Marco Goecke

Marco Goecke (born 12 April 1972)[1] is a German choreographer. He was the director of Hanover State Ballet between 2019 and 2023, and had also held positions at Stuttgart Ballet, Scapino Ballet, Nederlands Dans Theater and Gauthier Dance. He had additionally choreographed works for Paris Opera Ballet, Berlin State Ballet, Les Ballets de Monte-Carlo and Vienna State Ballet, among others. Die Welt's Manuel Brug called him "the most important choreographer in Germany."[2]

Marco Goecke
Born (1972-04-12) 12 April 1972
Wuppertal, Germany
OccupationChoreographer
Years active1988–present

In February 2023, after an incident in which he smeared dog feces on the face of a dance critic who had reviewed him negatively, he was removed from his position in Hanover.

Early life

Goecke was born 12 April 1972 in Wuppertal, Germany.[3][4][5] His father worked in an office at a factory and his mother as a secretary.[5] He has an older sister.[5]

Goecke began ballet training in 1988.[3] He studied at the Ballet Academy Cologne, the Tanzinstitut Heinz-Bosl-Stiftung in Munich, and from 1989 to 1995 at the Royal Conservatory of The Hague.[4][5]

Career

In 1997, Goecke began dancing professionally with Deutsche Staatsoper Berlin, then at the ballet of Hagen Theatre.[3][4] In 2000, he made his choreographic debut with a piece entitled Loch, for Hagen Theatre.[5]

In 2005 Goecke became the choreographer in residence at the Stuttgart Ballet.[6] In 2008 he was named resident choreographer at Scapino Ballet in Rotterdam.[5] In 2013, he was an appointed associate choreographer at the Nederlands Dans Theater.[2][7] In 2018, he became the resident choreographer at Stuttgart's Gauthier Dance.[8] In 2019, he was named the director of Hanover State Ballet, the ballet of Staatsoper Hannover.[8]

Goecke was described as "the most important choreographer in Germany."[2] As of 2023 he has created more than 60 works, some of which are in the repertoires of the Paris Opera Ballet, Les Ballets de Monte Carlo, the National Ballet of Canada, Berlin State Ballet, Vienna State Ballet, and Ballett Zürich.[8][9] Most of his works are less than 30 minutes in length.[4]

Goecke's work is noted for its focus on the upper body; costuming is typically black trousers with taupe tops on the women and bare chests for men.[5][4] Movement is primarily by the arms, hands, and torso and described as fluttering, twitching, shaking, spasming, trembling, with great rapidity and precision.[4] The movements in his pieces are often described as making little sense and seemingly chosen only to be ugly or different.[4]

Goecke's sets are typically dimly lit.[4][5] He often includes items spread on or falling onto the stage or being tossed by dancers such as feathers, rose petals, balloons, or dead leaves or flour.[4] Costumes are sometimes trimmed with items that move, such as fringes, or make sounds, such as walnuts.[4] The dancers also create intentional sounds by pattering their feet or sometimes shrieking or quacking.[4] Musical choices are often diverse within a piece and are chosen for mood.[4]

In 2004 he was invited by Pina Bausch to present his 2003 Blushing and 2004 Mopey at the Tanztheater festival.[4] His 2006 narrative choreography of Tchaikovsky's The Nutcracker was filmed for ZDFtheaterkanal.[10]

Goecke's Nijinsky (2016) was called out by the 2022 Deutscher Tanzpreis jury as a milestone in his career.[9]

His In the Dutch Mountains (2023) was about his relationship with the Netherlands, where he studied; it was partially inspired by the 1984 novel In the Mountains of the Netherlands by Cees Noteboom and the 1987 song of the same name by the Nits.[5]

Incident with critic

On 12 February 2023, Goecke smeared his dog's feces[11][12] on the face of Wiebke Hüster, a dance critic whose mostly-negative review of the Nederlands Dans Theater premiere of his work In the Dutch Mountains had appeared in that day's Frankfurter Allgemeine Zeitung.[2] He confronted Hüster during the intermission of a show including one of his works at the Hanover State Ballet, telling her that her piece had caused people to cancel their season tickets, and threatening to ban her from the premises.[11][13] He then pulled out a bag of feces and smeared them on her face.[11][13]

