Tyler Perry

Around 1990, Perry moved to Atlanta, where two years later I Know I've Been Changed was first performed at a community theater, financed by the 22-year-old Perry's life savings of US$12,000 (equivalent to $26,879 in 2022).[22] The play included Christian themes of forgiveness, dignity, and self-worth, while addressing issues such as child abuse and dysfunctional families. The musical initially received a "less than stellar" reception and was a financial failure.[23] Perry persisted, and over the next six years he rewrote the musical repeatedly, though lackluster reviews continued. In 1998, at age 28, he succeeded in retooling the play and restaging it in Atlanta, first at the House of Blues, then at the Fox Theatre. Perry continued to create new stage productions, touring with them on the so-called "Chitlin' Circuit" (now also known as the "urban theater circuit")[1] and developing a large, devoted following among African-American audiences. In 2005, Forbes reported that he had sold "more than $100 million in tickets, $30 million in videos of his shows and an estimated $20 million in merchandise", and "the 300 live shows he produces each year are attended by an average of 35,000 people a week".[22]

Perry raised a US$5.5 million budget in part from the ticket sales of his stage productions to fund his first movie, Diary of a Mad Black Woman,[24] which went on to gross US$50.6 million domestically, while scoring a 16% approval rating at the film review web site Rotten Tomatoes.[25] Perry made his directorial debut on his next film, an adaptation of Madea's Family Reunion, and has directed all of his subsequent Madea films. On its opening weekend, February 24–26, 2006, Madea's Family Reunion opened at number one at the box office with $30.3 million. The film eventually grossed $65 million. Perry and his co-stars promoted the film on The Oprah Winfrey Show. As with Diary, almost all of the Madea's earnings have been generated in the United States.[26]

Perry's next Lionsgate project, Daddy's Little Girls, starred Gabrielle Union and Idris Elba and was released in the United States on February 14, 2007. It grossed over US$31 million.[27] Perry wrote, directed, produced and starred in his next film, Why Did I Get Married?, released on October 12, 2007. It opened at number one, grossing US$21.4 million that weekend. It is loosely based on his play of the same name. Filming began March 5, 2007, in Whistler, British Columbia, a resort town north of Vancouver, then moved to Atlanta, where Perry had opened his own studio. Janet Jackson, Sharon Leal, Jill Scott, and Tasha Smith appeared in the film. Perry's 2008 film, Meet the Browns, released on March 21, opened at number 2 with a US$20.1 million weekend gross.[28] The Family That Preys opened on September 12, 2008, and grossed over US$37.1 million.[29]

Madea Goes to Jail opened at number one on February 20, 2009, grossing US$41 million and becoming his largest opening to date. This was Perry's seventh film with Lionsgate Entertainment. At the request of director J. J. Abrams,[30] also in 2009, Perry had a small role as the Starfleet Academy commandant Admiral Barnett in Star Trek, which opened on May 8. This was his first film appearance outside of his own projects. Perry next wrote, directed, and starred in I Can Do Bad All By Myself (2009), a film structured around his Madea character. This was Perry's eighth film and it also made number one at the box office.[31] In 2009, Perry teamed with Oprah Winfrey to present Precious, a film based on the novel Push by Sapphire.[32] Why Did I Get Married Too?, the sequel to Why Did I Get Married?, opened in theaters on April 2, 2010. It featured Janet Jackson, Tasha Smith, Jill Scott, and Malik Yoba. The film grossed US$60 million domestically, with US$29 million made the opening weekend.[33]

Perry in 2010 at the 82nd Academy Awards ceremony

Perry directed a film adaptation of Ntozake Shange's 1975 choreopoem For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, which was released in theaters November 5, 2010.[34] He appeared in the stage show Madea's Big Happy Family, which toured the U.S. as a stage play and was released as a movie in 2011, written, directed by and starring Perry. The film version of Madea's Big Happy Family raked in US$25.8 million at the box office, taking second place.[35] Perry's next film with Lionsgate was Good Deeds, in which Perry plays lead character Wesley Deeds. Good Deeds is a romantic drama film written, directed by, and starring Perry. The film was released on February 24, 2012. It is the tenth of eleven films that Perry directed and appears in. The film received a 29% rating by review aggregator Rotten Tomatoes and opened with a box office US$15.5 million gross.[36] The movie also stars Thandie Newton, Rebecca Romijn, Gabrielle Union, Eddie Cibrian, Jamie Kennedy, Phylicia Rashad, and others.[37]

As of June 2011, Perry's films had grossed over US$500 million worldwide.[38] Perry's Madea's Witness Protection, his seventh film within the Madea franchise, was released on June 29, 2012.

