List of Cameroonian artists

The following is a list of notable Cameroonian artists working in visual or plastic media (including 20th-century artists working in video art, performance art, or other types of new media). See other articles for information on Cameroonian Culture.

The following is a brief list of some important Cameroonian artists and groups of artists:

The generation of artists working between the Fifties and the Seventies is defined by Essombe Mouange[1] a generation focused on naïves painting with a figurative transcription of the environment; among this generation he mentions Rameaum Lobé Lobé, Martin Jombè I, Lazare Edimo, Jean Massoma, Jacques Seppou, Ngimè Eyidi, Paul Mbongolo, Joseph Ngimè and Bernard Berville. In the Seventies and Eighties starts a new tendency.

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Artists who have worked in Cameroon

Groups
  • Cercle Kapsiki (Hervé Yamguen, Hervé Youmbi, Salifou Lindou, Blaise Bang, Jules Bertrand Wokam). The collective Cercle Kapsiki was created in 1998 by five artists (Blaise Bang, Salifou Lindou, Jules Wokam, Hervé Yamguen et Hervé Youmbi) with the specific aim of producing urban interventions and encouraging the debate on the role of art in the urban space. In 2003 they promoted the international workshop Scenographie Urbaine in the neighbourhood of New-Bell in collaboration with Scur&°k.[5]
  • Art days and Kobaliq, Douala. Salif Ngounga created this association to promote contemporary art in Cameroon, organize workshops for artists and curate exhibitions in collaboration with Le Carré des Artistes.[5]
  • Mbamboul'art. The association Mbamboul’art was funded in 2004 by a collective of artists, writers and dancers (among which Cédric Dibandjo, Eric Owam and Guy Rodrigue Belegue) in the neighborhood of New Deïdo, Douala. The collective organises workshops with artists and young people and encourages the debate on the development of contemporary art practices in Douala.[6]

