Lewis Morley

Lewis Frederick Morley OAM (16 June 1925 – 3 September 2013)[1][2][3] was a photographer.

Lewis Morley

OAM
Born
Lewis Frederick Morley

(1925-06-16)16 June 1925
Died3 September 2013(2013-09-03) (aged 88)
OccupationPhotographer

Biography

Morley was born in Hong Kong to English and Chinese parents and interned in Stanley Internment Camp during the Japanese occupation of Hong Kong between 1941 and 1945, when he was released and emigrated to the United Kingdom with his family. He studied at Twickenham Art School for three years, and spent time as a painter in Paris in the 1950s.

Perhaps best known for his photographs of Christine Keeler[4] and Joe Orton, Morley began his career with assignments for magazines such as Tatler. He was also a successful theatre photographer for over 100 West End productions. His publicity photographs for the Beyond The Fringe revue (1961) included a study of the cast Peter Cook, Dudley Moore, Alan Bennett and Jonathan Miller which was used for the best selling LP Cover of the show.

Morley emigrated to Australia in 1971 with his wife Patricia and son Lewis, where he lived in the inner west of Sydney. He did studio and commercial work photographing architecture and food in magazines such as Belle, and worked with interior designers and stylists such as Babette Hayes, and Charmaine Solomon until his retirement in 1987. In 1989 he collaborated with photographs curator Terence Pepper in staging his first museum retrospective at London's National Portrait Gallery and subsequently donated all the images printed for the exhibition as part of a larger archive of his work. His first autobiography Black and White Lies was published in 1992.

In the mid 1990s, Morley ventured into the gallery business when he opened The Lewis Morley Photographers Showcase. Embracing the great tradition of photographic salons, the gallery presented the work of a variety of local photographers from a range of genres.

In 1999, Lewis Morley appeared in the Contemporary Australian Photographers series. It was followed in 2003 with the release of a film about his life and an exhibition Myself and Eye at the National Portrait Gallery in Canberra.[5]

In 2006, an extensive exhibition showcasing 50 years of Lewis Morley work was displayed at the Art Gallery of New South Wales. Titled Lewis Morley: 50 Years of Photography, the exhibition included 150 of his works covering fashion, theatre, and reportage, many of which had never been seen before.

Morley died in September 2013 aged 88. His archive was subsequently donated to the National Media Museum in Bradford, England.[6]

References
  1. "Timeline". Lewismorley.com. Archived from the original on 1 July 2019. Retrieved 8 September 2013.
  2. "Christine Keeler photographer Lewis Morley dies aged 88". The Daily Telegraph (Australia). 6 September 2013.
  3. "Edna recalls 'true artist' of Keeler image". The Australian. 6 September 2013.
  4. Browne, Rachel (5 September 2013). "Overexcited fans go off early over casting". The Age. Retrieved 18 September 2013.
  5. Robert McFarlane, Swinging London in iconic snapshots, Sydney Morning Herald, 26 March 2003
  6. Robin Stummer (7 September 2013). "Photographer Lewis Morley donates archive to the nation". The Observer. Retrieved 8 September 2013.

Further reading
  • Lewis Morley: Photographer of the Sixties (1989), London: National Portrait Gallery. (Exhibition catalogue with texts by Terence Pepper and David Mellor) ISBN 1-85514-003-9
  • Lewis Morley (2006) with Interview by Judy Annear and essay by Barry Humphries. Sydney: Art Gallery of New South Wales, ISBN 07347 6393 X. (Exhibition Catalogue)
  • Lewis Morley (1992), Black and White Lies. Sydney: ETT. ISBN 0 207 17644 2. (Autobiography)
  • Lewis Morley (1998), From the series: Contemporary Photographers, Australia:4, Text by Paul Burrows. ISBN 0-646-30587-5
  • Lewis Morley: I to Eye. Sydney: T&G Publishing, 2011. ISBN 9780977579082. (Retrospective)
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.