Marcel Hillaire

Hillaire's grandfather was Ferdinand Hiller,[1] a Frankfurt-born pianist and music educator, a student of the Austro-Hungarian composer virtuoso Johann Nepomuk Hummel, himself a student of Mozart. Under Hummel's tutelage, Hiller met many members of Germany's creative community including Felix Mendelssohn and Johann Wolfgang von Goethe.[1]

Through Hummel, Hiller met Ludwig van Beethoven just days before the legendary composer's death and, with the permission of Hummel, who was playing at Beethoven's funeral, clipped a lock of hair from Beethoven's corpse.[1] Before the elder Hiller died, he gave the Beethoven keepsake as a birthday present to his son, Cologne opera singer and music critic Paul Hiller.[2]

Erwin Hiller was born to Paul Hiller and his wife Sophie Lion in Cologne in 1908; the son was partly Jewish on both father's and mother's sides.[3][4] Paul Hiller wrote for 24 years as the music critic of Cologne's Rheinische Zeitung, "reviewing over the course of a quarter century virtually every operatic and orchestral performance scheduled throughout the lower Rheinland."[3] Erwin and his brother were exposed to music and the arts from their earliest days, and by the father's death in 1934, Erwin was well-established as an actor and a Lothario.

While his brother Edgar fled to neutral Switzerland, Erwin took up the stage name Harry Fuerster[5] or Fürster[6] and began to tour Germany in a traveling theater company. Then, using romantic associations made during his touring, Erwin Hiller, under his own name, became a clerk in Organization Todt, Nazi Germany's civil and military engineering corps. Stationed in Brittany, Hiller rose to a position directly under the supervision of Albert Speer and in 1942 used his connections to attempt to bring his dying mother, still living in Cologne, to the comparative safety of France.[6]

Three years later, while he was still working for the Todt in Germany, Hiller's Jewish heritage was revealed. Sentenced to death for "his insidious deceit as much as his Semitic ancestry",[6] Hiller awaited execution in a Weimar jail, but was transferred to a Berlin prison to face six-year-old statutory rape charges made before the war by the mother of a teenaged admirer. In April 1945, the Russian army liberated Berlin and Hiller was released from custody.[6]

Hiller emigrated from Germany to the United States on June 15, 1948, arriving in New York City and taking jobs in restaurants while he looked for work as an actor. Shortly after coming to America, Hiller decided that his German birth might hinder his prospects in the entertainment industry, so he changed his identity one last time: to Marcel Hilliare, a Frenchman. He never used his birth name again in public.[6]

Hillaire found employment portraying European characters in Manhattan theater productions and in the budding television industry's New York studios. He appeared in three 1952 episodes of the Goodyear Playhouse and five episodes of the Lux Video Theatre by 1953.[7] The same year, Hillaire guested in one of the first situation comedies, The Goldbergs. When Billy Wilder cast his 1954 Sabrina starring Audrey Hepburn, William Holden and Humphrey Bogart; Hillaire, in his first film role, was chosen to portray a French master chef.[8]

While still in New York, Hillaire appeared in two Broadway productions. He played opposite Jean-Pierre Aumont in the play The Heavenly Twins, adapted from a French comedy by Albert Husson. From February 1955 until April 1956 Hillaire had a featured role in the original cast of the Cole Porter musical Silk Stockings.[9][10]

After moving to Los Angeles, Hillaire continued to portray Europeans, mostly Frenchmen, in television episodes and movies. Beginning in the late fifties, Hillaire took a one-man touring show, entitled The Smile of France, to college campuses across the U.S.[7][9][10][11]

In speaking to town newspapers about upcoming performances, Hillaire told reporters he was born in the Ménilmontant neighborhood of Paris,[10] the son of circus performers, who worked at the Folies Bergère,[10][12] and was trained as an actor by French theater legends Louis Jouvet and Sacha Guitry.[9][12] Hillaire adopted the sobriquet "the essence of all Frenchmen" and told reporters he had been acclaimed "Le Bien-Aimé du Peuple Français" (The Well-Beloved of the French People).[11][12]

While performing at the Library of Congress's Coolidge Auditorium, one of Hillaire's early shows was recorded for library archives and included works from François Villon, Guy de Maupassant, Pierre de Ronsard, and Guillaume Apollinaire, plus readings from love letters by Napoléon Bonaparte, Jeanne Bécu du Barry, and Louis XV.[13][14] Later performances added works from authors Jean de La Fontaine, Colette, Voltaire, Marcel Pagnol, and Sacha Guitry.[10][11]

From the early 1950s to the 1980s, he played character parts in various TV shows, including The Twilight Zone (episodes "A Most Unusual Camera" and "The New Exhibit"), Lost in Space, Get Smart, The Man from U.N.C.L.E., McCloud and I Spy. He appeared as a director in Woody Allen's second film, Take the Money and Run (1969). Marcel Hillaire played a role in Combat (Season 3 Episode 12, "A Rare Vintage", in 1964).

• Marcel Hillaire at IMDb
• Marcel Hillaire at the Internet Broadway Database
• Marcel Hillaire at the Internet Off-Broadway Database