Little Thieves, Big Thieves

Little Thieves, Big Thieves (Spanish: 100 años de perdón) is a 1998 Venezuelan gangster comedy film directed by Alejandro Saderman. The film premiered at the 1998 Toronto International Film Festival[1] and went on to screen at the 1999 Sundance Film Festival.[2]

100 años de perdón : Little thieves, big thieves
Directed byAlejandro Saderman
Written byCarlos González
Henry Herrera
Produced byEzequiel Burguillos
Maye Larotonda
Starring
CinematographyHernán Toro
Edited byGiuliano Ferrioli
Music byJulio d'Escriván
Distributed byAlejandro Saderman Producciones
Release dates
  • September 17, 1998 (1998-09-17) (TIFF)
  • March 21, 2002 (2002-03-21) (Germany)
Running time
100 minutes
CountryVenezuela
LanguageSpanish

Plot

On Christmas Eve amidst a nationwide financial scandal, adman Horacio hatches a plan to rob the Pan-American Bank with his old childhood buddies Valmore, Rogelio, and Vicente, who are all in dire straits money-wise.

The men pose as officials and arrive at the bank just after the new year, only to discover the bank’s president has already transferred the bail-out money to offshore accounts, and that suspect accountant Pujol has gotten there ahead of them.

The gang mistakes a visiting commercial shoot for TV news cameras, prompting the police to surround the building and leading to a standoff.

Cast

Critical reception

Eddie Cockrell of Variety wrote, "Well-written, often humorous pic knows it strolls close to American action genres and runs with that, riffing on themes from 'Ocean's Eleven,' 'Die Hard,' 'Mad City' and others. There’s even specific mention of 'Dog Day Afternoon,' including an updated spin on one of that film’s key subplots. Ancillary characters are well drawn, and each has a chance for a moment in the spotlight when the standoff takes on a party atmosphere (“The best kidnapping of my life,” claims one)."[3]

Comparatively, Ted Shen of the Chicago Reader wrote, "Saderman alternates hapless burglar comedy (The Lavender Hill Mob) with tense hostage drama (Dog Day Afternoon) but fails to find the right balance: after a while the bumbling exploits of his Robin Hoods and the cute send-ups of media feeding frenzy dull the film’s social criticism."[4]

See also

References
  1. "Days and Nights in the Forest of Film". nitrateonline.com. 25 September 1998. Retrieved 21 July 2023.
  2. "1999 Sundance Film Festival World Cinema Lineup". IndieWire. 3 December 1998. Retrieved 21 July 2023.
  3. Cockrell, Eddie (5 October 1998). "Little Thieves, Big Thieves". Variety. Retrieved 21 July 2023.
  4. Shen, Ted. "Little Thieves, Big Thieves". Chicago Reader. Retrieved 21 July 2023.
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