Madge Evans

Born in Manhattan,[2] Madge Evans was featured in print ads as the "Fairy Soap girl" when she was two years old.[3] She made her professional debut at the age of six months, posing as an artist's model. As a youth, her playmates included Robert Warwick, Holbrook Blinn, and Henry Hull. When she was four years old, Evans was featured in a series of child plays produced by William A. Brady. She worked at the old movie studio in Long Island, New York. Her success was immediate, so much so that her mother loaned her daughter's name to a hat company. Evans posed in a mother and child tableau with Anita Stewart, then 16, for an Anheuser-Busch Brewing Company calendar, and as the little mountain girl in Heidi of the Alps.

Madge Evans (center) in the Broadway production of Peter Ibbetson (1917)

Evans as a child actress with William T. Carleton in Home Wanted (1919).

At the age of 8 in 1917, Evans appeared in the Broadway production of Peter Ibbetson with John Barrymore,[3] Constance Collier and Laura Hope Crews. At 17, she returned to the stage and appeared as the ingenue in Daisy Mayme. Some of her better work in plays came in productions of Dread, The Marquis, and The Conquering Male. Her last appearance was in Philip Goes Forth produced by George Kelley. Evans' mother took her to England and Europe when she was 15.

As a child, Evans debuted in The Sign of the Cross (1914).[3] She appeared in dozens of films, including with Marguerite Clark in The Seven Sisters (1915). She was featured with Robert Warwick in Alias Jimmy Valentine (1915). At 14, she was the star of J. Stuart Blackton's rural melodrama On the Banks of the Wabash (1923). She co-starred with Richard Barthelmess in Classmates (1924).

She was working on stage when she signed with Metro Goldwyn Mayer in 1927. As with theater, she continued to play ingenue parts, often as the fiancé of the leading man. She played the love interest to both Al Jolson and Frank Morgan in the 1933 film Hallelujah, I'm a Bum.

Working for MGM in the 1930s, she appeared in Dinner at Eight (1933), Broadway to Hollywood (1933), Hell Below (1933), and David Copperfield (1935). In 1933, she starred with James Cagney in the melodrama The Mayor of Hell. Other notable movies in which she appeared are Beauty for Sale (1933), Grand Canary (1934), What Every Woman Knows (1934), and Pennies From Heaven (1936).

In 1960, for Evans' contribution to the motion picture industry, she was honored with a star on the Hollywood Walk of Fame located at 1752 Vine Street.[4]

In York Village, Maine, on July 25, 1939, she married playwright Sidney Kingsley,[5] best known for his plays Dead End and Detective Story. The couple owned a 250-acre (1,000,000 m²) estate in Oakland, New Jersey. Following her marriage to Kingsley, Evans left Hollywood and moved to this home in New Jersey.

Later, she worked in radio and television in New York City. Evans performed on the Philco Television Playhouse (1949–1950), Studio One (1954), Matinee Theater (1955), and The Alcoa Hour (1956). She was also a panelist on the 1950s version of Masquerade Party.[6]