The Dead Mother
The Dead Mother (Spanish: La madre muerta) is a 1993 Spanish drama film directed by Juanma Bajo Ulloa which stars Karra Elejalde and Ana Álvarez alongside Lio and Silvia Marsó. Together with Bajo Ulloa's debut feature Butterfly Wings (1991), it contributed to the creation of an aura of cult auteur around the director.[1]
| The Dead Mother | |
|---|---|
 Theatrical release poster | |
| Spanish | La madre muerta |
| Directed by | Juanma Bajo Ulloa |
| Screenplay by |
|
| Starring | |
| Cinematography | Javier Aguirresarobe |
| Edited by | Pablo Blanco |
| Music by | Bingen Mendizábal |
Production company | Gasteizko Zinema |
Release dates |
|
| Country | Spain |
| Language | Spanish |
Plot
A girl, Leire, ends up as mentally impaired after being shot in the head in a domestic rob attempt by Ismael, who also kills Leire's mother (a restorer of religious images). The plot primarily concerns the ambiguous relationship between Ismael and Leire, after Ismael kidnaps Leire years later.[2][3]
Cast
- Karra Elejalde as Ismael López de Matako[4]
- Ana Álvarez as Leire[5]
- Lio as Maite[5]
- Silvia Marsó as Blanca[5]
- Elena Irureta as directora[5]
- Ramón Barea as dueño del bar[5]
- Gregoria Mangas as Sra. Millas[5]
- Marisol Saes as Madre[5]
- Raquel Santamaría as Leire niña[5]
Production
The film is a Gasteizko Zinema production.[6] It was primarily shot in Vitoria-Gasteiz.[7]
Release
The film was presented at the 50th Venice International Film Festival's 'Venetian Nights' section in September 1993, later screening at the Montreal Film Festival.[8] It was theatrically released in Spain on 5 November 1993.[7]
Reception
Ángel Fernández-Santos of El País deemed the film to have a lower quality than it appears to display at first glance, writing that "it holds up as an exercise in the mechanics of violence by a very skilled director, but it lacks a system for embodying that violence in believable human beings", dragged by bad writing and poor dialogues.[9]
Accolades
| Year | Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|---|
| 1993 | Montreal Film Festival | Best Director | Juanma Bajo Ulloa | Won | [10] |
| 1994 | 8th Goya Awards | Best Director | Juanma Bajo Ulloa | Nominated | [6] |
| Best Cinematography | Javier Aguirresarobe | Nominated | |||
| Best Editing | Pablo Blanco | Nominated | |||
| Best Special Effects | Hipólito Cantero | Won |
See also
References
- García, Julián (11 October 2020). "Juanma Bajo Ulloa: "Vivimos en la dictadura perfecta"". El Periódico de Catalunya.
- Roldán Larreta 1997, pp. 335–336.
- Gómez, María Asunción (2008). "On the failure of matricide. La madre muerta de Juanma Bajo Ulloa". Cine y .... Revista de estudios interdisciplinarios sobre el cine en español. 1 (1): 76–77. ISSN 1941-2622.
- Vera, Cecilia (2005). La madre muerta, de Juanma Bajo Ulloa. Cómo hacer cine. Vol. 5. Madrid: Editorial Fundamentos. p. 16. ISBN 84-245-0998-6.
- Vera 2005, p. 16.
- "La madre muerta". premiosgoya.com. Academia de las Artes y las Ciencias Cinematográficas de España. Retrieved 17 July 2022.
- Albaina, José (24 April 2014). "El monstruo enamorado en 'La madre muerta'". eldiario.es.
- Roldán Larreta, Carlos (1997). "El cine de Juanma Bajo Ulloa" (PDF). Sancho el Sabio (7): 335. ISSN 1131-5350.
- Fernández-Santos, Ángel (15 January 1994). "El cine como engaño". El País.
- D'Lugo, Marvin (1997). "Appendix". Guide to the Cinema of Spain. Wesport, CT · London: Greenwood Press. p. 269. ISBN 0-313-29474-7.