Perry took over the role of James Patterson's Alex Cross from Morgan Freeman for a new film in the series, titled Alex Cross.[39] The film which opened on October 19, 2012, was panned by critics and audiences, with Rotten Tomatoes scores of 11% & 47% positive respectively, and became a box office bomb.[40] His performance gained the attention of director David Fincher, who subsequently cast Perry in his 2014 thriller Gone Girl, co-starring with Ben Affleck, Rosamund Pike, and Neil Patrick Harris.

Perry released his thirteenth film, Temptation: Confessions of a Marriage Counselor (based on his 2008 play of the same name) on March 29, 2013. The film stars Lance Gross, Jurnee Smollett, Brandy Norwood, Robbie Jones, Vanessa L. Williams, and Kim Kardashian. He produced Tyler Perry Presents Peeples, released on May 10, 2013.[41] He returned to the big screen with A Madea Christmas, released on December 13, 2013.[42] Perry directed the film The Single Moms Club, which opened on March 14, 2014. His first animated movie Madea's Tough Love was released on DVD January 20, 2015. In 2016, Perry played scientist Baxter Stockman in Teenage Mutant Ninja Turtles: Out of the Shadows.[43] In mid-January 2016, Perry started filming his seventeenth film, and ninth within the Madea franchise, Boo! A Madea Halloween. The film was released on October 21, 2016. A sequel, Boo 2! A Madea Halloween, was released in October 2017. Perry, alongside Oprah Winfrey, lent his voice in his first computer-animated film, called The Star, which is based on the Nativity of Jesus. Developed by Sony Pictures Animation, the film was released on November 17, 2017.[44]

Perry's films are co-produced and distributed by Lions Gate Entertainment; he retains full copyright ownership under the corporate name Tyler Perry Films, and places his name in front of all titles.[45] Perry's movies have seen very limited release outside North America, but in May 2010, Lionsgate announced plans to begin releasing his films in the United Kingdom.[46]

Perry produced the long-running sitcom Tyler Perry's House of Payne, which ran for 8 seasons from June 21, 2006, to August 10, 2012. The series followed an African-American household of three generations. The show demonstrated the family members' serious, true-to-life struggles with faith and love. The show ran in the spring of 2006 as a 10-show pilot. After the successful pilot run, Perry signed a US$200 million, 100-episode deal with TBS. On June 6, 2007, the first two episodes of Tyler Perry's House of Payne ran on TBS. After receiving high ratings, House of Payne entered broadcast syndication. Reruns were played through December 2007 before the second season began. Perry also wrote, directed and produced the sitcom Meet the Browns, which premiered on TBS on January 7, 2009, and ended on November 18, 2011.[47]

In 2009, Perry co-produced Precious: Based on the Novel 'Push' by Sapphire alongside Oprah Winfrey and Lee Daniels. The film was directed by Daniels and starred Gabourey Sidibe and Mo'Nique. While promoting the film Oprah told an interviewer, "I think [Perry] grew up being raised by strong, black women. And so much of what he does is really in celebration of that. I think that's what Madea really is: a compilation of all those strong black women that I know and maybe you do too? And so the reason it works is because people see themselves."[48]

On October 2, 2012, Perry struck an exclusive multi-year partnership with Oprah Winfrey and her Oprah Winfrey Network (OWN). The partnership was largely for the purposes of bringing scripted television to OWN, Perry having had previous success in this department.[7]

Tyler Perry's For Better or Worse, based on his films Why Did I Get Married? and Why Did I Get Married Too?, premiered on TBS on November 25, 2011. The series was cancelled by TBS in February 2013 but was revived by OWN for a third season, which began on September 18, 2013.[49][50]

