Marianne Sessi

Marianne Sessi Natorp (died 10 March 1847)[1] was an Italian soprano and composer.[2] Her birth date is listed as 1770,[3] 1771,[4] 1773,[5] or 1776[6] in various sources. She was best known as a member of the musical Sessi dynasty[7] and a renowned operatic soprano who performed and composed as Marianne Sessi.

Life

Sessi was born in Rome to Franziska Lepri and Giovanni Sessi, who were both singers, as were Sessi's four younger sisters Imperatrice, Anna-Maria, Victoria, and Carolina. Sessi studied voice with her father and debuted at the Italian Opera in Vienna during the 1792–93 season. In 1794 she married Franz Joseph Edler von Natorp,[2] who became a baron in 1801. She stopped performing in 1796, but returned to the stage in 1805 after the couple divorced, singing in operas by Domenico Cimarosa, Simon Mayr, Wolfgang Amadeus Mozart, Giovanni Paisiello, Antonio Salieri, and Niccolò Zingarelli. In 1807, the Academy of Fine Arts in Florence awarded Sessi a gold medal.[8] She toured internationally, singing throughout eastern and western Europe, Russia, and Scandinavia. Sessi stopped performing in 1836 and worked as a singing teacher at the Berlin Royal Opera, ultimately moving to Vienna where she lived with her sister Anna-Maria until her death.[3][5][7][9]

Compositions

Sessi was best known as a singer, but she also composed canzonettas which were published by Breitkopf & Hartel.[10] Her vocal compositions include:

  • "Amare un Infedele Veder si Abandonare"[2]
  • "Di Puri Affeti Miei"[2]
  • "E Dunque Vero"[2]
  • "Ecce Quel Fiero Instante"[2]
  • "Nasce Nel Vago Aprile Porporea Rosa"[2]
  • Nocturne (two voices and piano)[10]
  • "Non t’Accostar a l’Urna"[2]
  • "Placido Zeffiretto"[2]
  • "Sempre piu t’Amo"[2]
  • "Stanco di Pascolar le Pecorelle"[2]
  • Ten Canzonettes[10]
  • Three Canzonettes[10]

References
  1. Wier, Albert E. (1938). The Macmillan Encyclopedia of Music and Musicians. New York: Macmillan. p. 1721.
  2. Cohen, Aaron I. (1987). International Encyclopedia of Women Composers. Books & Music (USA). ISBN 978-0-9617485-2-4.
  3. Albrecht, Carol (2008). "Music in Public Life Viennese Reports from the Allgemeine Musikalische Zeitung, 1798–1804". p. 141 and others.
  4. Stewart-Green, Miriam (1980). Women composers : a checklist of works for the solo voice. Boston, Massachusetts: G. K. Hall. ISBN 0-8161-8498-4. OCLC 6815939.
  5. U. Harten (1976). "Natorp, Maria Anna (Marianne) Freifrau von; geb. Sessi (1773–1847), Sängerin und Komponistin". Österreichisches Biographisches Lexikon 1815–1950 (in German). pp. 38–39. doi:10.1553/0x0028358e. Retrieved 2022-07-23.
  6. Stern, Susan (1978). Women Composers: A Handbook. Metuchen, New Jersey: Scarecrow Press. ISBN 0-8108-1138-3. OCLC 3844725.
  7. "Sessi-Natorp, Marianna" (in German). Carl-Maria-von-Weber-Gesamtausgabe. 6 January 2022. Retrieved 22 July 2022.
  8. Mendel (1880). Musikalisches Konversationslexikon: eine Encyklopedie der gesammten musikalischen Wissenschaften für Gebildete aller Stände (in German).
  9. Kutsch, Karl-Josef; Riemens, Leo (2012-02-22). "Sessi, Marianne". Großes Sängerlexikon (in German). Walter de Gruyter. p. 4365. ISBN 978-3-598-44088-5.
  10. Fétis, François-Joseph (1867). Biographie universelle des musiciens et bibliographie générale de la musique (in French). Firmin Didot.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.