La Ronda (magazine)
La Ronda (Italian: The Round) was a literary magazine which existed in Rome, Kingdom of Italy, between April 1919 and November 1922. In December 1923 a special issue was also published.
Editor-in-chief | Vincenzo Cardarelli |
---|---|
Categories | Literary magazine |
Frequency | Monthly |
Founder | Lorenzo Montano |
First issue | 23 April 1919 |
Final issue | December 1923 |
Country | Kingdom of Italy |
Based in | Rome |
Language | Italian |
History and profile
La Ronda was first published on 23 April 1919.[1] It was founded by the poet and writer Lorenzo Montano.[2] The magazine came out monthly and was headquartered in Rome.[3]
Vincenzo Cardarelli, Aurelio E. Saffi, Riccardo Bacchelli, Antonio Baldini, Bruno Barilli, Emilio Cecchi and Lorenzo Montano were the members of its editorial board in the first year.[4] From the second year only Cardarelli and Saffi held the post.[1] In addition, Cardarelli served as the editor-in-chief of La Ronda.[1]
The aim of La Ronda was to reinforce a modernist literary approach supporting the values of literature understood as a style.[1][3] In the first editorial Cardarelli argued that it was time to focus on the Italian modernism which had delayed due to World War I.[5] The magazine managed to develop a literary movement which was called rondismo[3] which harshly criticized the futurism movement calling its adherents as literary destroyers.[6] La Ronda avoided taking part in political discussions.[7] Instead, it attempted to develop connections with international literary circles to make the Italian literary work much more known.[5] The magazine had an elitist approach and was not read by the masses.[1]
La Ronda had three major sections: discussion of literary and cultural affairs, major literary work and theories and review section which included both letters and reports on other magazines.[8] Notable contributors of the magazine included Guglielmo Ferrero, Vilfredo Pareto, Filippo Burzio, Giuseppe Raimondi, Alberto Savinio, Ardengo Soffici and Carlo Carrà.[6] Of them Ardengo Soffici left the magazine soon due to its apolitical stance and its insistence on returning to formal literary style.[7] La Ronda also featured translations of the work by Robert Louis Stevenson, Herman Melville, Gilbert Keith Chesterton, Hilaire Belloc, George Bernard Shaw, Edgar Lee Masters and Thomas Hardy.[6]
The magazine ceased publication in November 1922 after producing a total of 34 issues.[4] In December 1923 a special issue was released.[4]
Solaria, a literary magazine started in 1926, was influenced from La Ronda.[9]
All issue of La Ronda were archived under the project Circe at the University of Trento.[4]
References
- Francesca Billiani (July 2013). "Return to order as return to realism in two Italian elite literary magazines of the 1920s and 1930s: La Ronda and Orpheus". Modern Language Review. 108 (3): 841,844. doi:10.1353/mlr.2013.0192.
- Jane Dunnett (2010). "Supergiallo: How Mondadori turned crime into a brand". The Italianist. 30 (1): 68. doi:10.1179/026143410X12646891556781. S2CID 143489197.
- "Ronda, La". Treccani (in Italian).
- "La Ronda" (in Italian). University of Trento. Retrieved 24 June 2023.
- Eric Jon Bulson (2016). Little Magazine, World Form. New York: Columbia University Press. pp. 115–116. doi:10.7312/buls17976. ISBN 9780231542326.
- Simone Germini (31 May 2013). "Riviste letterarie del Novecento – La Ronda". iMalpensanti (in Italian). Retrieved 24 June 2023.
- Simona Storchi (2015). "Ardengo Soffici's "Rete mediterranea": The Aesthetics and Politics of Post-war Modernism". Annali d'Italianistica. 33: 328. JSTOR 43894808.
- Francesca Billiani (2023). "Geographies and Histories of World Literature in Interwar Italian Magazines". Journal of World Literature. 8 (2): 194. doi:10.1163/24056480-00802002. S2CID 259051096.
- Vanessa Santoro (2019). Fashioning sensibility: emotions in Gianna Manzini’s fashion journalism (MA thesis). University of Glasgow. p. 21.
External links
- Media related to La Ronda at Wikimedia Commons