Lucas Arruda

Lucas Arruda's work and research develops fundamentally around landscape and light as well-defined themes within art historical canon in order to examine complex contemporary mental states.[1] His work is often displayed in series of small-format paintings grouped under the title "Deserto-Modelo", a term he borrowed from the Brazilian poet Joao Cabral de Melo Neto in order to emphasize the idea of prototype and repetition,[5] "allied to the metaphor of the desert understood as an atemporal place that can't be grasped through language".[2] Describing himself as "an artist that works with paint",[5] in his exhibitions, Arruda often extends the landscape beyond the painting by using light installations and slide projections,[6] achieving "a live experience that operates through the mediation of light and the gaze" as noted by curator Hans Ulrich Obrist.[7]

While early reviews of Arruda's work tended to inscribe his paintings within the Romantic sublime tradition and referenced artists like Caspar David Friedrich and Edward Hopper,[8] Arruda himself, in citing influences, rather refers to J. M. W. Turner's late work, the Venezuelan artist Armando Reverón's landscape paintings and Giorgio Morandi, emphasizing the mathematical and metaphysical impulses in his work, and insists on "the idea of landscape as a structure, rather than a real place".[2][5]

Lucas Arruda's solo exhibitions include:

• Assum Preto, Fondazione Sandretto Re Rebaudengo, Madrid (2023);[9]
• Lugar sem lugar, Tomie Ohtake Institute, São Paulo (2022);[10]
• Lugar sem lugar, Iberê Camargo Foundation, Porto Alegre (2021);
• Lucas Arruda, Pond Society, Shanghai (2020);
• Deserto-Modelo, Fridericianum, Kassel (2019);[11]
• Lucas Arruda, Cahiers d'Art, Paris (2018);[12]
• Deserto-Modelo, Indipendenza, Roma (2016);[13]
• Deserto-Modelo, Lulu, México D.F. (2015);
• Deserto-Modelo, Pivô Arte e Pesquisa, São Paulo (2015).

His work has been included in institutional group shows such as:

• Bonna, Dhaka Art Summit, Dhaka (2023);[14]
• Avant l'Orage, Bourse de Commerce – Pinault Collection, Paris (2023);[15]
• Passages – Landscape, Figure and Abstraction, Fondation Beyeler, Basel (2022);[16]
• Histórias Brasileiras, São Paulo Museum of Art (2022);[17]
• Seismic Movements, Dhaka Art Summit, Dhaka (2020);
• Aprendendo com Miguel Bakun: Subtropical, Instituto Tomie Ohtake, São Paulo (2019);[18]
• Luogo e Segni, Punta della Dogana, Venice (2019);
• Volcano Extravaganza 2019 – DEATH, Fiorucci Art Trust, Stromboli (2019);[19]
• City Prince/sses, Palais de Tokyo, Paris (2019);
• Anozero '17 – Bienal de Arte Contemporânea de Coimbra, Coimbra (2017);[20]
• Soft Power. Arte Brasil, Kunsthal KAdE, Amersfoort (2016).[21]

Arruda's work is featured in several publications such as:

• Vitamin P3: New Perspectives in Painting (2019) by Phaidon Press,[22]
• Landscape Painting Now (2019) by D.A.P/ Distributed Art Publishers[23]
• Hans Ulrich Obrist: Brazilian Interviews Vol. 2 (2021) by Cobogó.[24]

• Lucas Arruda. Deserto-Modelo (2022, Verlag der Buchhandlung Walther & Franz König, ISBN 978-3-7533-0252-2)[25]
• Lucas Arruda: Deserto-Modelo (2020, David Zwirner Books, ISBN 9781644230411)[26]
• Lucas Arruda (2018, Cahiers d'Art & Editora Cobogó, ISBN 9786556910314)