Louise Reichardt

She was born in Berlin. She was the daughter of composers Juliane Reichardt (1752–1783) and Johann Friedrich Reichardt (1752–1814) and the granddaughter of Franz Benda (1709–1786). Her grandfather and father were, respectively, Konzertmeister and Kapellmeister at the court of Frederick the Great. After Juliane Reichardt died, the family moved from Berlin to Giebichenstein near Halle. Louise Reichardt took music lessons from her father, and in 1800 four of her songs were published in a collection of his songs.[2][3] The Reichardt family entertained literary figures such as Goethe, Ludwig Tieck, Novalis, Clemens Brentano, and Phillip Ludwig Achim von Arnim. Later, she would use von Arnim's poetry in a collection of twelve songs.[3]

In 1809 she moved to Hamburg, where she studied with Johann Frederich Clasing.[3] She taught music, instructed choruses, and composed. She did not rely on royalty or wealthy patrons to hear her music.[4] During her time in Hamburg, from 1809 until 1826, she composed the majority of her Lieder. She reached the public by writing in an easily accessible, folksy style,[3] combining memorable melodies with simple piano accompaniments.[4]

Reichardt was also active as a choral conductor and established a Gesangverein choral society in Hamburg. However, due to the prevailing sexism of the times, she was never allowed to conduct them in public.[3] "Despite these gender restrictions, Reichardt strongly influenced musical life in Hamburg through her composing, teaching, and behind-the-scenes conducting."[4] She also translated the Latin works of Hasse and Graun into German.[3]

Reichardt’s husband-to-be, the writer Friedrich August Eschen, suddenly died before their wedding. Her second husband-to-be, the painter Franz Gareis, also died before their wedding.[4] From then on, Reichardt dedicated herself to her students in Hamburg, and toward the end of her life, she became intensely religious, composing two books of sacred songs.[5]