Goecke said the review had angered him,[2] and that Hüster had written only two positive pieces about his work in the twenty years she'd been covering it.[2][14] He said that critics should not write in "a personal and hateful way".[11] He said "I apologize for the fact I finally blew my top, but I also ask for a certain understanding at least for the reasons why this happened."[13] He said he hoped to start a debate on what art critics should be allowed to say in their reviews.[2]

In the wake of the incident Goecke was charged with assault.[2] The Hanover Opera House suspended Goecke after the incident,[12] and on 16 February, the opera house director Laura Berman announced that "by mutual agreement", it was decided that Goecke would step down from his role as the director of the Hanover State Ballet immediately, though his works will remain in the company's repertory. Berman stated it was because Goecke's works are "incomparable" and her belief that his works should be viewed separate from the incident.[2] The Nederlands Dans Theater announced that although Goecke's action was "contrary to our values", after "a difficult companywide conversation" and Goecke's apology, the company decided to maintain its association with Goecke.[2] The Australian Ballet, however, withdrew its plan to tour Kunstkamer, which featured contributions by Goecke and three other choreographers, to the Royal Opera House in London, citing the incident as the reason.[15]

After the incident, four other critics, all based outside of Germany, described receiving "bizarre communications" from Goecke after reviewing his work negatively.[2]

Reception

Goecke was awarded the Prix Dom Perignon for his 2003 Blushing.[4] In 2006 he won the Nijinsky Award for most promising choreographer.[4] In 2015 and 2021 Tanz named him Choreographer of the Year.[8][16][17]

In 2017 Goecke won the Gouden Zwaan for most impressive dance production for Midhight Raga, and the Danza & Danza award for best choreography for Nijinsky.[4][5] In 2022 he won the Deutscher Tanzpreis, sharing the award with Christoph Winkler.[18][19] The jury said his work was extraordinary, that he had created an "unmistakable signature", and that he had contributed to the development of modern dance.[9]

The New York Times called him "renowned" and said that as of 2023 he had for more than a decade been "a star" in European ballet.[2] In Thin Skin, the 2016 documentary, he was called "one of the world's leading choreographers".[20]

Personal life

The 2016 documentary Thin Skin said that 'outside of the rehearsal room, Goecke is difficult, demanding and self-centered. He is preoccupied with a feeling of "otherness," and suffers from panic attacks that cast a shadow on his life and work'.[20] Goecke is known for wearing sunglasses at all times and has explained that he is constantly being observed and wears the glasses to protect himself.[5]

Goecke is gay.[5]

Works
2000
2001
2002
  • Demigods, Stuttgart Ballet Noverre Society (Music: Tori Amos, Garbage, Michael Jüllich)
2003
2004
2005
  • Sweet Sweet Sweet, Stuttgart Ballet (music: concept by Marco Goecke, Herbert Schnarr)[4]
  • Äffi, Stuttgart Ballet/International ARDT Ballet Gala, Arnhem (Solo. Music: Johnny Cash)[4]
  • Beautiful Freak, Hamburg Ballet (Music: Chet Baker, Michael Jüllich)[4]
  • The Rest is Silence, Scapino Ballet Rotterdam (Music: Stephen Foster)[4]
2006
2007
2008
2009
2010
2011
2012
2013
  • I Found A Fox, Gauthier Dance (Solo. Music: Kate Bush)
  • Peekaboo, São Paulo Beim Movimentos Dance Company at Wolfsburg Festival (Music: Benjamin Britten, Finnish choral music)
  • On Velvet, Stuttgart Ballet (Music: Johannes Maria Staud, Edward Elgar)
  • I found A Fox II, Gauthier Dance (Solo. Music: Kate Bush)
2014
2015
2016
  • Lucid Dream, Stuttgart Ballet (Music: Gustav Mahler)
  • Woke Up Blind, Nederlands Dans Theatre I (Music: Jeff Buckley)
  • A Spell on Yo, John Cranko School, Stuttgart (Music: Nina Simone)
  • Nijinsky, Gauthier Dance, Theaterhaus Stuttgart (Music: Chopin, Debussy)[4]
  • Petrushka, Ballett Zürich (Music: Stravinsky)
2017
  • Midnight Raga, Nederlands Dans Theatre II (Music: Ravi Shankar, Etta James)[4]
  • Dance/Jazz Fusion Vol. 2, Badenes/Robinson/Su/von Sternenfels, Theaterhaus Stuttgart (Music: Ferenc and Magnus Mehl Quartet)
  • We tell each other dark things, Nederlands Dans Theatre II (Music: Schubert, Placebo, Alfred Schnittke)[4]
2018
  • Almost Blue, Stuttgart Ballet (Music: Etta James, Antony and the Johnsons)
  • Hungarian Dance No. 1, Princess Grace Academy, Monte Carlo (Music: Brahms, as part of the Gala de l'Académie 2018)
  • La Strada, Ballet of the Gärtnerplatztheater, Munich (full-length. music: Nino Rota)
  • Infant Spirit, Gauthier Dance, Theaterhaus Stuttgart (Solo, Music: Antony and the Johnsons)
  • Walk the Demon, Nederlands Dans Theatre (Solo, Music: Antony and the Johnsons, Pavel Haas, Pehr Henrik Nordgren)[4]
2019
2020
  • Kiss a Crow, Hanover State Ballet (Music: Kate Bush)
  • Do you love Gershwin?, Gauthier Dance, Theaterhaus Stuttgart (full-length. music: George Gershwin)
2021
2022
2023

