Babalon

Whore of Babylon. Painted by Gnostic Saint William Blake in 1809.

The Whore of Babylon is referred to in several places in the Book of Revelation, a book which may have had an influence on Thelema, as Aleister Crowley says he read it as a child and imagined himself as the Beast. She is described in Chapter 17:3-6:

So he carried me away in the spirit into the wilderness: and I saw a woman sit upon a scarlet coloured beast, full of names of blasphemy, having seven heads and ten horns. And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication: And upon her forehead was a name written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH. And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus: and when I saw her, I wondered with great admiration.[3]

Aleister Crowley recorded his view of the Book of Revelation in The Vision and the Voice.

All I get is that the Apocalypse was the recension of a dozen or so totally disconnected allegories, that were pieced together, and ruthlessly planed down to make them into a connected account; and that recension was re-written and edited in the interests of Christianity, because people were complaining that Christianity could show no true spiritual knowledge, or any food for the best minds: nothing but miracles, which only deceived the most ignorant, and Theology, which only suited pedants.

So a man got hold of this recension, and turned it Christian, and imitated the style of John. And this explains why the end of the world does not happen every few years, as advertised.[4]

Within the mystical system of the A∴A∴, after the adept has attained the Knowledge and Conversation of his Holy Guardian Angel, he then might reach the next and last great milestone – the crossing of the Abyss, that great spiritual wilderness of nothingness and dissolution. Choronzon is the dweller there, and its job is to trap the traveler in his meaningless world of illusion.

However, Babalon is just on the other side, beckoning. If the adept gives himself totally to her – the symbol of this act being the pouring of the adept's blood into her graal – he becomes impregnated in her, then to be reborn as a Master of the Temple and a saint that dwells in the City of the Pyramids. From Crowley's book Magick Without Tears:

[S]he guardeth the Abyss. And in her is a perfect purity of that which is above, yet she is sent as the Redeemer to them that are below. For there is no other way into the Supernal mystery but through her and the Beast on which she rideth. She cannot say no. Her decisions are devoid of authority. She is the fruit that will grow in a sea of darkness, the seed of light that the great Samael Satan has taken. The seed that will be the weapon that will make all the damned surpass the old god.[8]

and from The Vision and the Voice (12th Aethyr):

Let him look upon the cup whose blood is mingled therein, for the wine of the cup is the blood of the saints. Glory unto the Scarlet Woman, Babalon the Mother of Abominations, that rideth upon the Beast, for she hath spilt their blood in every corner of the earth and lo! she hath mingled it in the cup of her whoredom.[9]

She is considered to be a sacred whore because she denies no one, and yet she extracts a great price — the very blood of the adept and their ego-identity as an earthly individual. This aspect of Babalon is described further from the 12th Aethyr:

This is the Mystery of Babylon, the Mother of Abominations, and this is the mystery of her adulteries, for she hath yielded up herself to everything that liveth, and hath become a partaker in its mystery. And because she hath made her self the servant of each, therefore is she become the mistress of all. Not as yet canst thou comprehend her glory.

Beautiful art thou, O Babylon, and desirable, for thou hast given thyself to everything that liveth, and thy weakness hath subdued their strength. For in that union thou didst understand. Therefore art thou called Understanding, O Babylon, Lady of the Night![9]

One of the most extensive descriptions by Crowley of Babalon's daughter is to be found in The Vision and the Voice, 9th Aethyr, quoted in The Book of Thoth:

THE VIRGIN UNIVERSE

[From The Vision and the Voice, 9th Aethyr]

We are come unto a palace of which every stone is a separate jewel, and is set with millions of moons.

And this palace is nothing but the body of a woman, proud and delicate, and beyond imagination fair. She is like a child of twelve years old. She has very deep eyelids, and long lashes. Her eyes are closed, or nearly closed. It is impossible to say anything about her. She is naked; her whole body is covered with fine gold hairs, that are the electric flames which are the spears of mighty and terrible Angels whose breastplates are the scales of her skin. And the hair of her head, that flows down to her feet, is the very light of God himself. Of all the glories beheld by the Seer in the Aethyrs, there is not one which is worthy to be compared with her littlest finger-nail. For although he may not partake of the Aethyr, without the ceremonial preparations, even the beholding of this Aethyr from afar is like the par taking of all the former Aethyrs.

The Seer is lost in wonder, which is Peace.

And the ring of the horizon above her is a company of glorious Archangels with joined hands, that stand and sing: This is the daughter of BABALON the Beautiful, that she hath borne unto the Father of All. And unto all hath she borne her.

This is the Daughter of the King. This is the Virgin of Eternity. This is she that the Holy One hath wrested from the Giant Time, and the prize of them that have overcome Space. This is she that is set upon the Throne of Understanding. Holy, Holy, Holy is her name, not to be spoken among men. For Kore they have called her, and Malkah, and Betulah, and Persephone.

And the poets have feigned songs about her, and the prophets have spoken vain things, and the young men have dreamed vain dreams: but this is she, that immaculate, the name of whose name may not be spoken. Thought cannot pierce the glory that defendeth her, for thought is smitten dead before her presence. Memory is blank, and in the most ancient books of Magick are neither words to conjure her, nor adorations to praise her. Will bends like a reed in the tempests that sweep the borders of her kingdom, and imagination cannot figure so much as one petal of the lilies whereon she standeth in the lake of crystal, in the sea of glass.

This is she that hath bedecked her hair with seven stars, the seven breaths of God that move and thrill its excellence. And she hath tired her hair with seven combs, whereupon are written the seven secret names of God that are not known even of the Angels, or of the Archangels, or of the Leader of the armies of the Lord.

