Les Dames du Bois de Boulogne
Les Dames du Bois de Boulogne (French for "The Ladies of the Bois de Boulogne") is a 1945 French film directed by Robert Bresson.[1] It is a modern adaptation of a section of Denis Diderot's Jacques le fataliste (1796) that tells the story of a man who is tricked into marrying a prostitute.
| Les Dames du Bois de Boulogne | |
|---|---|
 | |
| Directed by | Robert Bresson |
| Written by | Robert Bresson Jean Cocteau (dialogue) |
| Produced by | Raoul Ploquin |
| Starring | Paul Bernard María Casares Élina Labourdette Lucienne Bogaert |
| Cinematography | Philippe Agostini |
| Edited by | Jean Feyte |
| Music by | Jean-Jacques Grünenwald |
Release dates |
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Running time | 84 min |
| Country | France |
| Language | French |
Les Dames was Bresson's second feature. It is also his last film to feature a cast entirely composed of professional actors.[2]
Plot
Hélène and Jean have pledged their love to each other, but are not engaged to marry. Their love affair allows dalliances with others, but they have promised to put each other first above all others. Hélène has been warned by a friend that Jean's love for her has cooled and fears this is correct. She tricks him into confessing, by pretending her own feelings for him have cooled to a friendship. She hides her shock and dismay when he enthusiastically accepts her as now just a friend instead of a lover. After he leaves her apartment, it is clear that she is devastated. But instead of mourning her love, she decides to exact a cruel revenge on him.
Young Agnès is a cabaret dancer. Her ambition was to become a ballerina at the Opera, but hard times have fallen on her, and in order to support herself and her mother, she has resorted to dancing in nightclubs and earning money as a prostitute. Hélène, in a pretense of compassion, offers to pay off Agnès' mother's debts and move them into an apartment, allowing Agnès to quit the nightlife.
Hélène sets a trap using Agnès to entice Jean into falling in love with the young woman. She assures him that Agnès and her mother are of an "impeccable" background. He is already smitten as soon as he sees Agnès in the Bois de Boulogne, and makes no attempt to learn anything about her, instead relying on Helene's false information.
Agnès suspects they're being manipulated by Hélène but feels powerless to escape the trap. Jean does not relent in his advances, and finally Agnès agrees to marry him. Hélène advises her not to breathe a word to Jean about her past until after they are wed, and insists to Jean that he allow her to plan a lavish wedding for the two of them.
Immediately after the ceremony, Hélène first hints to Jean that something is amiss. Agnès had assumed that Hélène had already told Jean the truth, and learning she was tricked, falls in a faint. Jean confronts Hélène, who now divulges triumphantly that she maneuvered him into the marriage, and that all of the guests know the truth. Jean, filled with shame, bewilderment and rage, drives off leaving his new bride, still in an unconscious state.
Later that evening, Jean returns. Agnès' mother warns that the girl's heart is weak and that she could die. Jean walks into the room, stone-faced. Agnès, barely conscious, whispers that she hopes he will forgive her, but it's clear that she will free him by giving up her life. Agnès sighs, and appears to stop breathing. Jean is filled with love for her and begs her to be strong and to hang on to life. Although weak, she hears him and her faint smile assures him that she will live.
Selected cast
- Maria Casarès as Hélène
- Élina Labourdette as Agnès
- Paul Bernard as Jean
- Lucienne Bogaert as Madame D.
- Jean Marchat as Jacques
- Yvette Etiévant as the chambermaid of Agnès
Reception
Les Dames du Bois de Boulogne, while not one of Bresson's better-known films, nonetheless still receives positive reviews. It currently holds a perfect 100% on Rotten Tomatoes, with an average rating of 8.3/10 based on 15 critics.[3]
References
- "The Ladies of the Bois de Boulogne". unifrance.org. Retrieved 2014-02-20.
- Roy Armes, French Cinema, New York: Secker & Warburg (1985): 116. "In the 1950s Bresson was to renounce the use of professional actors, but here he obtains excellent performances from his principal actresses."
- "Les Dames du Bois de Boulogne on RT". Rotten Tomatoes.