Lethal Weapon

Recent UCLA graduate Shane Black wrote the screenplay in mid-1985. Black stated that his intention was to do an "urban western" inspired by Dirty Harry where a violent character "reviled for what he did, what he is capable of, the things he believed in" is eventually recruited for being the one that could solve the problem. The protagonists would be everymen policemen, "guys shuffling in a town like Los Angeles searching for something noble as justice when they're just guys in washed and worn suits seeking a paycheck".

According to Black, his original first draft of the script was very different and much darker than the final film. It was 140 pages long and both the plot and characters were different, and action scenes were also much bigger. The ending of the script contained a chase scene with helicopters and a trailer truck full of cocaine exploding over Hollywood Hills with cocaine snowing over the Hollywood sign. Black hated this first draft and initially discarded it but later picked it up again and re-wrote it into the new drafts that were eventually used for filming.[2]

His agent sent the Lethal Weapon script to various studios, being rejected before Warner Bros. executive Mark Canton took a liking to it.[2] Canton brought along producer Joel Silver, who loved the story and worked with Black to further develop the script. Director Richard Donner also brought in writer Jeffrey Boam to do some uncredited re-writes on Black's script after he found parts of it to be too dark. Boam mostly added some more humor into the script, and later did a complete re-write of Shane Black and Warren Murphy's rejected script for the second film. He also wrote the script for the third film and an unused draft for the fourth film.[3]

After the script was purchased for $250,000, studio production executives offered it to director Richard Donner, who also loved it. Leonard Nimoy was one of the choices considered for directing, but he did not feel comfortable doing action films, and he was working on Three Men and a Baby at the time.[4]

Mel Gibson was invited by Richard Donner as he was interested in working with the actor after Ladyhawke. Casting director Marion Dougherty first suggested teaming Gibson with Danny Glover, given Murtaugh had no set ethnicity in the script.[2] She arranged for Gibson to fly in from his home in Sydney while Glover was flown in from Chicago, where he was appearing in a play, to read through the script. According to June 2007 Vanity Fair magazine article, Bruce Willis was considered for the Riggs role. This is referenced in the spoof of the Lethal Weapon films, Loaded Weapon 1. Bruce (as John McClane) appears after the villains attack the wrong beach residence, looking for the protagonist.

According to Donner: "It took about two hours and by the time we were done, I was in seventh heaven. They found innuendoes; they found laughter where I never saw it; they found tears where they didn't exist before; and, most importantly, they found a relationship—all in just one reading. So if you ask about casting... it was magical, just total dynamite".

Gibson said that "this particular story was a cut above others I had passed on, because the action is really a sideline which heightens the story of these two great characters. I picture Riggs as an almost Chaplinesque figure, a guy who doesn't expect anything from life and even toys with the idea of taking his own. He's not like these stalwarts who come down from Mt. Olympus and wreak havoc and go away. He's somebody who doesn't look like he's set to go off until he actually does".

The draw for Glover was equally strong. Fresh from his success as Mister in The Color Purple, he felt the role of Roger Murtaugh offered a whole new range of character expression and experience: "Aside from the chance to work with Mel, which turned out to be pure pleasure, one of the reasons I jumped at this project was the family aspect. The chance to play intricate relationships and subtle humor that exist in every close family group was an intriguing challenge, as was playing a guy turning 50. Murtaugh's a little cranky about his age until everything he loves is threatened. His reawakening parallels Riggs'".

Both actors were signed by early spring 1986. Gibson and Glover then flew home to pack, and, returning to Los Angeles, began an intensive two months of physical training and preparation. Meanwhile, the crucial role of Joshua was settled when Gary Busey asked for a chance to read for the part. An established star since his Academy Award-nominated performance in The Buddy Holly Story, Busey had not auditioned for a film in years. In Busey's comment: "I had butterflies, I'd never played a bad guy. And no one had seen me since I'd lost 60 pounds and got back into shape. But I decided to take the initiative in order to have the opportunity to work with Dick, Joel, Mel, and Danny. I'm constantly looking for someone to pull the best performance out of me and any of those guys could. They even talked me into dyeing my hair!" In his E! True Hollywood Story biography, Busey says he was hired to play Joshua because they were looking for someone big and menacing enough to be a believable foe for Mel Gibson. Busey also credits the film for reviving his failing film career.

