Les Uns et les Autres

Les Uns et les Autres (English: The Ones and the Others) is a 1981 French film by Claude Lelouch. The film is a musical epic and it is widely considered as the director's best work, along with Un Homme et une Femme. It won the Technical Grand Prize at the 1984 Cannes Film Festival.[2] In the United States, it was distributed under the name Boléro in reference to Maurice Ravel's orchestral piece, used in the film. The film was very successful in France with 3,234,549 admissions and was the 6th highest-grossing film of the year.[1]

Les Uns et les Autres
Directed byClaude Lelouch
Written byClaude Lelouch
Produced byClaude Lelouch
StarringRobert Hossein
Nicole Garcia
Geraldine Chaplin
Daniel Olbrychski
Jorge Donn
Fanny Ardant
Jacques Villeret
Richard Bohringer
James Caan
Music byMichel Legrand
Francis Lai
Pierre Barouh
Jean Yanne
Marc de Loutchek
Release dates
United States:
  • December 31, 1984 (1984-12-31)
(New York City)
Running time
184 minutes
CountryFrance
LanguagesFrench, German, English, Russian
Box office$24.3 million[1]

Plot

The film follows four families, with different nationalities (French, German, Russian, and American) but with the same passion for music, from the 1930s to the 1980s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes.

In Moscow, 1936, an aspiring dancer Tatiana marries a man, Boris, who will give her a son just before he is killed during World War II. In Berlin, Karl Kremer's success as a pianist is confirmed when he receives praise from Hitler – something which will haunt him throughout his life. In Paris, a young violinist Anne falls in love with a Jewish pianist, Simon Meyer; they marry and produce a son, but they end up on a train bound for a Nazi concentration camp. In New York, Jack Glenn is making his name with his popular jazz band. Twenty years on, their children are reliving their experiences, and Anne Meyer continues her hopeless quest to find the son she was forced to abandon.

The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

Cast

Release

A heavily cut version was released in the United States with the title Bolero: Dance of Life.

References

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.