Limey (mixtape)

Milo started singing with local musicians and arts collectives when she was fourteen. During Milo's childhood she tried to surround herself with inspiring people.[4][5] Milo began surfing the internet for jazz-inspired hip-hop beats she could sing over, whilst surfing the internet she came across a bead by producer BLCK RSSN. Milo recorded over the beat and the track became her debut recording entitled "Bout You", the song caught the attention of Gilles Peterson for his Brownswood Bubblers compilation series. Milo received various offers from record labels but turned them down as she felt it was too early. Milo began working on first extended play entitled Limey, produced by Cole MGN. Limey featured collaborations with Chet Faker and Ariel Pink and a reinterpretation of Steve Harley & Cockney Rebel's "Make Me Smile (Come Up and See Me)", renamed "Come Up and See Me".[4]

"Come Up and See Me" is a cover of Steve Harley & Cockney Rebel 1975 song Make Me Smile.

The opening song "The Other Way" is a hip-hop song, the music was produced by Oddisee and vocals and mixing were done by Daje[6] The song was noted for having hip-hop influences from the likes of N*E*R*D and Tupac containing a rap-like flow.[7] "Don't Regret Me" is the mixtape's second song produced by Chet Faker, Eldad Guetta and Daje. The song contains "atmospheric styling" and lyrically revolves around Millo begging an "ex-lover to not regret her and not forget her."[3]

The third song from the mixtape entitled "Bout You" was produced by BlkRssn while vocal production and the song's mixing was handled by Flowzart.[6] "Bout You" was noted as an "instant standout" track that contained "infectious vocals and laid-back, jazzy production" as well as being called a "chill, complementary backdrop."[8]

The fourth song on the mixtape is a cover of Steve Harley & Cockney Rebel 1975 song, "Make Me Smile (Come Up and See Me)", the song's production was handled by Daje.[6] The rendition is "slowed down" and creates a "haunting, moody R&B number". Reviewers called the song Milo's "most classic-sounding number" and showcases her "vocal abilities" and praised the drums helping "bring it up to date."[7] "This Thing of Ours" is the album's final song and features production from Cole M.G.N., Eldad Guetta and Daje.

The Guardian gave the mixtape general acclaim calling it the "perfect soundtrack for the impending cold winter nights", the reviews continued to praise the "chilly atmospherics and lyrics" noting that the mixtapes lyrics "sound as if they were written in the midst of a particularly painful breakup". The Guardian also gave positive reviews to Milo's vocals commenting "at the centre of it all is Milo's startling voice, which creaks and cracks with emotion."[9] Harper's Bazaar called the mixtape "This is Our Jam" praising Milo's maturity and "smoky vocals", the magazine also praised the fact that Milo retained her "London accent" which they noted as "giving her music a raw and authentic edge". Harper's Bazaar compared Milo's mixtape to the work of Lily Allen, Adele, Rita Ora and Amy Winehouse. The magazine enjoyed the mixtape's "dreamy electro jazz beats and rhythms", noting her musical style is similar to Morcheeba and Zero Seven "with an added hip-pop overtone".[10]

Notes

• "Come Up and See Me" is a rendition of Steve Harley & Cockney Rebel song "Make Me Smile (Come Up and See Me)" (1975)

• Oddisee – music producer
• Daje[6] – music producer, vocal producer and mixing
• Chet Faker – music producer
• Eldad Guetta – vocal producer
• BlkRssn – music producer
• Flowzart[6] – vocals and mixing
• Cole M.G.N. – music producer