London Russian Film Festival

The 1st London Russian Film Festival was opened on 27 September with the objective to make Russian cinema accessible to an English speaking audience. In the British press this was interpreted as a sign of growing "cultural links between to two countries".[4] The festival programme included recent Russian films, that had already received several awards in Russia and abroad, such as Euphoria by Ivan Vyryapev, winner of the debut prize at the Venice Film Festival in 2007, or Travelling with Pets by Vera Storozheva, awarded with the top prize at the Moscow Film Festival. Many of the films were introduced by the directors and/or cast members.[5]

At the 2nd Russian Film Festival 10 theatrical premiers of award-winning Russian films produced in 2007-2008 were presented, among them Nirvana by Ivan Voloshin and Nikita Mikhalkov's film 12, that had previously been shown with great success at the Venice Film Festival and was nominated for the Academy Awards.[6] In 2008 the festival was aimed to gain a strengthened position as a platform for inter-cultural dialogue between Russian and UK audiences and filmmakers. Leading directors and actors were encouraged to introduce their films personally, and to participate in Q&A sessions.[7]

The 3rd London Russian Film Festival opened on 30 October with the showing of Sergei Soliviev's adaptation of Anna Karenina. The director and the main actress Tatiana Drubich were present at the opening night and discussed the film with the audience in a Q&A session after the screening.[8] Generally speaking, films based on works of literature - The Event by Andrey Eshpay, Way to Heaven by Nikolay Dostal, and Ward No 6 by Karen Shakhnazarov - were among the most popular entries, probably also supported by the fact, that Ward No 6 had appeared on the longlist for the Academy Awards in the same year.[9] Other films were also well received at the London Russian Film Festival, in particular Pavel Bardin's mockumentary Russia 88, and Paper Soldier by Alexei German Jr., a drama set on the background of the first crewed Soviet aerospace project.[10]

The main programme of the 4th London Russian Film Festival included the controversial One War by Vera Glagoleva, a moving relook at crime and punishment during the Second World War, and Svetlana Proscurina's latest thought provoking film The Truce, an unsettling portrayal of provincial Russia laced with humour and lyricism which won Russia's Kinotavr’s main prize. Also amongst the main programme's feature films were the applauded Gastarbeiter by Yusup Razykov and Reverse Motion by Andrey Stempkovsky. The documentary programme looked back at last decade in Russia, offering a window into the real Russia, with screenings of the ten finest Russian documentary films, one for each year. Garri Bardin’s The Ugly Duckling, a children's stop-motion animated film with Orwellian overtones deemed so politically subversive it was banned from showing on Russian television, was the opening night film. The festival also included a retrospective of the great actor and director Sergei Bondarchuk's films and the works of Leo Tolstoy on film, as well as a retrospective of masters of Soviet and Russian animation.

The 5th Russian Film Festival opened on 4 November with the UK premiere of Generation P by Victor Ginzburg, a portrait of the complex and often absurd story of how today's Russia came into being. The main programme included Innocent Saturday by Aleksander Mindadze, a reconstruction of the 36 hours before the explosion of Chernobyl, Twilight Portrait by Angelina Nikonova, the story of Marina, a social worker dealing with cases of domestic abuse within a society rife with police corruption and sexual violence, and Elena by Andrei Zvyagintsev, the story of Elena, a timid housewife and former nurse, and her relationship with her aging husband and businessman, Vladimir. Among the other feature films, Vladimir Kott's Gromozeka received the audience's award for best film, followed by Vitaly Mansky's Patria o Muerte, a feature-length documentary filmed in Cuba. Curated by Vitaly Mansky, the documentary programme presented the works of five outstanding young women directors and their films on women's lives in today's Russia. Amongst them, Yulia Panasenko's Outro received the Grand Prix at the Flaertiana International Documentary Film Festival. The Festival programme also included the Short Film and the Animation Film sections, the former introducing two ground-breaking new projects: the collective project Experiment 5ive and Alexei German Jr.’s new short From Tokyo, and the latter presenting a comprehensive and diverse range of animation, among which The Women’s Day Gift by Mikhail Dvoryankin.

The 6th Russian Film Festival opened in London on 2 November with Boris Khlebnikov's Till Night Do Us Part (2012) - a comedy based on real conversations overheard by the journalist Natalia Utkin in one of Moscow's most expensive restaurants. The main programme included several films receiving their UK premiere, among them the awarding-winning films, Aleksei Balabanov's 2012 darkly humorous "Me Too", which won the Best Director Prize at St. Petersburg Film Festival 2012[11] and Alexander Proshkin's 2012 poetic eulogy to post-Soviet Russia, "Redemption", which received Best Artistic Contribution Prize at the 2012 Montreal World Film Festival.[12] The Festival Documentary Programme, curated by Vitaly Mansky - president of Artdocfest - included Valery Shevchenko's 2011 "Inside a Square Circle", which examines notions of parental love, state authority and chaos. The programme also included the usual Animation category, screening such films as "Berry Pie" and "Green Teeth". For the second year in a row, the Russian Film Festival also hosted the 2nd Russo-British Co-Production Forum Alongside this, the Russian Film Festival also celebrated the work of the acclaimed director Andrei Konchalovsky, screening a selection of the films which span his prolific six-decade career, including "House of Fools" (2002), awarded the Grand jury prize and the UNICEF Award at the Venice Film Festival 2012,[13] and "Runaway Train", winner of the Golden Globe for Best Actor in 1986.[14]