Dealers

Art critics and curators

Art centers and galleries
  • doual'art, Douala
  • Galerie MAM, Douala. Marème Malong Meslin Samb founded Galerie Mam in 1995. In 2005, Malong established a partnership with MTN Foundation. The gallery has three main programme-areas: exhibits contemporary artists in Douala and in international art platforms such as Dak’art, organizes workshops for children and encourages emerging artists through residency programmes in Bonendale, Douala. rue Tobie Kuoh, Bonanjo, Douala, B.P. 40 Douala, Cameroon.[7]
  • Atelier Viking, Douala. Artist Viking Kanganyam André founded atelier Viking in March 1976 to promote contemporary art in Cameroon. Viking taught visual arts (painting, sculpture, graphic art, drawing and serygraphy) to young artists encouraging them to explore the potentialities of all media and to transform materials found in loco. Since 2001, atelier Viking has been mostly employed for exhibitions such as Sweet Again (2002) and Yann and Co (2001). Rue Jamot face Garage Technique Auto, Bessengue, Douala.[6]
  • ArtBakery, Bonendale, Douala. Founded in 2002 by Goddy Leye in the village of Bonendale a few kilometers from Douala, it offers trainings for emerging artists (Master Class) and journalists (Art Daily) as well as residency programs for young artists (Portfolio). The program Bakery supports artists with the technical development of multimedia works of art.[5]
  • Bonapriso Art Center (BC Arts). In the last fifteen years, Annie Kadji has been active in the art scene of Douala promoting contemporary arts through workshops and art courses. The actual gallery space in Bonapriso was created in 2004.Since then, BC Arts has organised exhibitions of contemporary art (Art Convention Esprit Contemporain 2005; Signature 2006; Exposition de Fammes 2006; Signatures les péres de la peinture camerounaise), artefacts (Artisanats du monde) and objects of interior design. Most recently, BC Arts has hosted the second edition of DUTA (Douala Urban Touch of Arts 2007). Near Rue Njo-Njo, Bonapriso, B.P. 13001 Douala Cameroon.[8][9]
  • Art Wash. Founded in 2003 by Dou Essoukan and Koko Komégné, it functions as personal atelier, art centre and laboratory. It staged a two weeks workshop in 2001 and 2002 – Squat’art. The idea behind Squat’art was to promote young artists who did not have the possibility of exhibiting in commercial galleries. Indeed, the paucity of galleries in Douala in the 1990s prevented emerging artists from gaining visibility and experience. The first Squat’art took place in Bali in January 2001 and involved more than twenty artists. The second edition, which was a tribute to the artist Kuoh Eyango, was organised in Deïdo from the 4th to 17 February. The organising committee, led by Komégné, Essoukan and Viking invited over forty artists who produced and exhibited original works. Degrando Boutique, Deïdo, Douala, Cameroon.[6]
  • Espace Créateur. It was inaugurated by Made Jong in 2005 in Akwa, Douala. This space functions as a window for the couture produced in Jong’s atelier and emerging artists who wish to exhibit. Since the 1990s Made Jong has designed events to promote contemporary fashion and art with a specific sensibility to women’s rights and history (Carnival, Images des Reines since 2004; L’Art dans la Rue since 2004; Reines d’Afrique 1995). 40 rue Drout, Akwa, B.P. 17 Douala, Cameroon, 40 rue Drout, Akwa.[7]
  • Galerie Keuko. It was created in 2002 by Richard Keuko to promote contemporary art from Cameroon, organising group and solo exhibitions (Etienne Maurice 2006; Koko &Co. 2006; Confluences 2005; Impulsions 2005). They are currently working to establish a training programme for young artists. B.P. 24246 Douala, Cameroon, Rue Lottin Same, Akwa, Douala.[7]
  • Le Carré des artistes. Veronique Aubry inaugurated Carré des artistes in 2004. Since then, Salif Ngounga has designed its artistic programme organising exhibitions (Couleurs et femmes 2007; Pirogue de Noël 2006; Fantasmes en bleu 2005) and atelier promoting artists in Douala. 50, rue Batibois Sortie du parking Score, Bonapriso, B.P. 15432 Douala Cameroon.[7]
  • Photo Prunet, Douala. Photo Prunet was founded in 1952 by the photographer George Prunet, who was working in Douala for international enterprises. Accordingly, his photos document the urban development of the city starting from the 1950s. The photo archive, which is not yet digitalized, includes up to 100.000 negatives and can be consulted by the public.[5]

Other cultural institutions
  • Maison des Jeunes et de la Culture (New Bell and Bonamoussadi). Cardinal Christian Tumi founded the first MJC (Maison des Jeunes et de la Culture) 18 February 1995 in the neighbourhood of Akwa as a result of the collaboration between the Archidiocèse of Douala and COE (Centro Orientamento Educativo). Throughout the years, the MJCs have become a successful meeting place for the dwellers of Douala, and specifically youths who are involved in trainings and artistic projects. Indeed, the MJC have 350 members with up to 1000 people benefiting each week. New Bell: near la Paroisse Notre Dame de Victoire, Bonamoussadi: near la Paroisse Notre Dame de l’Annonciation.[10]
  • Maison de la Culture Jevais (Bepanda Omnisport). The building is currently under construction. Françoise Colas, coordinator of the Project Jevais (Jeunesse et vie associative pour l’insertion sociale) is responsible of the project. Bepanda Omnisport, Douala, Cameroon.[11]
  • CCF – Centre Culturel français de Douala Blaise Cendrars. Directed by Mangin Benoît, the CCF promotes cultural and artistic events in the city of Douala such as: cinema, conferences, exhibitions, residency programmes, training for youth, prizes, publishing house. 61 bis Bd de la Liberté BP 01 Akwa Douala, Cameroon.[12][13]

