The Man with the Rubber Head

In a laboratory, an apothecary plans a novel experiment. Putting a living duplicate of his own head on a table, he uses a bellows to swell the head up to gigantic size. The head enjoys itself by making faces and laughing with the apothecary, who then completes the experiment by letting the air out and returning the head to normal.

The apothecary then attempts to have his assistant reproduce the experiment, but the assistant inflates the head too much, and it explodes in a bang of smoke. The angry apothecary throws the assistant out of the room.

Méliès appears in the film as the apothecary and as his duplicate head.[1] To create the illusion of the expanding head, Méliès first filmed the surrounding action on the laboratory set. Then he surrounded his head with a black background and used a specially built ramp to move himself, sitting in a pulley-controlled chair, gradually closer to the stationary camera. Using distance calculations made in advance, an assistant refocused the camera lens in real time as the head moved, so that Méliès's face would remain in focus throughout. Méliès chose to move himself toward the camera, rather than the other way around (as in the technique later named the tracking shot), to ensure that his head would appear to be sitting on the tabletop and would stay aligned with it throughout the growing process.[2]

Méliès's camera recorded the expanding head directly onto the same piece of film negative on which the laboratory action was shot, creating a multiple exposure in which the head was superimposed on the blank area of the set. The movement of the chair back and forth on the ramp was carefully timed to match the pre-recorded action.[2] The other special effects used in the film are substitution splices and pyrotechnics.[1]

The Man with the Rubber Head was released by Méliès's Star Film Company and is numbered 382–383 in its catalogues, where it was advertised as a grande nouveauté.[3] The film was sold in American catalogues as The Man With the Rubber Head and in British catalogues as A Swelled Head.[4]

The film is one of Méliès's best known works. Some historians have argued it is an early example of a close-up in film; however, as the head is meant to appear gigantic rather than simply close to the viewer, others have disputed this interpretation.[1]

• The Man with the Rubber Head at IMDb
• Interactive display about the film from the Cinémathèque française