Last of Her Name

Last of Her Name received praise from literary critics. Michael Schaub (NPR) writes, "Lok's literary debut is among the strongest of the year, thanks to her excellent writing and uncanny ability to create complex characters with the same stubborn flaws as real people";[7] and according to Alexis Burling (SF Chronicle), "Last of Her Name is a smorgasbord of powerful writing and angsty emotion wrapped into eight meditations on what it means to feel slightly out of place, either in your head or in your physical surroundings."[8]

Judges of 2020 PEN/Robert W. Bingham Prize cite Last of Her Name:

The stories in Mimi Lok’s Last of Her Name are more than just deeply felt, richly imagined, and darkly comic; they feel necessary. In these pages, we find fractals. The microscopic contains the macro. The collection ranges all over our globe while distilling breathtaking, tiny moments of tremendous significance. Whether we are with estranged siblings over a meal to try to talk, or moving back and forth in time to unearth one family’s personal history, or in the closet with an elderly homeless woman listening in on a younger man’s affluent life, we are moving constantly between different strata—place, age, class, view of the world. But with this range and movement comes astonishing intimacy and emotional acuity, a determination in each instance to locate that which is most true and most human.[1]