Ravenous (2017 film)

In the aftermath of a zombie-like outbreak, the rural regions of Quebec are decimated with few survivors remaining. Bonin and his friend Vézina patrol with shotguns, shooting the infected while amusing each other with doctor jokes. While out, Vézina is drawn out into the forest, surrounded, and attacked. Another survivor, wife and mother Céline, drives, alone, and kills the infected as she finds them with a machete. Céline wanders onto the property of two elderly, armed women, Therese and Pauline, who tell Céline to strip so they can see if she has been bitten. Upon seeing Céline is clean, they take her in.

Bonin meets Tania, a young woman with a bite mark, who swears she was bitten by a dog and not an infected. While Tania is initially tied down for safety reasons, Bonin unties her and drives her away as the infected close in. They pick up a little girl, Zoé. Bonin also spots infected in a field and spies on them. He observes that they are gathered around a stack of found objects they have assembled, in a mysterious ritual.

Bonin, Tania, and Zoé head back to Therese and Pauline's house, as Bonin knows them. Together, the group realizes the house is on the path of the infected invasion. As the infected swarm in, the group flees. They encounter two other survivors, the elderly former insurance agent Réal and the young Ti-Cul, who is armed with a rifle. The group unites and finds a cabin. Inside, they find a note from an anonymous survivor warning anyone who reads it to stay away from town and stating the author is looking for survivors on Quebec Route 113. Pauline is bitten and shot by Therese. Réal, having been bitten earlier, turns, bites Ti-Cul, and is dispatched by Céline, who also kills Ti-Cul before he can turn.

The advancing infected overrun the remaining survivors. Therese stays behind so Bonin can escape with Zoé and is killed. Surrounded, Céline begins hacking against the oncoming undead. Bonin gives Zoé to Tania and leads the infected away, as Tania hides Zoé in a tunnel and tells her Zoé is the strongest. Tania disappears as the infected continue to swarm. When Zoé emerges, she finds Bonin pointing his shotgun at his own head. Bonin tells her to go look for Tania, and Zoé sets off alone for Route 113, passing another infected-made structure. On the road, she is picked up by a survivor in a racecar (seen in the opening of the film) after warning him to not continue on the road.

In a post-credits scene, the newly zombified Bonin and Tania stand in front of a tower of stacked chairs on which stands a parrot.

Aubert cited the cinema of Robert Bresson and Andrei Tarkovsky as influences.[6] Aubert cast Brigitte Poupart over Facebook, after asking her, without explaining he was working on a story about a zombie-like infection, "Oh, by the way, have you ever trapped an animal?"[7]

Ravenous premiered at the Toronto International Film Festival in September 2017.[1] It was then featured at the Fantastic Fest in Austin, Texas later in the month.[8][9] Netflix acquired the film and released it on 2 March 2018 outside Canada.[10]

Critical reception

The film's survival themes were compared to those in the 1968 zombie film Night of the Living Dead.

On the review aggregator website Rotten Tomatoes, the film has an approval rating of 89% based on 27 reviews, with an average rating of 6.8/10.[11]

For The Montreal Gazette, T'cha Dunlevy praised the film as a successful reinvention of the zombie genre, and "At once wildly funny, philosophical, scary as heck when it has to be and boldly cinematic throughout".[7] In his review for The Globe and Mail, Robert Everett-Green judged The Ravenous as an allegory for Quebec politics, saying Aubert invented a culture for the zombies, complete with their own goods and hints of a zombie religion. They become an invading threat to the culture of Quebec, tied into the Battle of the Plains of Abraham and the contemporary debate over the niqab, including Bill 62, Everett-Green wrote.[6] Chantal Guy awarded Ravenous four stars in La Presse, and argued it featured themes of survival found in previous zombie cinema such as Night of the Living Dead, adding commentary about social identity and how society is already being "zombified".[12]

In December, TIFF named the film to its annual Canada's Top Ten list of the ten best Canadian films.[13]

• Ravenous at IMDb