Margaret Rosezarian Harris

Margaret Rosezarian Harris (September 15, 1943 – March 7, 2000) was an American musician, conductor, composer, and educator, the first African-American woman to conduct the Los Angeles Philharmonic, the Chicago Symphony Orchestra, the Detroit Symphony Orchestra, and 13 other cities' orchestras.[1]

Margaret Rosezarian Harris
BornSeptember 15, 1943
Chicago, Illinois
DiedMarch 7, 2000(2000-03-07) (aged 56)
NationalityAmerican
CitizenshipAfrican-American
Alma materJuilliard School
Occupationmusician
Parents
  • Dewey Harris (father)
  • Clara Townsend Harris (mother)

Early life and education

Margaret Rosezarian Harris was born in Chicago, Illinois,[2] the daughter of Dewey Harris, a railroad mechanic, and Clara Townsend Harris, a dressmaker. At age 3, she was recognized as a musical prodigy, and gave her first piano recital at Chicago's Cary Temple Auditorium, performing more than twenty short pieces from memory. She toured the United States as a child performer until age 6.[3] At age 10, after performing a movement from Mozart's Piano Concerto no. 20 (on November 17 and December 1, 1953) with the Chicago Symphony Orchestra,[4][5] she won a scholarship to the Curtis Institute of Music in Philadelphia, and moved there with her mother. Her father didn't come to Philadelphia, and he stayed in Chicago.[6][7] Harris and her mother visited him.[6][7] Margaret Harris earned undergraduate and master's degrees, with highest honors, from the Juilliard School.[8]

Career

In 1970, she took over the role of musical director for the Broadway production of Hair, conducting an orchestra of seven older male musicians. Later she worked on the Broadway musical adaptations Raisin and Two Gentlemen of Verona, among other shows. She moved between popular and classical contexts. Among her compositions were two ballets, an opera, and a piano concerto. She was co-founder of Opera Ebony.[9][10] "All I care about is that music be good, and that it communicate with a broader public, without special introductions of apologies. All those barriers between pop and classical are snobbish, artificial."[11] The National Association of Negro Musicians honored Margaret R. Harris in 1972 for her achievements.[12] In 1975, she became the first black woman to conduct the Detroit Symphony Orchestra, and the first woman to conduct there in over forty years.[13] She worked with Ruby Dee, who was an actress.[14] She had been a host of a radio show.[14] Her audition for a Schepp Scholarship was in 1964.[14] At colleges, she had been a lecturer.[14]

In 1995, Harris went to Tashkent, Uzbekistan for six weeks to consult on a production of Porgy and Bess.[8][14] The Information Service of the United States Embassy "sent [her] to Tashkent,".[15]

Margaret R. Harris died in 2000 on March 7, aged 56 years, in New York City, after a heart attack.[16] She was about to take up an appointment at associate dean of the Pennsylvania Academy of Music at the time of her sudden death.[8]

Compositions

"Concerto No.1"[17] The instrumentation is for piano and orchestra.[17]

"Concerto No.2"[17] The year for the piece is 1971, and the instrumentation is for "piano, electric bass, drums, orchestra"[17]

"Introspections"[17] The year for the piece is 1993 and the instrumentation is for violin and orchestra.[17]

Quotes

" 'When people get to know me,' she said, 'they understand that, deep down, I don't really represent a race or a sex. Not significantly, anyhow. I just represent me.' " [16]

" 'Women must keep applying themselves and be persistent, no matter how many refusals they receive,' says Harris. 'Now, I must pass that torch on..' "[14]

References
  1. Joan Potter, African-American Firsts: Famous Little-known and Unsung Triumphs of Blacks in America (Dafina Books 2009): 286-287. ISBN 9780758241665
  2. ProQuest 493539935 "Margaret Harris Conducts Chicago Symphony Orchestra" Chicago Daily Defender (July 24, 1971): 15.
  3. "Negro Prodigy, 3, Goes to Court to Arrange Career" Gazette and Daily (September 13, 1947): 19. via Newspapers.comopen access
  4. Helen Walker Hill, From Spirituals to Symphonies: African American Women Composers and their Music (University of Illinois Press 2002): 38. ISBN 9780252074547
  5. ProQuest 492884219 "Chicago Girl To Play With Symphony Orchestra: Margaret Harris Set for 2 Performances" Chicago Defender (November 14, 1953): 8.
  6. "Margaret Rosezarian Harris, Musician and Educator, 56". 22 March 2000. ProQuest 2233653348. Retrieved 8 December 2020 – via Proquest.
  7. "Margaret Rosezarian Harris". SFGATE. 2000-03-23. Retrieved 2020-12-08.
  8. Anthony Tommasini, "Margaret Rosezarian Harris, Musician and Educator, 56" New York Times (March 22, 2000).
  9. Aaron Horne, Brass Music of Black Composers: A Bibliography (Greenwood Publishing 1996): 125. ISBN 9780313298264
  10. Tom Di Nardo, "Opera Ebony: Breaking Up Hard to Do" Philly.com (January 15, 1987).
  11. Myrna Oliver, "Margaret R. Harris: Pianist, Pioneering Conductor" Los Angeles Times (March 23, 2000).
  12. "NANM Honors Duke Ellington and Margaret Harris at Confab '72" Chicago Daily Defender (July 22, 1972): 23.
  13. "Ms. Harris Symphony Conducts" Pittsburgh Courier (August 2, 1975): 4. via Newspapers.comopen access
  14. Mayo, Joy. ""Schepp Connections II An Interview with Margaret Harris, Conductor, Pianist, and New Schepp Trustee"" (PDF). Schepp Foundation. Retrieved 8 December 2020.
  15. "Women's Activism NYC". www.womensactivism.nyc. Retrieved 2020-12-08.
  16. Oliver, Myrna (23 March 2000). "Margaret R. Harris; Pianist, Pioneering Conductor". Los Angeles Times. Retrieved 8 December 2020.
  17. Brass Music of Black Composers: A Bibliography. Greenwood Publishing Group. 1996. ISBN 978-0-313-29826-4.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.