References
  1. "April 12th, 1972: Birth Marco Goecke | Stuttgart Ballet".
  2. Marshall, Alex (16 February 2023). "He Smeared Feces on a Critic, and Lost a Job. Now, He Wants to Be Heard". The New York Times. ISSN 0362-4331. Retrieved 17 February 2023.
  3. "Choreographer Marco Goecke". grandsballets.com. Retrieved 17 February 2023.
  4. Butterworth, Jo; Sanders, Lorna (22 December 2020). Fifty Contemporary Choreographers. Routledge. ISBN 978-1-000-28485-0.
  5. Embrechts, Annette (2 February 2023). "Waarom choreograaf Marco Goecke altijd een zonnebril draagt en in studio's zonder daglicht repeteert". de Volkskrant (in Dutch). Retrieved 17 February 2023.
  6. "Marco Goecke". upstream.wiener-staatsoper.at. Retrieved 17 February 2023.
  7. "Marco Goecke". www.danceopen.com. Retrieved 17 February 2023.
  8. "Marco Goecke". staatstheater-hannover.de (in German). Retrieved 17 February 2023.
  9. "Hannovers Ballettdirektor Marco Goecke erhält den Deutschen Tanzpreis". Norddeutscher Rundfunk (in German). Retrieved 17 February 2023.
  10. "ZDFtheaterkanal – Translation into English – examples German | Reverso Context". context.reverso.net. Retrieved 17 February 2023.
  11. Gillett, Francesca (16 February 2023). "German ballet director who smeared critic with faeces sacked". BBC News. Retrieved 17 February 2023.
  12. Marshall, Alex (13 February 2023). "Choreographer Smears Dog Feces on Critic After Negative Review". New York Times.
  13. D'Zurilla, Christie (16 February 2023). "German ballet director Marco Goecke fired after smearing feces on dance critic's face". Los Angeles Times. Retrieved 17 February 2023.
  14. "Marco Goecke bittet um Verzeihung: "Schändliche Handlung im Affekt"". Norddeutscher Rundfunk (in German). Retrieved 17 February 2023.
  15. Craine, Debra (10 April 2023). "David Hallberg on the Australian Ballet: 'We aren't dealing with a lot of ego'". The Times.
  16. "Kritikerbilanz der Zeitschrift "Tanz": Marco Goecke ist der Choreograf des Jahres". stuttgarter-zeitung.de (in German). 20 August 2015. Retrieved 17 February 2023.
  17. Rundfunk, Bayerischer (20 August 2021). "Nederlands Dans Theater ist Tanzkompanie des Jahres 2021: Berühmte Ballettvereinigung ausgezeichnet | BR-Klassik". www.br-klassik.de (in German). Retrieved 17 February 2023.
  18. "Marco Goecke wins prestigious Tanzpreis 2022". Nederlands Dans Theater. Retrieved 17 February 2023.
  19. Weickmann, Dorion (4 May 2022). "Deutscher Tanzpreis an Marco Goecke und Christoph Winkler". Süddeutsche.de (in German). Retrieved 17 February 2023.
  20. "Thin skin – Suzanne Dellal". Retrieved 17 February 2023.
  21. Goodyear, Sheena (15 February 2023). "A ballet director didn't like this critic's review. So he attacked her with dog feces". CBC.ca.

Further reading
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