Perry also had two other television series featured on OWN: the hour-long soap opera/drama series The Haves and the Have Nots and the sitcom Love Thy Neighbor. The Haves and the Have Nots premiered on May 28, 2013, and completed its series run after 8 seasons on July 20, 2021.[51] The program was credited by Oprah Winfrey as bringing success to her network and opened the door for a host of other highly rated dramas to OWN. During its series run, The Haves and the Have Nots had numerous Nielsen rating highs for the OWN broadcasting station: it was reported on May 29, 2013, that The Haves and the Have Nots set a new record for OWN, scoring the highest ratings ever for a series premiere on the network.[52][53] Love Thy Neighbor scored the second highest ratings ever for a series premiere on OWN, behind The Haves and the Have Nots.[54] The Haves and the Have Nots gave OWN some of its highest ratings during its 8-year series run,[55] the program hailed as "one of OWN's biggest success stories with its weekly dose of soapy fun, filled with the typical betrayals, affairs and manipulations."[56]

Contrastingly, however, Love Thy Neighbor had struggled in ratings. The Have and the Have Nots remained the network's highest rated program for most of its run.[57][58] On February 4, 2014, The Haves and the Have Nots came in as the most watched program in all of cable television for the night.[59] On March 11, 2014, a Haves and the Have Nots season 2 episode set an OWN record when it scored the highest ratings in the network's history. The record-breaking episode brought in 3.6 million viewers, surpassing the 3.5 million that tuned in for the Oprah's Next Chapter interview with Bobbi Kristina which was the network's previous highest rated viewing.[55]

On January 9, 2014, as part of Perry's continued partnership with OWN, the network ordered its fourth scripted series (and fourth series by Perry) based on the feature film, The Single Moms Club, called If Loving You Is Wrong. The hour-long drama series premiered on September 9, 2014.

In 2015, Perry acquired the 330-acre former military base Fort McPherson located in Atlanta, which he converted to studios.[60] The studios were used to film the HBO Films/OWN film version of The Immortal Life of Henrietta Lacks, and is currently in ongoing use for the television series The Walking Dead.[60][61] 50,000 square feet of the site are dedicated to standing permanent sets, including a replica of a luxury hotel lobby, a White House replica, a 16,000-square-foot mansion, a mock cheap hotel, a trailer park set, and a real 1950s-style diner that was relocated from a town 100 miles away; it also hosts 12 sound stages named after highly accomplished African-Americans in the entertainment industry.[61] The blockbuster Marvel film, Black Panther, was the first to be filmed on one of the new stages at Tyler Perry Studios as announced personally by Perry on his Instagram account on February 19, 2018.[62]

Tyler Perry Studios is one of the largest film studios in the nation and established Perry as the second African-American to outright own a major film studio, after Tim and Daphne Reid.[63][64]

On June 14, 2017, Perry signed a long-term deal with Viacom (now ViacomCBS) for 90 episodes/year of original drama and comedy series. Viacom will also have distribution rights to short video content and a first look at film concepts (the first film from this deal was Nobody’s Fool). The TV deal began fall 2019 with The Oval, Sistas and BET+ (a brand new streaming service) premiering with strong ratings for BET.[65]

Perry at a book signing in 2006

Perry's first book, Don't Make a Black Woman Take Off Her Earrings: Madea's Uninhibited Commentaries on Love and Life, appeared on April 11, 2006. The book sold 30,000 copies.[66] The hardcover reached number one on the New York Times Best Seller list and remained on the list for 12 weeks. It was voted Book of the Year, Best Humor Book at the 2006 Quill Awards.[67]

His second book, Higher Is Waiting, was published on November 14, 2017. It debuted at number 5 on the New York Times Best Seller list.[68]

The Writers Guild of America, West filed unfair labor practice charges with the National Labor Relations Board (NLRB), alleging that Perry's production company, Tyler Perry Studios, unlawfully fired four writers in October 2008 in retaliation for them trying to get a union contract.[69] The dispute was settled a month later, when Tyler Perry Studios agreed to be a WGA signatory.[70]

In early 2009, Perry threatened legal action against Mo' Money Taxes, a tax preparation company based in Memphis, Tennessee, for running a TV spot that he felt offensively parodied his work, in particular Madea Goes to Jail. The ad features a large white male (John Cowan) in drag, named "Ma'Madea". The offending ad was dropped from circulation.[71]

Tyler Perry's films have come under intense scrutiny with many claiming his films traffic in offensive and negative African-American stereotypes. Author Donald Bogle stated in an interview with Entertainment Weekly, "Madea does have connections to the old mammy type. She’s mammy-like. If a white director put out this product, the black audience would be appalled."[72]