Cultural initiatives focussed on visual arts
  • SUD Salon Urbain de Douala
  • Bessengue City. The project Bessengue City was designed and coordinated by Goddy Leye. It took place in Bessengue, Douala in October 2002. James Beckett launched an experimental radio (Radio Bessengue City); Jesus Palomino ideated a shelter using local materials; Goddy Leye produced an art installation with portraits; and Hartanto designed the website.[14][15]
  • DUTA: Douala Urban Touch Of Arts, Biennale des Arts Visuels. The Association Zoom launched the first edition of DUTA in 2005. It aimed at promoting artists from the African continent and its diaspora. During ten days, painting, sculpture, installations and videos are exhibited throughout the city of Douala within major institutions. DUTA recurs every two years.[12][16]
  • Exit Tour. In occasion of Dak’art 2006, seven artists (i.e. Ginette Daleu, Justine Gaga, Dunja Herzog, LucFosther Diop, Achilleka, Alioum Moussa, Goddy Leye) departed from Douala and reached Dakar using only public transportation. During the three-months journey, the artists visited galleries, artists and participated to workshops. This project was initiated by Art Bakery.[11]
  • Scénographies Urbaines de Douala. From 16 December 2002 to 5 January 2003, the cercle Kapsiki in collaboration with Scur&°k, invited more than twenty artists from Africa and Europe to realise installations and performances in the neighborhood of New Bell, Douala.[17]

Art Magazines
  • Bakwa (magazine). An online and off-line magazine which covers cultural issues like art, photography, music, literature, fashion, cinema, and has a penchant for long-form creative nonfiction, reportage and literature. Inspired by magazines such as PalaPala and Chimurenga, Bakwa grew out of the need to fill the lacuna of cultural and literary magazines in Cameroon, and champions a new dynamic Africa (at home as well as in the diaspora), the one often ignored by Western traditional media. It was created in 2011 by Dzekashu MacViban.[18]
  • DiARTgonale. Quarterly panafrican journal dedicated to contemporary art in Africa. Directed by the artist Achillekà Komguem, it was founded in 2007 and it is distributed in Cameroon. It is published by ARTCE (Association Art pour la Conscientisation et l’Education) with the support of Lamia MEDDEB, Suisse.Yaoundé, Cameroon B.P. 513.[19]
  • PalaPala. Defunct quarterly panafrican online magazine which focused on art and culture from Africa and its diaspora. It was operational between 2008 and 2011 and was started by Cameroonian born writers, Dibussi Tande and Kangsen Feka Wakai as well as Nigerian born artist Abidemi A. Olowonira.[20]

