Leah Lakshmi Piepzna-Samarasinha

Piepzna-Samarasinha is a member of Bad Ass Visionary Healers, a California-based activist healing collective and has an "intuitive counseling" practice, Brownstargirl Tarot.[4] they has been involved in organizing healing justice practice spaces at the Allied Media Conference,[5] Safetyfest [6] and other spaces.

Piepzna-Samarasinha has been performing spoken word since 1998.[7]

As a spoken word artist, they have performed widely in the United States, Canada and Sri Lanka and have been featured at Bar 13, Michelle Tea's RADAR Reading Series, The Loft, Buddies in Bad Times Theatre, as well as at universities including Yale, Sarah Lawrence, Oberlin, Swarthmore and the University of Southern California.

In 2001, frustrated with the racism of the local white-dominated queer and trans poetry scene and the homophobia in the local poetry spaces for people of color, they began Browngirlworld, a reading series with the goal of creating a poetry and performance space for queer and trans people of color. Initially held weekly, the event became a biannual, large-scale poetry event in partnership with the Toronto Women's Bookstore, bringing artists such as Mango Tribe and D'Lo.

Piepzna-Samarasinha began teaching writing to queer, trans and Two Spirit youth at Supporting Our Youth Toronto's Pink Ink program.

In 2004, inspired by radical Asian and Pacific Islander American (APIA) arts and poetry youth education programs at the APIA Spoken Word Summit, Piepzna-Samarasinha and Gein Wong started the Asian Arts Freedom School.

The following year, Piepzna-Samarasinha traveled to the San Francisco Bay Area to study poetry with Suheir Hammad at Voices of Our Nations, an experience they credit with changing their life as a writer.

In 2006, Piepzna-Samarasinha wrote and premiered their first one-woman show, Grown Woman Show, in which they discuss being "a queer girl of Sri Lankan descent" who is a survivor of incest perpetrated by their mother.[8] Grown Woman Show has since been performed at the National Queer Arts Festival, Swarthmore College, Yale University, Reed College, and McGill University.

Later that year, Piepzna-Samarasinha met Ctheirry Galette on Friendster and created Mangos With Chili with the goal of creating an annual tour of performance artists who are queer and trans people of color.

Piepzna-Samarasinha is also involved with the biannual Asian Pacific Islander Spoken Word and Poetry Summit.

They were the 2009-2010 Artist in Residence at UC Berkeley's June Jordan's Poetry for the People. From 2009 to the present, they has been a commissioned performer with Sins Invalid, the national performance organization of queer people with disabilities and chronic illnesses.[9]

While in Toronto, with Syrus Marcus Ware, they co-created Performance.Disability.Art (PDA), a performance based disability arts collective. Through PDA, the pair co-curated Crip Your World: an Intergalactic Mad, Sick and Disabled Extravaganza for Mayworks Festival.

In 2001, Piepzna-Samarasinha taught writing to LGBTQ youth at Supporting Our Youth Toronto (SOY) through the Pink Ink program. This included working with the zine 10 Reasons to Riot which won Best Zine in Toronto in 2006. For this work they were awarded the Community Service to Youth Award from the City of Toronto in 2004.

In 2005, along with Gein Wong, co-founded the Asian Arts Freedom School, a community-controlled school teaching writing, performance and radical education on Asian/Pacific Islander history to youth. They were also involved with The Canadian Sri Lankan Women's Action Network, an activist group seeking to promote peace with justice through a feminist lens to end Sri Lanka's 24 year civil war.

In 2007, they moved back to the U.S. and studied community-based poetic teaching through University of California Berkeley's June Jordan's Poetry for the People (P4P) Program, culminating in teaching for and being P4P's visiting writer from 2009 to 2010. She has taught in living rooms and college campuses and everywhere in between, and loves and believes in the delicious liberation of places to learn and live freely outside traditional school systems.[10]

Piepzna-Samarasinha has published nine books independently, been included in ten anthologies, and edited two anthologies. Their work has also appeared in Yes, Vice, Room, Autostraddle, ColorLines, NOW, Xtra, Bitch, theirizons and other publications.

• Without a Net: The Female Experience of Growing Up Working Class, edited by Michelle Tea (2004)
• Persistence: All Ways Butch and Femme, edited by Ivan E. Coyote and Zena Sharman (2011)
• Letters Lived: Radical Reflections, Revolutionary Paths (2013)
• Namjai: A Tribute Anthology of Bay Area Asian Pacific Islander Poets, Volume 1, edited by The ReWrite (2013)
• Octavia's Brood: Science Fiction Stories from Social Justice Movements, edited by Adrienne Maree Brown and Walidah Imarisha (2015)
• Whatever Gets You Through: Twelve Women on Life After Sexual Assault, edited by Jen Sookfong Lee and Stacey May Fowles (2019)
• Disability Visibility: First-Person Stories from the Twenty-first Century, edited by Alice Wong (2020)
• Disabled Voices Anthology, edited by S.B. Smith (2020)
• Pleasure Activism: The Politics of Feeling Good, edited by Adrienne Maree Brown (2020)
• Read Women: An Anthology, edited by Amanda Fuller, Carolann Madden, and Carly Joy Miller (2020)

• The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities, with Ching-In Chen and Jai Dulani (2011)
• Beyond Survival: Strategies and Stories from the Transformative Justice Movement, with Ejeris Dixon (2020)

• Dirty River: A Queer Femme of Color Dreaming Her Way Home ()
• Consensual Genocide (2006)
• Love Cake: Poems (2011)
• Brown Femme Survivor (2013)
• Bodymap: Poems (2015)
• Care Work: Dreaming Disability Justice (2018)
• Tonguebreaker: Poems (2019)
• Bridge of Flowers, illustrated by Syrus Marcus Ware (2019)
• The Future is Disabled (2022)