Gran Hotel Manzana Kempinski La Habana

Manzana de Gomez was first shopping arcade in Havana

Don Julián de Zulueta initially built the building up to the first floor dedicated to commercial shops. There was a large basement the architect took advantage of part of the city wall's moats and foundations which were prepared to receive several more floors.[lower-alpha 2] In 1873 it was the first commercial complex in Havana to resemble those in European cities built within the city walls of Havana Vieja on the Calzada de Monte between Prado and Zulueta. It was a modest set of 12 porticoed commercial establishments of a single floor united by a common front.[3]

The building on a plot bounded by Calles Neptuno, San Rafael, Monserrate y Zulueta was designed by the architect Don Pedro Tomé y Veracruisse, construction began in 1890. While the building was still unfinished, Don Julián de Zuluetawas sold it to Andrés Gómez Mena who came to Cuba from Spain and completed the first floor. Designed around interior passageways that ensured natural light and ventilation, four floors were added from 1916 to 1918. The ground floor was surrounded on all four sides by covered galleries, the inner passageways of two interior diagonal streets, forming an 'X' on the plan, were integrated with the exterior galleries. The upper floors contained law firms and business offices. Gomez built two theaters, the Politeama Grande and the Politeama Pequeño, which had a short-existence.[4] Andrés Gómez Mena was shot to death in Havana, on January 11, 1917, by the Catalan watchmaker Fernando Reugart, who argued that Gómez Mena had disrespected his wife.[5] Since its early days in 1832, the most popular commercial stores were directly located on the streets of Calles Muralla and Oficios, along with other arteries, such as Monte, Neptuno, San Rafael, and Galiano. The building until 1918 occupied one floor with covered galleries, four levels were eventually added, eight elevators to facilitate access to those floors. It had 560 offices, the Pitman commercial academies were located on the second level, and for students seeking to prepare in shorthand and typing methods. There was the Ibero-American Institution of Culture chaired by the Cuban scholar Fernando Ortiz, as well as consular and diplomatic agencies. The Manzana de Gomez at one point held over 500 offices. It was estimated that 25,000 people visited daily.[6]

Corner of la Manzana de Gomez, c. 1955

The decoration of its four facades, columns, jambs, arch keys, corbels, friezes, balconies, and other decorative elements is mostly carved stone. The main access to the building was located on Zulueta Street, with highly ornate details including a flagpole with the national insignia. The entrances to the building had wide marble staircases and a double system of elevators, the access to the commercial passages, in the form of a cross in plan, was located in the four chamfered corners. The metal gates, in addition to functioning as a closing element for the galleries, become a decorative element, presumably, placed in the last stage of rebuilding between 1916 and 1920.[7]

The owner of the Manzana de Gómez, José Gómez-Mena (1883 – 1960), is identified as one of the richest men in Cuba.[lower-alpha 3] Gómez Mena is synonymous with opulence and power, he raised a fortune through the slave and the clandestine trade, his descendants achieved large fortunes as merchants, landowners, and bankers. Gómez Mena had large tracts of land, no less than 500 houses, and apartment buildings, four sugar mills, works of art, and objects of all kinds, such as statues and monuments, and paintings of great value. His house is currently the Museum of Decorative Arts. His assets are calculated for an average of 20 million pesos, a whole fortune equivalent to hundreds of millions in our day.

Manzana de Gomez, interior passageway

View of an arcade (the passage Choiseul, located in the second arrondissement of Paris), as an example of the characteristic architecture of the covered arcades of 19th-century Paris.

The structure built from 1894 to 1917[10] was the first European-style shopping arcade in Cuba. In certain respects, it recalled the Covered passages of Paris,[lower-alpha 4] The Covered Passage of Paris (French: Passages couverts de Paris) are an early form of shopping arcade built in Paris, France primarily during the first half of the 19th century. By the 1850s there were approximately 150 covered passages in Paris but this decreased greatly as a result of Haussmann's renovation of Paris. Only a couple of dozen passages remain in the 21st century, all on the Right Bank. The common characteristics of the covered passages are that they are: pedestrianized; glass-ceilings; artificially illuminated at night (initially with gas lamps); privately owned; highly ornamented and decorated; lined with small shops on the ground floor; connecting two streets. Originally, to keep the passages clean, each would have an artiste de décrottage (a shit-removal artist) at the entrance to clean the shoes of visitors. The Paris passages were the subject of Walter Benjamin's incomplete magnum-opus Passagenwerk (Arcades Project) which was posthumously published.[12]

The Manzana de Gómez was the first entire city block built in Cuba at the beginning of the 20th century completely for commercial use, with two inner diagonal passageways forming an 'X' pattern on the plan integrating the pedestrian circulation with the outer fabric. It is bounded by Neptuno, San Rafael, Zulueta, and Monserrate streets.

• 
  Building owned by Don Julián de Zulueta, designed by the architect Don Pedro Tomé y Veracruisse, that became La Manzana de Gomez
• 
  Zabala Store, Interior passageway Manzana de Gomez Building, Havana, Cuba
• 
  Original passageway, Manzana Gomez, c. 2003
• 
  Central Park, Plaza Hotel and Gomez Building, Havana, Cuba
• 
  Manzana de Gomez by Albear Park
• 
  Manzana de Gómez, c. 1920

• Cuba - Eyewitness Travel Guides (Dorling Kindersley Publishing, 2004) ISBN 075660172X
• Havana (Lonely Planet Publications, 2001) ISBN 1864502290
• The Odyssey Illustrated Guide To Cuba (Guidebook Company Ltd., 1995) ISBN 9622173705

• Official website
• The Arcades Project, Harvard University Press, ISBN 0-674-00802-2
• "The Structure of Awakening: Walter Benjamin and Progressive Scholarship in New Media" from The Arcades Project Project
• New luxury mall in socialist Cuba pits state consumerism against the poor
• TOURISTIC REFUNCTIONALIZATION OF THE HISTORICAL CENTER OF OLD HAVANA

23°08′16.86″N 82°21′28.54″W

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1911 Encyclopædia Britannica/Havana

Manzana de Gómez

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