnan", "Dynamite", and on the new year's special on December 24, where "Gunjō Biyori" was performed.[23][24] "Gunjō Biyori" was also performed on the program Count Down TV on November 27, 2004.[25]

On the date of release, a limited edition vinyl record compiling the six songs found on the "Gunjō Biyori" and "Sōnan" singles was released.[26] Two weeks later, the band released Tokyo Incidents Vol. 1, a DVD featuring the music videos associated with the album and its singles.[27]

At the band's early festival performances in July and September 2004, Tokyo Jihen performed the singles "Gunjō Biyori", "Sōnan" as well as Sheena's single "Ringo no Uta". The songs "Ekimae", "Omatsuri Sawagi" and "Service" exclusive to the album were debuted at these concerts.[6]

The band toured the album in January 2005, with a tour entitled Dynamite!. The entire album was performed during these concerts (thought the song "Crawl" was performed in a medley with Sheena's song "Σ" from her 2000 single "Gips"). At the Dai Ikkai Ringohan Taikai: Adults Only fan-club concerts in December 2005, the band performed the songs "Jusui Negai", "Crawl" and "Sōnan", however their performances were not featured on the DVD release of the concert.[6]

After guitarist Mikio Hirama and pianist H Zetto M left the band in 2005 and were replaced by Ukigumo and Ichiyo Izawa respectively, the band released their second album Adult (2006). The album was first toured the album with the Domestic! Virgin Line concerts in February 2006, where the songs "Bokoku Jocho", "Service", and "Yume no Ato" were performed. The band's national tour for Adult, Domestic! Just Can't Help It. in April and May 2006, featured the songs "Genjitsu ni Oite" (in a medley with "Kao"), "Genjitsu ni Oite", "Jusui Negai", "Service" and "Gunjō Biyori". At the Tokyo Jihen organised Society of the Citizens event on July 2, the band performed "Service" and "Omatsuri Sawagi", and at their appearance at Countdown Japan in December 2006, they performed "Yume no Ato" and "Ringo no Uta" a final time.[6]

Since 2007, only three songs on the album were performed by the band. "Gunjō Biyori" was performed for three tours, Spa & Treatment (2007), Discovery (2011) and Bon Voyage (2012). "Sōnan" was performed at the band's Ultra C (2010) tour, and "Omatsuri Sawagi" at Bon Voyage.[28]

Reviewer Tomoyuki Mori felt Kyōiku was the first time in Sheena's career where she was free to have fun with music, and likened the release to junior high school students having fun by forming a band. Mori felt that Sheena began expressing her humanity in Kyoiku, unlike in her solo works.[30] Vibe reviewer Chikako Hayashi felt "Ringo no Uta" was representative of Sheena's change from solo artist to band member, in that the version found on K was from a completely different perspective to Sheena's original solo version. Hayashi also noted the "fresh feeling" to "newcomer" act Tokyo Jihen that could be felt in the album.[31] CDJournal reviewers noted the "bossa-like melody turning into rock" in "Jusui Negai" as leaving a strong impression on them, and praised Sheena's "provocative and stimulating vocals" in "Crawl", likening the song's guitar riff to The Kinks' "You Really Got Me". They described "Service as "avant-garde", and felt "Yume no Ato" was worthy of being a signature song of the band.[1]

For the single track "Gunjō Biyori", Listenmusic reviewer Kiyohiko Koike felt Hiizumi's melody was unlike something Sheena would create herself, however also noted the "profound lyrics based on old timey vocabulary" was a highlight, and still managed to convey Sheena's worldview. He further noted that Sheena felt at ease in the role of a vocalist.[32] CDJournal reviewers felt the song had a slightly different image to what Sheena had in her solo career, noting that listeners could hear the enjoyment Sheena had at being able to play in a band.[1] What's In? reviewers also noted the sense of freedom in the song present in the sound work not seen in Sheena's solo career.[33] Reviewer Yū Onoda called the single "vivid" and the band's sound "thrilling".[34]

Reviewers also praised the album's second single "Sōnan", with Koike feeling the melody had a "good old sepia Shōwa Kayō taste", likening it to her earlier songs "Kabukichō no Joō" and "Marunouchi Sadistic". He noted that Sheena's lyric style was much like her previous songs, written in an old, literary style.[35] CDJournal reviewers felt the song was as if the solo era image of Sheena had been taken and bulked up by the band in the song.[1] Reviewer Kyosuke Tsuchiya noted the song's "jazz-style approach", and was impressed by the "wild power" of Sheena's vocals and the "suspicious melody" created by the guitar.[36]

The album debuted at number two on Oricon's weekly albums chart, selling 205,000 copies.[37] This was underneath Ken Hirai's Sentimentalovers, which featured the songs "Hitomi o Tojite" and "Omoi ga Kasanaru Sono Mae ni...", produced by band member Seiji Kameda. After the album spent a total of 35 weeks in the top 300 albums, it sold a total of 391,000 copies.[37][38] Kyōiku is the most commercially successful of Tokyo Jihen's albums.[39] Similarly, the "Gunjō Biyori" and "Sōnan" singles were commercially successful, both peaking at two on Oricon's single chart, and certified gold by the RIAJ.[40][41][42][43] They band's two most successful singles, in terms of physical copies sold.[44]

All lyrics by Ringo Sheena; all music by Sheena, except where noted.

Personnel details were sourced from Kyōiku's liner notes booklet.[20]