Madonna of Veveri

The Veveri Madonna, also called the Madonna of Veveri (Czech: Madona z Veveří, German: Madonna von Eichhorn ),[1] is an tempera painting by the unknown moravian, bohemian (or probably italian) (active in Bohemian lands) artist generally called Master of Vyšší Brod. The altarpiece was commissioned after 1344 by Margrave John Henry of Luxembourg for the romanesque church of Assumption of Our Lady, In the neighborhood of royal Veveří castle in Brno, Moravia, Czech Republic. Exhibited in Diocesan Museum in Brno.[2][3][4] The panel was one of the first Madonnas painted by the artist. Albert Kutal a Czech scholar called it "a truly rare and extraordinary work".[5]

Madona of Veveří
ArtistMaster of Vyšší Brod
Year1344 - 1350
TypeTempera and gold on panel
Dimensions79,5 cm × 62,5 cm (313 in × 246 in)
LocationDiocesan Museum Brno, Brno

Composition

The painting is in tempera on pine wood panel, canvas-covered with gently pastiglia stucco relief decoration and of additional gold metal slices, measures 79,5 cm by 62,5 cm. Madonna, Mary is seen half-figure with the Child in her lap, holding the Christ Child. The latter's left hand is touching his mother's, while under the right hand holds a birdgoldfinch, (because of the thistle seeds the goldfinch often eats, in Christian symbolism the goldfinch is associated with Christ's Passion and his crown of thorns). The Virgin Mary wears double crown on uncovered loose hair, without a veil. Some Byzantine-Italian traces notwithstanding, the painting shows a further step in the assimilation of Italian influences, which are adapted in an individually and stylistically balanced manner.

Painting materials

Pigment analysis of Master of Vyšší Brod's masterpiece reveals the usual pigments of the high gothic period such as ferric oxide mixed with orpiment in the red drapery on top of the painting, natural ultramarine mixed with lead white in the blue robe of Madonna (inside).

Exhibited

Further reading

  • KUTAL, Albert (1971), Gothic Art in Bohemia and Moravia. Published by London, New York, Sydney, Toronto : Hamlyn, ISBN 9780600016588
  • MATĚJČEK, Antonín, PEŠINA, Jaroslav, (1950), Czech Gothic painting. Prague, Melantrich (no ISBN) p. 47
  • PEŠINA, Jaroslav (1989), The Master of the Hohenfurth altarpiece and Bohemian Gothic panel painting. London, ISBN 0856673390
  • ROYT, Jan (2003), Medieval Painting in Bohemia, Karolinum Press, Praha ISBN 8024602660
  • DRAKE BOEHM, Barbara, FAJT Jiri, eds (2005). Prague, the Crown of Bohemia, 1347-1437. Metropolitan Museum of Art Series. New Haven: Yale University Press. 366 pp. ISBN 978-0-300-11138-5.
  • THOMPSON, Daniel V., (1936), The Materials of Medieval Painting, London, George Allen Publishing

References

  1. Madona of Veveri - Getty images
  2. National Gallery seeks review of rare painting's return to Church
  3. Program in Czech TV on Madona of Veveri as a gem of medieval Art
  4. Peter van Mensch: Museums and their collections - new perspectives on ownership
  5. FILIPOVÁ, Marta, The Construction of national identity in the historiography of Czech art.
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