Holy, Holy, Holy art thou, and blessed be thy name for ever, unto whom the Aeons are but the pulsings of thy blood.[10]

The concept contained within this aspect of Babalon is that of the mystical ideal, the quest to become one with all through the annihilation of the earthly ego ("For as thy blood is mingled in the cup of BABALON, so is thine heart the universal heart."[11]). The blood spilling into the graal of Babalon is then used by her to "flood the world with Life and Beauty" (meaning to create Masters of the Temple that are "released" back into the world of men), symbolized by the Crimson Rose of 49 Petals.[12]

In sex magic, the mixture of female sexual fluids and semen produced in the sexual act with the Scarlet Woman or Babalon is called the elixir of life. Another alternative form of this elixir is the Elixir Rubeus consisting of the menstrual blood and semen (abbreviated as El. Rub. by Crowley in his magical diaries), and is referred to as the "effluvium of Babalon, the Scarlet Woman, which is the menstruum of the lunar current" by Kenneth Grant.[13]

Aleister Crowley believed that many of his lovers and magical companions were playing a cosmic role, even to the point of fulfilling prophecy. The following is a list of women that he considered to have been (or might have been) scarlet women (quotes are from The Law is for All):

• Rose Edith Crowley, Crowley's first wife. —Put me in touch with Aiwas; see Equinox 1, 7, "The Temple of Solomon the King." Failed as elsewhere is on record.
• Mary d'Este Sturges —Put me in touch with Abuldiz; hence helped with Book 4. Failed from personal jealousies.
• Jeanne Robert Foster —Bore the "child" to whom this Book refers later. Failed from respectability.
• Roddie Minor —Brought me in touch with Amalantrah. Failed from indifference to the Work.
• Marie Rohling —Helped to inspire Liber CXI. Failed from indecision.
• Bertha Almira Prykrl —Delayed assumption of duties, hence made way for No. 7.
• Leah Hirsig —Assisted me in actual initiation; still at my side, An XVII, Sol in Sagittarius.
• Leila Waddell, also known as Laylah

Almost immediately after Parsons declared that the first of the series of rituals was complete and successful, he met Marjorie Cameron in his own home, and regarded her as the elemental that he and Hubbard had called through the ritual.[18] Soon Parsons began the next stage of the series, an attempt to conceive a child through sex magic workings. Although no child was conceived, this did not affect the result of the ritual to that point. Parsons and Cameron, who Parsons now regarded as the Scarlet Woman, Babalon, called forth by the ritual, soon married.

The rituals performed drew largely upon rituals and sex magic described by English author and occult teacher Aleister Crowley. Crowley was in correspondence with Parsons during the course of the Babalon Working, and warned Parsons of his potential overreactions to the magic he was performing, while simultaneously deriding Parsons' work to others.[19]

A brief text entitled Liber 49, self-referenced within the text as The Book of Babalon, was written by Jack Parsons as a transmission from the goddess or force called 'Babalon' received by him during the Babalon Working.[18] Parsons wrote that Liber 49 constituted a fourth chapter of Crowley's Liber AL Vel Legis (The Book of the Law), the holy text of Thelema.[20]

It was a large element of the 2011 play Jet Propulsion by Peter Jon Bakely.[21] It was the title of 2013 film by Brian Butler,[22][23] of the 2016 debut album of Cult of Horror,[24] and of a 2016 song by Spiritus Mortis.[25][26]

In 2022, the Babalon Working was the focus of episode 471 of Omnibus.[27]

• Crowley, Aleister (1973). Magick Without Tears. Falcon Press.
• Crowley, Aleister (1983). Regardie, Israel (ed.). The Law is for All: An Extended Commentary on The Book of the Law (2nd ed.). Phoenix, Arizona: Falcon Press. ISBN 978-0-941404-25-9.
• Crowley, Aleister (1983b), The Holy Books of Thelema, York Beach, ME: Samuel Weiser.
• Crowley, Aleister (1995). "Waratah Blossoms". The Book of Lies. York Beach, Maine: Samuel Weiser. Retrieved 2021-12-24.
• Crowley, Aleister (1997). Magick: Liber ABA, Book 4, Parts I-IV (Second revised ed.). Boston: Weiser. ISBN 0877289190.
• Crowley, Aleister (1998). "The Vision & the Voice". The Equinox. York Beach, Maine: Samuel Weiser. IV (2).
• Crowley, Aleister (2012). DuQuette, Lon Milo (ed.). The Best of the Equinox, Enochian Magic. Vol. I. Red Wheel Weiser. ISBN 978-1609258030.
• Crowley, Aleister (2016). Liber XV : Ecclesiae Gnosticae Catholicae Canon Missae. Gothenburg. ISBN 978-8393928453.{{cite book}}: CS1 maint: location missing publisher (link)
• Dee, John (1659). A true & faithful relation of what passed for many years between Dr. John Dee ... and some spirits. London: Printed by D. Maxwell for T. Garthwait.

• Apiryon, T.; Helena (2001). Mystery of Mystery: A Primer of Thelemic Ecclesiastical Gnosticism (2nd ed.). Red Flame. ISBN 0-9712376-1-1.
• Grant, Kenneth (1977). Nightside of Eden. London: Frederick Muller Limited. ISBN 0-584-10206-2.
• Helena; Apiryon, Tau (1998). "The Creed of the Gnostic Catholic Church: An Examination". The Invisible Basilica. Ordo Templi Orientis. Retrieved 2022-09-12.