See also

References
  1. Essombe Mouange, Les arts plastiques au Cameroun, pour un espace d'expression viable in Cameroun: la culture sacrifiée. Dossier of the magazine "Africultures", n. 60, L'Harmattan, July–September 2004, p. 84.
  2. Essombe Mouange, Les arts plastiques au Cameroun, pour un espace d'expression viable in Cameroun: la culture sacrifiée. Dossier of the magazine "Africultures", n. 60, L'Harmattan, July–September 2004, p. 91.
  3. Essombe Mouange, Les arts plastiques au Cameroun, pour un espace d'expression viable in Cameroun: la culture sacrifiée. Dossier of the magazine "Africultures", n. 60, L'Harmattan, July–September 2004, p. 87.
  4. Alexandra Loumpet-Galitzine, Ibrahim Njoya, maître du dessin bamoun in Anthologie de l'art africain du XXe siècle, eds. N'Goné Fall and Jean Loup Pivin, Revue Noire, Paris, 2001, pp. 102-105.
  5. Giulia Paoletti, Cultural and artistic initiatives in Douala in Douala in Translation. A view of the city and its creative transformative potentials, edited by Doual'art and iStrike Foundation, Episode Publishers, Rotterdam, 2007, p. 243.
  6. Giulia Paoletti, Cultural and artistic initiatives in Douala in Douala in Translation. A view of the city and its creative transformative potentials, edited by Doual'art and iStrike Foundation, Episode Publishers, Rotterdam, 2007, p. 244.
  7. Giulia Paoletti, Cultural and artistic initiatives in Douala in Douala in Translation. A view of the city and its creative transformative potentials, edited by Doual'art and iStrike Foundation, Episode Publishers, Rotterdam, 2007, p. 245.
  8. Giulia Paoletti, Cultural and artistic initiatives in Douala in Douala in Translation. A view of the city and its creative transformative potentials, edited by Doual'art and iStrike Foundation, Episode Publishers, Rotterdam, 2007, p. 244
  9. "Cart | Hepatitis Symptom | B2000 | Mazda B2300 | Hep | Series at Bc-Arts.org". Archived from the original on 25 June 2011. Retrieved 19 November 2018.
  10. Giulia Paoletti, Cultural and artistic initiatives in Douala in Douala in Translation. A view of the city and its creative transformative potentials, edited by Doual'art and iStrike Foundation, Episode Publishers, Rotterdam, 2007, pp. 245-246.
  11. Giulia Paoletti, Cultural and artistic initiatives in Douala in Douala in Translation. A view of the city and its creative transformative potentials, edited by Doual'art and iStrike Foundation, Episode Publishers, Rotterdam, 2007, p. 246.
  12. Giulia Paoletti, Cultural and artistic initiatives in Douala in Douala in Translation. A view of the city and its creative transformative potentials, edited by Doual'art and iStrike Foundation, Episode Publishers, Rotterdam, 2007, p. 246
  13. "Home". ccfdouala.com.
  14. "Bessengue City, October, 2002". Archived from the original on 23 July 2008. Retrieved 22 May 2013.
  15. "Activities". Archived from the original on 4 January 2010. Retrieved 22 May 2013.
  16. "Biennale Duta 2007 "le Monde Codifi?" Douala, Cameroun". Archived from the original on 15 April 2008. Retrieved 19 November 2018.
  17. Giulia Paoletti, Cultural and artistic initiatives in Douala in Douala in Translation. A view of the city and its creative transformative potentials, edited by Doual'art and iStrike Foundation, Episode Publishers, Rotterdam, 2007, pp. 246-247.
  18. "About". BAKWA.
  19. Giulia Paoletti, Cultural and artistic initiatives in Douala in Douala in Translation. A view of the city and its creative transformative potentials, edited by Doual'art and iStrike Foundation, Episode Publishers, Rotterdam, 2007, p. 247.
  20. "Palapala Magazine Tells African Stories in the Digital Age". NABJdigital Blog. 21 January 2010.

Further reading
  • (in French and English) "Revue Noire" - Special Issue on Cameroon, n. 13, 1994.
  • (in French) Essombe Mouange, Les arts plastiques au Cameroun, pour un espace d'expression viable in Cameroun: la culture sacrifiée. Dossier of the magazine "Africultures", n. 60, L'Harmattan, July–September 2004, pp. 84–93.
  • (in French and English) Alexandra Loumpet-Galitzine, Ibrahim Njoya, maître du dessin bamoun in Anthologie de l'art africain du XXe siècle, eds. N'Goné Fall and Jean Loup Pivin, Revue Noire, Paris, 2001, pp. 102–105.
  • (in French) Pascal Kenfack, De l'art ancien à l'art contemporain au Cameroun, Actes du colloque Africréation, Paris, 1980.
  • (in French) Jocelyn Etienne-Nugue, Artisanat et arts de vivre au Cameroun, London-Paris, 1982.
  • (in French) La politique culturelle en République unie du Cameroun, eds. J.C. Bahoken and Engelbert Atangan), Unesco, Paris, 1975.
  • (in English) Giulia Paoletti, Cultural and artistic initiatives in Douala in Douala in Translation. A view of the city and its creative transformative potentials, edited by Doual'art and iStrike Foundation, Episode Publishers, Rotterdam, 2007, pp. 243–247.

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