Laura Andreson

Laura Andreson (1902 San Bernardino – August 16, 1999 Los Angeles) was an American ceramic artist and educator at University of California Los Angeles.[1]

Laura Andreson
Laura Andreson unloading a kiln, c. 1962
Born1902
San Bernardino, California
DiedAugust 16, 1999
Los Angeles, California
NationalityAmerican
Alma materUniversity of California, Los Angeles,
Columbia University
Known forCeramics

Life and career

Andreson graduated from the University of California, Los Angeles summa cum laude in 1932 with a bachelor's degree in education. She completed her MFA at Columbia University in 1937 through an intensive summer program.[2] Andreson taught in the art department at University of California, Los Angeles from 1933 to 1970. She founded the ceramics program at the university in 1933 through the art education department.[3] This program was one of the first of its kind in the United States and the first in the American West. Andreson was a major influence on the ceramics in the United States during the twentieth century. When Andreson began her career, there was little technical information available, leading to a lifelong commitment to experimentation with glazes and clays. Andreson is credited with developing new glaze technologies and firing techniques.[4] Andreson found critical success early in her career. In 1937 she exhibited at the Rena Rosenthal Gallery in New York and in 1940 had an exhibition of her work at the Honolulu Academy of Art. In 1946, the Museum of Modern Art bought a piece of her work for their permanent collection; this was one of the first craft pieces made by a living artists purchased for the museum's collection.[3] Andreson is credited with teaching more than 5,000 students while at UCLA.[5]

In her early career, Andreson worked primarily in low-fire earthenware, which she slab built and slip cast. She learned to throw on the potter's wheel in 1944 from F. Carlton Ball at Mills College and Gertrude Natzler in Los Angeles.[4] An accidental reduction firing in her Denver Kiln in 1948 lead to her beginning to work in stoneware. In 1957, Andreson began working in porcelain, which previously had been used primarily in commercial production in the United States. By the end of the decade, she had become the West Coast expert on porcelain among studio potters.[3] Porcelain was her primary medium for the remainder of her career. Her production was deeply influenced by travels to Scandinavia and East Asia.[5]

Laura Andreson's creative process differed radically from other potters. Instead of starting with the creation of the vessel form, Andreson began with glazes and then decided what kind of form was best suited for the glaze.[6]

Her papers are held at the Archives of American Art.[7][8]

Andreson's work can be found in the Metropolitan Museum of Art, the Museum of Modern Art, Museum of Fine Arts, Boston, the Everson Museum of Art, Smithsonian Museum of American Art, Los Angeles County Museum of Art, the Walker Art Center, and the Nora Eccles Harrison Museum of Art.[6] Her work, Bowl, was acquired by the Smithsonian American Art Museum as part of the Renwick Gallery's 50th Anniversary Campaign.[9]

Exhibitions
  • 1937 Rene Rosenthal Gallery, New York City, New York
  • 1938 First California Ceramic Exhibition, San Diego, California
  • 1940 Honolulu Academy of Art
  • 1947 Eleventh National Ceramics Exhibition, Metropolitan Museum of Art
  • 1970 Fredric Art Gallery, UCLA, Los Angeles, California
  • 1970 Laguna Beach Art Gallery
  • 1971 Mills College Art Gallery, Oakland, California
  • 1971 Hoover Art Gallery, San Francisco, California
  • 1971 San Diego Fine Arts Gallery, San Diego, California
  • 1971 Utah State University, Logan, Utah
  • 1972 Pasadena Art Museum, Pasadena, California
  • 1972 Ceramics West, Utah State University, Logan, Utah
  • 1972 Ogden Art Center, Ogden, Utah
  • 1972 Bower Museum, Santa Ana, California
  • 1973 Utah Museum of Fine Art, Salt Lake City, Utah
  • 1973 Clay and Fiber Gallery, Taos, New Mexico
  • 1973 California Crafts VIII, Crocker Art Gallery, Sacramento, California
  • 1974 California Ceramics and Glass, The Oakland Museum of Art, Oakland, California
  • 1974 Palace of the Legion of Honor Museum, San Francisco, California
  • 1976 California Design, Los Angeles, California
  • 1977 California Women in Crafts, Craft and Folk Art Museum, Los Angeles, California
  • 1979 A Century of Ceramics in the United States, Renwick Gallery, Smithsonian Institution, Washington D.C.
  • 1982 Mingei International Museum, La Jolla retrospective[10]
  • 2016 Lighting the Fire: Ceramics Education in the American West, Nora Eccles-Harrison Museum of Art, Utah State University, Logan, Utah

References
  1. Suzanne Muchnic (August 17, 1999). "Laura Andreson; Renowned Artist Headed UCLA Ceramics Department". The Los Angeles Times.
  2. "Craft in America". Archived from the original on January 23, 2014.
  3. Makers: A History of American Studio Craft. p. 200. ISBN 978-0-8078-3413-8.
  4. Lynn, Martha Drexler (2015). American Studio Ceramics: Innovation and Identity 1940 to 1979. New York City: Yale University Press. p. 56. ISBN 978-0-300-21273-0.
  5. Lynn, Martha Drexler (2015). American Studio Ceramics: Innovation and Identity, 1940 to 1979. New York City: Yale University Press. p. 152. ISBN 978-0-300-21273-0.
  6. "Andreson | The Marks Project". www.themarksproject.org. Retrieved 2018-04-13.
  7. "Summary of the Laura Andreson papers, 1902-1991 | Archives of American Art, Smithsonian Institution". www.aaa.si.edu. Retrieved 22 July 2016.
  8. "Ceramics Today - Laura Andreson Papers". www.ceramicstoday.com. Retrieved 22 July 2016.
  9. Savig, Mary; Atkinson, Nora; Montiel, Anya (2022). This Present Moment: Crafting a Better World. Washington, DC: Smithsonian American Art Museum. pp. 228–238. ISBN 9781913875268.
  10. "Laura Andreson - Mingei International Museum". Archived from the original on September 29, 2011.
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