Magnus Lindberg

Lindberg was born in Helsinki, where he studied at the Sibelius Academy under Einojuhani Rautavaara and Paavo Heininen, beginning with piano. He attended summer courses in Siena (with Franco Donatoni) and Darmstadt (with Brian Ferneyhough). After graduating in 1981, he traveled widely in Europe, attending private studies with Vinko Globokar and Gérard Grisey in Paris, and observing Japanese drumming and punk rock in Berlin.

Lindberg's juvenilia include the large orchestral work Donor, composed at age 16. Quintetto dell’Estate (1979) is generally held to be Lindberg's first opus. His first piece performed by a professional orchestra was Sculpture II in 1982, the second part of a trilogy whose first and third sections were long unwritten. His first great success came with "Action-Situation-Signification" (1982), the first work in which he explored musique concrète. This piece was written for and premiered by the new-music ensemble Toimii ("It Works" in Finnish), which Lindberg founded in the summer of 1980. Around the same period, Lindberg founded an informal grouping known as the Ears Open Society including Lindberg and his contemporaries Eero Hämeenniemi, Jouni Kaipainen, Kaija Saariaho, Esa-Pekka Salonen and Herman Rechberger.[2] He is a trained pianist and has performed several of his works as part of Toimii.

Kraft (1983–85), another piece written for Toimii, is Lindberg's largest work to date, with harmonies of over 70 notes and a meter-high score. It uses traditional instrumentation as well as percussion on scrap metal and spoken word. After finishing it Lindberg found it hard to compose, and with the exception of 1986's Ur, which he called "Kraft in chamber form", he entered a creative hiatus that lasted over two years. During this time he was not only rethinking his style but also recovering from a tropical disease contracted during travel in Indonesia.

Kraft made use of a chaconne-type structure where the progression of the piece is based on a repeated chain of chords. It was this idea that served as the basis for Lindberg's next style. He returned with an orchestral trilogy consisting of Kinetics (1988), Marea (1989–90), and Joy (1990). Though Lindberg became less interested in electronic manipulation of sound, he continued to explore the possibilities of compositional software, and Engine displays complex computer-generated counterpoint. Since Joy, Lindberg has gradually refined his style, orchestrations and harmonies. This showed itself first in Corrente for chamber ensemble (1992) and its subsequent orchestral version, Corrente II, and in Duo Concertante (1992). In these works Lindberg showed influences ranging from Pierre Boulez and Tristan Murail to Igor Stravinsky and minimalism. His symphonic work Aura (1994) reflects a newer, more eclectic style.

Lindberg has since built upon these developments, further refining his style, which now leans toward a type of new tonality hinted at in works such as Joy and Aura. This development has culminated in one of his most popular scores to date, his Clarinet Concerto (2002), which has a folk-like melody and rich orchestration. His recent work, Two Episodes, was premiered at the BBC Proms on 24 July 2016. It is a companion piece to Beethoven's Ninth Symphony, containing allusions to both the symphony and other works by the composer, rather in the same way that I.M. Pei's Louvre Pyramid complements the Tuileries Palace in Paris.[3]

Lindberg has received a number of composition prizes, including the Prix Italia (1986), the UNESCO International Rostrum of Composers (1986), the Nordic Council Music Prize (1988) for Kraft, and the Royal Philharmonic Society Prize for large-scale composition (1992).

Lindberg became the new composer-in-residence at the New York Philharmonic for the 2009–2010 season at the invitation of the incoming music director Alan Gilbert.[4] The Philharmonic's September 2009 opening night gala, which was Gilbert's debut as music director, featured a well-received new work by Lindberg, EXPO.[5] Lindberg's fourth and final commission as composer-in-residence was the Piano Concerto No. 2, which was premiered on 3 May 2012.[6][7]

• Howell, Tim. 2006. After Sibelius: Studies in Finnish Music, Chapter 9, pp. 231–262. Aldershot and Vermont: Ashgate Publishing, Ltd. ISBN 978-0-7546-5177-2
• Nieminen, Risto. 1993. Magnus Lindberg. Paris: Ircam, Centre Georges-Pompidou. ISBN 978-2-85850-732-0 (in French)
• Sosa, Takemi (2018). Magnus Lindberg: Musical Gesture and Dramaturgy in Aura and the Symphonic Triptych (Ph.D. thesis). Acta Semiotica Fennica, LIII. University of Helsinki. ISBN 978-951-51-4187-3. ISSN 1235-497X.
• Stenius, Caterina. 2006. Chaconne: En bok om Magnus Lindberg och den nya musiken. Med verkförteckning av Risto Nieminen. Helsinki: Söderströms. ISBN 951-52-2356-3 (in Swedish)

• Magnus Lindberg at Boosey & Hawkes
• Entry at the Finnish Music Information Centre
• Magnus Lindberg page at Ondine Records
• Interview with Lindberg conducted by Kirk Noreen and Joshua Cody in 1999.
• Magnus Lindberg biography at Biografiskt lexikon för Finland. (in Swedish)
• "Magnus Lindberg (biography, works, resources)" (in French and English). IRCAM.
• "Magnus Lindberg". Biografiskt lexikon för Finland (in Swedish). Helsingfors: Svenska litteratursällskapet i Finland. urn:NBN:fi:sls-5613-1416928958219.