Love with the Proper Stranger

Love with the Proper Stranger is a 1963 American romantic drama film made by Pakula-Mulligan Productions and Boardwalk Productions and released by Paramount Pictures. It was directed by Robert Mulligan and produced by Alan J. Pakula from a screenplay by Arnold Schulman.

Love with the Proper Stranger
Theatrical release poster
Directed byRobert Mulligan
Written byArnold Schulman
Produced byAlan J. Pakula
StarringNatalie Wood
Steve McQueen
Edie Adams
Herschel Bernardi
Tom Bosley
CinematographyMilton R. Krasner
Edited byAaron Stell
Music byElmer Bernstein
Distributed byParamount Pictures
Release date
  • December 25, 1963 (1963-12-25)
Running time
102 minutes
CountryUnited States
LanguageEnglish
Budget$8.5 million
Box office$3.6 million (rentals)[1]

The film stars Natalie Wood, Steve McQueen, Edie Adams, Herschel Bernardi and Harvey Lembeck. The film also marked the screen debut of Tom Bosley and features a brief, uncredited appearance by the director's younger brother Richard Mulligan, who later became a well-known television actor. The film received five Academy Award nominations including Best Actress (for Wood).

The film addresses themes of abortion, norms of conventional marriage and adulthood.

Plot

The film tells the story of first generation Italian, Angie Rossini (Natalie Wood), a salesclerk at Macy's department store who finds herself pregnant after a one-night stand with part-time musician Rocky Papasano (Steve McQueen). When she confronts him at mass audition at Carnegie Hall he claims to not remember her. Her only request is that Rocky fund and find the name of a doctor that is willing to perform abortion. Meanwhile, Angie is being pressured by her working-class older brothers, played by Herschel Bernardi and Harvey Lembeck, to marry the unappealing but successful restaurateur Anthony (Tom Bosley).

Rocky and Angie scrape up enough money for the abortion but are confronted by Angie's brothers who chase them in the neighborhood. Rocky is able to sneak into a friend's warehouse where the two discuss life, their mistakes and future prospects in life. When he and Angie meet the crude abortion care provider in a dubious part of the New York City Meatpacking District (who turns out not to be a doctor but a back-room abortionist), Rocky refuses to let her go through with the dangerous procedure much to the relief of Angie, who rests from the trauma in Rocky's ex-girlfriend's apartment. The maturity he shows in doing this brings them closer and Angie grows to respect him. After meeting her brothers, Rocky (who was given the requisite black eye by the oldest brother) decides to "take his medicine" by agreeing to marry her. Angie, who has more romantic aspirations in life, is insulted by the insinuation of marry by duty and refuses. Angie wants romance, with "bells and banjos".

As an act of independence, Angie moves out of her family home much to the chagrin of her immigrant mother. She begins dating the restaurateur, Anthony, who offers to marry her (and claim the baby as his own.) By acting aloof, she confuses and attracts Rocky back to Macy's where he inquires about her condition. When Rocky, once again discusses marriage, she invites to him to "just come over for dinner" at her apartment instead. The dinner is structured as a "date night" with a well-prepared meal and cocktails. Rocky is impressed with her ability as a homemaker, but even more impressed by her well-dressed and sexy appearance. After 2 stiff drinks, he makes crude advances on her and is rejected yet again. Angie says she does not want to make the same mistake again citing that she is expecting "bells and banjos" in her relationships and that after all the time spent together she actually "likes him." They quarrel and the sobbing Angie throws him out of the apartment and slams the door. The next day, Rocky waits for her outside the crowded Macy's with the sign, "Better Wed than Dead", ringing bells and playing a banjo, and wins her heart.

Cast

and introducing

Accolades
Award Category Nominee(s) Result
Academy Awards[2][3] Best Actress Natalie Wood Nominated
Best Story and Screenplay – Written Directly for the Screen Arnold Schulman Nominated
Best Art Direction – Black-and-White Hal Pereira, Roland Anderson, Sam Comer and Grace Gregory Nominated
Best Cinematography – Black-and-White Milton Krasner Nominated
Best Costume Design – Black-and-White Edith Head Nominated
Golden Globe Awards[4] Best Actor in a Motion Picture – Drama Steve McQueen Nominated
Best Actress in a Motion Picture – Drama Natalie Wood Nominated
Laurel Awards Top Drama 4th Place
Top Female Dramatic Performance Natalie Wood Nominated
Mar del Plata International Film Festival Best Film Robert Mulligan Nominated
Best Actress Natalie Wood Won
Writers Guild of America Awards[5] Best Written American Comedy Arnold Schulman Nominated

Also, the film is recognized by American Film Institute in these lists:

See also

References
  1. "Big Rental Pictures of 1964". Variety. January 6, 1965. p. 39.
  2. "The 36th Academy Awards (1964) Nominees and Winners". oscars.org. Archived from the original on May 2, 2015. Retrieved May 4, 2015.
  3. "NY Times: Love with the Proper Stranger". Movies & TV Dept. The New York Times. 2011. Archived from the original on 2011-03-16. Retrieved 2008-12-25.
  4. "Love with the Proper Stranger – Golden Globes". HFPA. Retrieved July 5, 2021.
  5. "Awards Winners". wga.org. Writers Guild of America. Archived from the original on 2012-12-05. Retrieved 2010-06-06.
  6. "AFI's 100 Years...100 Passions Nominees" (PDF). Retrieved 2016-08-19.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.