Larry Fuller (cartoonist)

In the mid-1960s Fuller served with the U.S. Air Force at the Strategic Air Command Minot Air Force Base, in North Dakota.

Moving to the San Francisco Bay Area (the heart of the underground comix industry), in his late twenties, Fuller came up with the idea of an "authentic" African-American superhero, Ebon. After searching for an artist for more than a year, Fuller took art classes with the assistance of the G.I. Bill, and then ended up drawing Ebon himself, "swiping" many poses from established superhero artists like Gil Kane and John Buscema. Ebon #1 was published in January 1970 by Gary Arlington. (The back cover was a house ad for Arlington's comic book shop, the San Francisco Comic Book Company, an epicenter of the underground comix movement). Ebon is considered by many to be the first comic book title to star a black superhero (Marvel's Black Panther predating Ebon but not having his own title).[1] Nonetheless, Ebon was a bad fit with the largely white, adult audiences of underground comix, and didn't meet with much success.[2]

Shortly afterward, Fuller (in the guise of "Hairy" Larry Fuller) adapted H.P. Lovecraft's "The Ter'ble Old Man" for Last Gasp's 1971 comic Laugh in the Dark #1.

In 1975, Fuller teamed up with Raye Horne to form Ful-Horne Productions (later known as Fulhorne), putting out the sex-themed comics White Whore Funnies and the then ground-breaking Gay Heart Throbs. White Whore Funnies was produced on high-quality paper;[1] it was one of the few underground comics to also be distributed in porn shops.[2] Fuller and Horne also published the anthology series The New Funny Book from 1975 to 1978, which featured contributions by artists such as Danny Bulanadi, Alex Niño (issue #2 cover), Nestor Redondo (issue #3 cover), Dan O'Neill, Ian Akin, and numerous others.

Later forming Fuller Inkwell, Fuller went on to periodically publish other sex-themed titles, such as Adults Only! (1979–1987) and HandJob Library (1991).