Lito Mayo

Mayo was born on December 17, 1954, in Lipa City, Batangas, the eldest son and second child of banker and entrepreneur Sebastian Mayo and teacher and homemaker Belen Tolentino Mayo. He was born into one of the oldest and historic clans of Lipa City;[5] the Mayo clan of Lipa City has claimed and has documented their roots from Spanish, Chinese, and Irish-British ancestry.[6] His father was an employee at the Philippine National Bank branch of Lipa City who had retired early to establish The Lipa Trading Company, a multifaceted family business that included insurance, financing, real estate, agriculture, tax preparation and a Suzuki motorcycle dealership and tricycle shop.[1]

He attended De La Salle Lipa, one of the local high schools that was established by the Lasallian Brothers, and graduated in 1971.[1]

He received a BFA from the University of Santo Tomas (UST) in 1975.[7] While at UST he received several art awards at the university: 1st Honorable Mention, Sculpture Contest (1973); 3rd Prize, Graphic Arts (1973); 3rd Honorable Mention, Graphic Arts Competition (1973); and Honorable Mention, Annual On-The-Spot Painting Contest (1974).[1]

His years at university coincided with the martial law under Ferdinand Marcos, and Mayo helped the resistance by joining the anti-CAFA (Committee on Anti-Filipino Activities) movement and using the printing presses he had access to, to help disseminate information.[1] He was also a member of the philanthropy-oriented Tau Gamma Phi fraternity.[1][8]

Mayo's early work was heavily inspired by Cubism, wood print blocks, and sculptures. He established himself in graphic arts, with print plate etching as his major technique. Intaglio, xerographics, and silkscreen processes were also incorporated into his early works. Business Day writer Angel G. De Jesus wrote that Mayo was "a surrealistic expressionist with a satiric sense of humor".[3]

He was president of the Philippine Association of Printmakers from 1975 to 1976, and was a member of the board of directors of the Art Association of the Philippines in 1977.[9]

From 1981 to 1983 he taught Visual Arts and Design at the Philippine Women's University School of Fine Arts and Design.[1]

Mayo's subjects and compositions usually embodied magical themes, amulets, animal people, and subconscious wanderings. In his work Pula Puti, he depicted a cockfight scene with two roosters with muscular human forms readying for a gladiatorial fight. His 1981 self portrait, a work in etching, has many incantations, mystical orations, and ancient figures adorning his shroud and countenance.

Mayo was regarded as the progenitor of punk culture and movement in the Philippines.[2][4][1] He infused art and punk as a subculture and influenced many young artists and musicians to explore the subversion and excitement of the genre.[2][4]

In 1971, at the age of 17, Mayo married Irma Hermano, the daughter of Philippine Air Force official Porfirio Hermano and Pacita Hermano who owned and operated D'Crowns Tailoring, which served the uniforms and flight suits need of the military student aviators and officers inside Fernando Air Base.[1] The couple had two sons.[1]

He died unexpectedly[1] in 1983 at the age of 28.[10]

1975

• 2nd Prize (Mixed Media Category): Print Competition in Manila sponsored by Bancom, Eurasia Arts, and the Philippine Association of Printmakers[1]

1976

• First Runner-up: Grand Art Competition in Manila sponsored by the Art Association of the Philippines[1]
• First Prize: Graphic Arts award from the Art Association of the Philippines[1]

1977

• Honorable Mention: Graphic Arts award from the Art Association of the Philippines[1]

1978

• First Runner-up: Grand Art Competition in Manila sponsored by the Art Association of the Philippines[7]
• First Runner-up: Graphic Arts award from the Art Association of the Philippines[7]

In September 2018, when the well-respected printmaker and influential artist, Virgilio "Pandy" Aviado was awarded the Gawad Tanglaw ng Lahi, a prestigious "Filipino Cultural" award from Ateneo De Manila University, he dedicated the award to ten printmakers who were no longer living, included Mayo.[11]

October 17–30, 2015: Hiraya Gallery. 35th Anniversary Exhibition, ArtistSpace, Ayala Museum[12]

Ateneo Art Gallery[13]

• Temptation, 6/10 (1974) – Etching – 32 cm x 27.5 cm (Gift from Emmanuel Torres)
• Untitled (1975) – Etching and aquatint – 20.5 cm x 20.5 cm (Gift from Mayo)

The Ateneo Art Gallery presents Print(Ed): The AAG Print Collection Revisited (July–September 2019).[14] Selected works from Wilson L Sy Prints and Drawings Gallery collection, curated by Pandy Aviado

• 
  Gemini, 1982
• 
  Self-Portrait of Lito Mayo, 1981
• 
  Temptation, 1976
• 
  Mukha Ethnic (Ethnic Face), 1976
• 
  Mukha, 1976
• 
  Maskara 2, 1976
• 
  Insekto, 1976