Marguerite Young

Young studied at Butler University in Indianapolis, receiving a BA in French and English. She then attended the University of Chicago, auditing Thornton Wilder's writing class at his invitation.[1][2] She also attended the University of Iowa.

In 1936, she earned her MA in Elizabethan and Jacobean Literature. She wrote her master's thesis on Euphues: The Anatomy of Wit by John Lyly (1578).[1][2]

While attending the University of Chicago, Young had a part-time position reading Shakespeare to Minna K. Weissenbach. A patron of Edna St. Vincent Millay, Weissenbach was sometimes known as "the opium lady of Hyde Park" and she became the inspiration for the Opium Lady in Young's Miss MacIntosh, My Darling. Drug-based flights of fantasy were to make their way into the novel.[1][2]

Later, Young received a Ph.D. in philosophy and English from the University of Iowa, where she taught at the prestigious Iowa Writers' Workshop.

She briefly taught at Shortridge High School before embarking on a distinguished literary career. In New York she held a contract lectureship in English literature during the 1960s at Fordham University.

Young's first book of poetry, Prismatic Ground, was published in 1937,[5] while she was teaching English at Shortridge High School in Indianapolis.[1] In that same year, she visited the commune of New Harmony, Indiana, where her mother and stepfather resided.

After her MA, she taught at an Indianapolis high school and at the University of Iowa.[1]

In 1943, she moved to New York, where she became known for her works Moderate Fable (1944) and Angel in the Forest (1945).[1][5]

She relocated to New Harmony and spent seven years there, beginning work on Angel in the Forest, a study of utopian concepts and communities, at the same time producing Moderate Fable (1944), which won the poetry prize from the National Academy of Arts and Letters. Angel in the Forest appeared in 1945 and was well received, winning Guggenheim and Newberry Library awards.

Over the next fifty years, while maintaining an address in New York City's Greenwich Village, Young traveled extensively and was part of a wide literary circle that included Mari Sandoz, Richard Wright, Anaïs Nin, Flannery O'Connor, Marianne Hauser and Allen Tate, with whom she had an affair.[1] She also had a complex friendship with Carson McCullers and Truman Capote. She wrote articles, poetry, and book reviews while also teaching creative writing at various venues, including the New School for Social Research, Fordham University, and the Iowa Writers' Workshop.

In 1944, Scribners commissioned her to write a new work, ultimately published as the epic novel Miss MacIntosh, My Darling (1965).[5] Although she had intended to take just two years, she did not finish her novel until 1963.[5] Young described it as "an exploration of the illusions, hallucinations, errors of judgment in individual lives, the central scene of the novel being an opium addict's paradise."[4] Anaïs Nin, in The Novel of the Future, calls it "an epic American novel written in a poetic style." Miss MacIntosh, My Darling was not well received critically but developed a cult following.

Young's next project was to be a biography of Hoosier poet James Whitcomb Riley,[4][5][8] the creator of Little Orphant Annie. Her experiences in joining the protests against the Vietnam War made her turn her focus to Riley's friendship with Eugene V. Debs.[3] The digression was to occupy the rest of her life, becoming an ambitious biography of Debs, the union organizer who evolved into the first Socialist candidate for President of the United States (1904, 1908, 1912, 1920). She projected a three-volume epic history of the people, through Debs's battles for workers rights and the development of the Locomotive Firemen's workers union.[1] Harp Song for a Radical: The Life and Times of Eugene Victor Debs remained unfinished at the time of her death.[5]

Part I, “Prelude in a Golden Key,” portrays Swiss agnostic Wilhelm Weitling’s cross-country tour of the pioneer utopian communities built during the settlement of the western United States. He visits the Mormon communities in Nauvoo, Missouri and Salt Lake City, Utah; the Shakers; the Amish communities in Pennsylvania; the Oneida community; the Icarians; the Rappites, and many other settlements in the wilderness. Through this perspective Young establishes that this nation was founded and settled on the principles of communal ownership and mutual assistance. In Part II of Harp Song for a Radical, Young establishes that Eugene Debs was the catalyst through which these principles became the basic tenets of the labor movement in the nineteenth and twentieth centuries.

During Marguerite Young's final illness, her unfinished manuscript was compiled by Marilyn Hamilton and Suzanne Oboler and was then submitted to her publisher. After her death, the manuscript was edited by Charles Ruas to include Young's survey of utopian communities as well as her portraits of major historical figures encountered by Debs in his struggles as a labor organizer: the portraits of Mary Todd Lincoln, James Whitcomb Riley, Joe Hill, Sojourner Truth, Brigham Young, Joseph Smith and Susan B. Anthony. This edited version of Harp Song for a Radical was published by Alfred A. Knopf in 1999.

Also in her last illness, Marguerite Young returned to writing poetry. Inviting the Muses, a collection of her stories, essays, and reviews, was published by Dalkey Archive Press in 1994. Young’s papers are at the Beinecke Library, Yale University.