Magazine Management

Founded by Martin Goodman, who had begun his career in the 1930s with pulp magazines published under a variety of shell companies, Magazine Management existed as of at least 1947.[1] By the early 1960s, the company occupied the second floor at 60th Street and Madison Avenue.[2] It published men's-adventure magazines with such writers as Bruce Jay Friedman, David Markson, Mario Puzo, Martin Cruz Smith, Mickey Spillane, and Ernest Tidyman; film magazines with writers including Rona Barrett; and humor publications, among other types.[3] By the late 1960s, its men's-adventure magazines such as Stag and Male had begun evolving into men's magazines, with pictorials about dancers and swimsuit models replaced by bikinis and discreet nude shots, with gradually fewer fiction stories, and eventually into pornographic magazines.

One division of the company was the Marvel Comics Group. As one-time Marvel editor-in-chief Roy Thomas recalled, "I was startled to learn in '65 that Marvel was just part of a parent company called Magazine Management."[3]

In late 1968, Goodman sold all his publishing businesses to the Perfect Film and Chemical Corporation, which made the subsidiary Magazine Management Company the parent company of all the acquired Goodman concerns. Goodman remained as publisher until 1972. Perfect Film and Chemical renamed itself Cadence Industries and renamed Magazine Management as Marvel Comics Group in 1973, the first of many changes, mergers, and acquisitions that led to what became the 21st century corporation Marvel Entertainment.[4][5]

As writer Dorothy Gallagher reminisced in 1998,

At Magazine Management, magazines were produced the way Detroit produced cars. I worked on the fan-magazine line. On the other side of a five-foot partition was the romance-magazine line. And across a corridor were the financial staples of the organization, the men's magazines — Stag, For Men Only, Male — for which, at one time or another, Mario Puzo, Bruce Jay Friedman, David Markson, Mickey Spillane and Martin Cruz Smith wrote, until they became too exalted and rich to do it anymore. I'm almost forgetting the comic-book line, where Stan Lee [co-]created Spider-Man, known to every connoisseur of classic comics. ... [Th]e decor was insurance-company blah: grayish white walls and foam-tile ceilings, overhead fluorescent fixtures, gray metal desks. Except for the executive offices, which faced Madison Avenue and had carpets and windows, the space was divided into jerrybuilt bull pens with head-high partitions. Editors got a glassed-in area in each bullpen.[2]

Author Adam Parfrey, in his book about men's adventure magazines, described how,

Most scribes laboring for Martin Goodman's Magazine Management firm and other repositories of adventure magazines spoke of feeling like well-compensated slaves of a very particular style ('man triumphant') that was not their own. This was not the style with which editor Bruce Jay Friedman felt most comfortable, and when editing publications for Martin Goodman he unsuccessfully tried to talk him out of running advertisements for trusses, an ad signalling the magazine's target audience: blue-collar yahoos. It would be years before he could raise his head at industry cocktail parties, when his acclaimed examples of 'black-humor fiction' were seen as appropriate material for a hipper, more monied crowd.[6]