In an open letter to Perry on National Public Radio, journalist Jamilah Lemieux, while thanking Perry for "giving black folks jobs in front of and behind the camera," also criticized his shows Meet the Browns and House of Payne. In her letter, she stated that "both your shows are marked by old stereotypes of buffoonish, emasculated black men and crass, sassy black women." While she noted his work for its humor and "positive messages of self-worth, love and respect," she later expressed frustration that African-Americans "have been fed the same images of ourselves over and over and over because they sell." Lemieux dismissed his famous Madea character, claiming that "Through her, the country has laughed at one of the most important members of the black community: Mother Dear, the beloved matriarch. ... Our mothers and grandmothers deserve much more than that." While she expressed appreciation toward Perry for dismissing critics' negative comments, Lemieux claimed that "many black folks have expressed some of the very same attitudes about your work that white critics have," and urged him to "stop dismissing the critics as haters and realize that black people need new stories and new storytellers."[73]

Despite praising Perry in 2006, director Spike Lee criticized his work in 2009, stating "Each artist should be allowed to pursue their artistic endeavors but I still think there is a lot of stuff out today that is 'coonery buffoonery'" and highlighted the work and content of John Singleton as well as his own work including Miracle at St. Anna (2008), which depicts the heroism of African American soldiers known as the Buffalo Soldiers during World War II.[74] When asked if Perry's success among black audiences was a result of just giving black America what they wanted, Lee responded, "the imaging is troubling."

In October 2009, during a 60 Minutes interview, Perry was read a quote of Spike Lee's comments about his work and responded, "I would love to read that [criticism] to my fan base. ... That pisses me off. It is so insulting. It's attitudes like that that make Hollywood think that these people do not exist, and that is why there is no material speaking to them, speaking to us." Perry also stated that "all these characters are bait – disarming, charming, make-you-laugh bait. I can slap Madea on something and talk about God, love, faith, forgiveness, family, any of those."[75] In an interview with Hip Hollywood, Perry responded to Spike Lee's comments by telling him to "go to hell."[76]

Perry was spoofed in The Boondocks episode: "Pause". The character Winston Jerome is a parody Perry. In the episode Jerome's character Ma Dukes (whom he portrays by crossdressing) similar to Perry's Madea).[77] Greg Braxton of the Los Angeles Times cited "Pause" as one of the sharpest public criticisms of Perry. The episode reportedly angered Perry who threatened to re-evaluate his relationship Turner Broadcasting who had two series on the network TBS at the time, Tyler Perry's House of Payne and Meet the Browns. The episode was pulled from circulation.[78]

Donald Glover reportedly took aim at Perry in the FX series Atlanta. The episode title "Work Ethic!" comes from a tweet in which Perry posted a video of all the scripts he wrote for that season with the caption "WORK ETHIC! Come on. Let's go get 2020!". In the episode a woman and her daughter arrive at a TV studio run by a private and mysterious person known as "Mr. Chocolate". The mother is soon in fear of her daughter being exploited by Mr. Chocolate. Viewers and critics quickly deduced that the episode was satirizing Perry and the way in which he runs his studios in Atlanta.[79][80] Ile-Ife Okantah of Vulture wrote their review, "Like Perry’s own 330-acre studio in Atlanta, Mr. Chocolate Studios is a sprawling lot with multiple soundstages and office spaces" and added "Atlanta and many critics of Perry ask two questions of us: Do we as Black people have to support anything and everything that’s Black? And does Perry’s shallow depiction of us do more harm than good?".[81]

On January 6, 2020, Perry posted a video on Instagram in which he revealed that he doesn't use a writers room for his films and TV shows and prefers to write his work himself.[82] Perry received criticism from several outlets and figures in entertainment for denying opportunities to up-and-coming black writers. Later that month, Perry responded in an interview by stating that he had experienced issues when working with both WGA writers and nonunion writers. He claims that the WGA writers would submit "scripts that would need rewrites in order to get paid multiple times." He also said that nonunion writers struggled to meet his standards of quality and that he "was unhappy with every single script they wrote" because "they were not speaking to the voice."[83]

Goldie Taylor, of The Grio and MSNBC, stated in an April 21, 2011 NPR All Things Considered interview regarding Perry's target audience: "I don't think Tyler Perry is talking to Touré. I don't think he's talking to me, but I know that he's speaking directly to my mother, my sister, my cousins and meeting them at their point of need, and that's what art and filmmaking is about."[84] In his Huffington Post editorial, sociologist Shayne Lee lists Perry among the pantheon of today's most innovative filmmakers.[85]