Lourdes Castro

Maria de Lourdes Bettencourt de Castro ComSE (9 December 1930 – 8 January 2022) was a Portuguese artist from Funchal, Madeira. After specializing in abstract art, in the 1960s she created collages and silk screens, seeking to capture ephemeral reality. From the 1970s, together with her partner Manuel Zimbro, she developed shadow puppets for her Shadow Theatre, gaining acclaim throughout Europe and Brazil. In 1998, together with Francisco Tropa, she created an installation for Portugal's contribution to the São Paulo Art Biennial.[1][2][3]

Lourdes Castro

ComSE
Castro in 2015
Born
Maria de Lourdes Bettencourt de Castro

(1930-12-09)9 December 1930
Funchal, Madeira, Portugal
Died8 January 2022(2022-01-08) (aged 91)
Funchal, Madeira, Portugal
Alma materLisbon School of Fine Arts
AwardsMedal for Cultural Merit (2020)

Biography

Born on 9 December 1930 in Funchal, Lourdes Castro studied at the Lisbon School of Fine Arts. From where she never graduated due to 3 paintings rejected at the time by a teacher. Her first solo exhibition at the Clube Funchalense in 1955 presented her early works which were influenced by Fauvism. On marrying her fellow student René Bertholo (1935–2005), in 1957 she presented an exhibition with him at Lisbon's Galeria Diário de Notícias.[1]

They then spent some time together in Munich before moving to Paris in 1958, thanks to a grant Castro received from the Calouste Gulbenkian Foundation. There the couple published the experimental art journal KWY (1958–1963), creating a movement which included the Bulgarian Christo Vladimirov Javacheff, the German Jan Voss, and Portuguese artists including António Costa Pinheiro, José Escada, João Vieira and Gonçalo Duarte. Together they specialized in silk-screen printing.[1][3]

Inspired by Árpád Szenes, Castro concentrated on abstract painting but in 1961 followed the Nouveaux Réalistes, creating collages consisting of real objects such as printing press letters or bottle tops in silver-painted boxes. In 1962, she began working with shadows and silhouettes, frequently in portraits of her friends. In 1964, she extended this approach to include layers of screen-printed or transparent acrylics.[1]

From 1973, Castro worked with her lifelong partner Manuel Zimbro, creating shadow theatre shows which were widely presented in South America and Europe.[4] In 1972 and 1979, she was a guest of the DAAD Artists-in-Berlin Program. After 25 years based in Paris, she moved back to Funchal in 1983.[5] In 1998, she worked with Francisco Tropa on an installation for the São Paulo Biennale.[6]

Castro died in Funchal on 8 January 2022, at the age of 91.[7] The President of Portugal, Marcelo Rebelo de Sousa, expressed his regret at Castro's death, whom he described as "one of the most unmistakable Portuguese artists".[8]

Distinctions

National orders

References
  1. "Lourdes Castro". Museu Coleção Berardo. Retrieved 29 May 2020.
  2. "Fundação de Serralves reabre com nova exposição dedicada a Lourdes Castro" (in Portuguese). dnoticias. 15 May 2020. Retrieved 29 May 2020.
  3. Reliquet, Scarlett. "Lourdes Castro, translated from Dictionnaire universel des créatrices". Aware. Retrieved 29 May 2020.
  4. Sharp, Chris (1 June 2010). "Lourdes Castro and Manuel Zimbro". ze. Retrieved 31 May 2010.
  5. "Lourdes de Castro CV" (PDF). 111.pt. 2016. Retrieved 11 January 2022.
  6. "Francisco Tropa". Centro Virtual Camões. Retrieved 31 May 2020.
  7. "Morreu a artista Lourdes Castro". Rádio Comercial. 8 January 2022. Retrieved 8 January 2022.
  8. Castro, Lourdes. Benezit Dictionary of Artists. Oxford University Press. 31 October 2011. doi:10.1093/benz/9780199773787.article.b00033748.
  9. "Cidadãos Nacionais Agraciados com Ordens Portuguesas". Página Oficial das Ordens Honoríficas Portuguesas. Retrieved 5 July 2021.
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