Stunt coordinator Bobby Bass planned and supervised all phases of Gibson's and Glover's intense pre-production training; physical conditioning, weight workouts, and weapons handling and safety. Bass also used his own military experiences to bring a greater depth of understanding to the Riggs character. To familiarize the actors with the specialized skills and sensibilities acquired by undercover cops, arrangements were made for Gibson and Glover to spend time in the field accompanying working LAPD officers. Throughout filming, technical advisers from the LAPD as well as the LA County Sheriff's Department worked closely with Donner and the actors to ensure authenticity.

Cedric Adams was the first technical adviser brought in. Donner said that "Adams thought the best possible way to show just how lethal Riggs really is—is to show his mastery of a form of martial arts never before seen onscreen". Donner wanted Riggs's style of fighting to be unique with the second assistant director Willie Simmons, who was interested in unusual forms of martial arts, choosing three martial arts styles.[5] Gibson and Busey were instructed in Capoeira by Adams, Jailhouse rock by Dennis Newsome and Brazilian Jiu-Jitsu by Rorion Gracie.[5][6] Bobby Bass, the stunt coordinator, a former US Army Special Forces instructor and judo champion, also provided training in various techniques.[5] At one point, the actors trained in between filming, for four hours a day for six weeks and did months of choreography.[5]

Released on March 6, 1987, Lethal Weapon was No. 1 at the box office for three weeks before Blind Date supplanted it.[8][9] It grossed $120.2 million worldwide and was nominated for the Academy Award for Best Sound Mixing (Les Fresholtz, Dick Alexander, Vern Poore and Bill Nelson) (losing to The Last Emperor).[10]

On the review aggregator website Rotten Tomatoes, 80% of 55 critics' reviews are positive, with an average rating of 6.9/10. The website's consensus reads: "The most successful installment in a phenomenally successful franchise, Lethal Weapon helped redefine action movies for the 1980s and 1990s. "[11] Metacritic, which uses a weighted average, assigned the film a score of 68 out of 100, based on 23 critics, indicating "generally favorable" reviews.[12]

Variety wrote, "Lethal Weapon is a film teetering on the brink of absurdity when it gets serious, but thanks to its unrelenting energy and insistent drive, it never quite falls."[13] Richard Schickel of Time called it "Mad Max meets The Cosby Show", saying that it works better than expected.[14] Richard Harrington of The Washington Post described it as "a vivid, visceral reminder of just how exciting an action film can be".[15] At The New York Times, Janet Maslin wrote, "The film is all fast action, noisy stunts and huge, often unflattering close-ups, but it packs an undeniable wallop."[16] Roger Ebert of the Chicago Sun-Times gave the film four out of four stars, saying Donner "tops himself".[17]

Lethal Weapon has been released on Betamax, VHS and DVD numerous times, along with a single Blu-ray Disc release. The first DVD was released in 1997 and featured the film's theatrical version. The Director's Cut was released in 2000. Since then, numerous sets have been released that contain all four films in the series (featuring the same DVDs).[18] The theatrical version was also released on Blu-ray in 2006.[19]

An alternate opening and ending were both filmed and can be seen on the Lethal Weapon 4 DVD. The alternate opening featured Martin Riggs drinking alone in a bar where he is accosted by a couple of thugs who attack him for his money, but are easily subdued by Riggs. Director Richard Donner felt the film should open with a brighter look at Riggs, and replaced the bar scene with the scene in which Riggs awakens in his trailer. The alternate ending featured Riggs telling Murtaugh not to retire. Without even thinking about the possibility of sequels, Donner decided that Riggs and Murtaugh's relationship is one of friendship, and filmed the ending that appears in the completed film.

In addition to the film's theatrical release, an extended Director's Cut version was released later on DVD. The Director's Cut version is longer (117 minutes) than the original theatrical release version (110 minutes), and features additional scenes. One extended scene depicts Riggs dispatching a sniper who had been firing at children in a playground. In another scene, Riggs picks up a street-walking prostitute, but instead of having sex with her, he takes her home to watch The Three Stooges on TV, thus illustrating his loneliness following the death of his wife.