Marie Antoinette (2006 film)

Fourteen-year-old Maria Antonia, the youngest daughter of Empress Maria-Theresa of Austria, is a beautiful, charming and naïve archduchess. In 1770, she is sent by her mother to marry Louis-Auguste, the Dauphin of France, to seal an alliance between the two rival countries.

Maria, her name now changed to Marie Antoinette, travels to France, relinquishing all connections with her home country, and meets King Louis XV of France and her future husband, the Dauphin. The betrothed young couple arrive at the Palace of Versailles and are married at once. They are encouraged to produce an heir to the throne as soon as possible, but the next day it is reported to the king that "nothing happened" on the wedding night.

As time passes, Marie-Antoinette finds life at the court of Versailles stifling. Her husband's courtiers disdain her as a foreigner and blame her for not producing an heir, although the fault really lies with her husband, for the marriage remains unconsummated for an inordinate amount of time. The French court is rife with gossip, and Marie-Antoinette consistently ruffles feathers by defying its ritualistic formality. She instead spends much of her time with the few friends she has in Versailles, including the conservative Princesse de Lamballe and the flamboyant Duchess of Polignac.

Marie-Antoinette also refuses to meet or speak with Madame du Barry, the mistress of Louis XV. Over the years, Maria-Theresa continues to write to her daughter, giving advice on how to impress and seduce the Dauphin. Marie's attempts to consummate her marriage with her husband fail and they remain childless. Marie spends most of her time buying extravagant clothes and gambling.

After a masquerade ball, Marie and Louis return to find the king dying of smallpox; he orders du Barry to leave Versailles. After the king's death, Marie-Antoinette's husband succeeds him as Louis XVI at the age of 19, and Marie-Antoinette becomes queen consort at age 18.

Marie-Antoinette's brother, Joseph II, Holy Roman Emperor, comes to visit, counseling her against her constant parties, advice that she finds easy to ignore. Joseph meets Louis XVI at the Royal Zoo and explains to him the "mechanics" of sexual intercourse in terms of "key-making", as one of the king's favorite hobbies is locksmithing. Thereafter, Louis and Marie Antoinette have sex for the first time, and in 1778, Marie Antoinette gives birth to a daughter, Marie Thérèse.

As the child matures, Marie-Antoinette spends much of her time at the Petit Trianon, a small chateau in the park of Versailles. It is also at this time that she begins an affair with Axel Fersen. As France's financial crisis worsens, food shortages and riots increase, her public image deteriorates and her luxurious lifestyle and seeming indifference to the struggles of the French people earned her the name "Madame Deficit".

As the queen matures, Marie Antoinette focuses less on her social life and more on her family and makes what she considers to be significant financial adjustments. Her mother dies in 1780, and the following year she gives birth to a son, Louis-Joseph, Dauphin of France. She gives birth to another son, Louis-Charles, in 1785, and another daughter, Sophie, in 1786, who dies a month before her first birthday.

As the French Revolution erupts with the storming of the Bastille, the royal family resolves to stay in France, unlike most of the court. Rioting Parisians force them to leave Versailles for Paris. The film ends with the royal family's transfer to the Tuileries. The last image is Marie-Antoinette's bedroom at Versailles, destroyed by angry rioters.

The film was planned to be an adaptation of Évelyne Lever's Marie Antoinette: The Last Queen of France, a biography she wrote for American readers in 2000. Sofia Coppola bought the rights twice, but in the end she chose Antonia Fraser's biography Marie Antoinette: The Journey instead of Lever's book as the basis for her adaptation.[5] The production was given unprecedented access to the Palace of Versailles.[6] The film takes the same sympathetic view of Marie Antoinette's life as was presented in Antonia Fraser's biography. Coppola said the style for shooting was greatly influenced by the films of Stanley Kubrick, Terrence Malick, and Miloš Forman as well as by Ken Russell's Lisztomania.

While the action happens in Versailles (including the Queen's Petit Trianon and the Hameau de la Reine) and the Paris Opera (which was built after the death of the real Marie Antoinette), some scenes were shot in Vaux-le-Vicomte, Château de Chantilly, Hôtel de Soubise and at the Belvedere in Vienna.

Milena Canonero and six assistant designers created the gowns, hats, suits and prop costume pieces. Ten rental houses were employed, and the wardrobe unit had seven transport drivers. Shoes were made by Manolo Blahnik and Pompei, and hundreds of wigs and hair pieces were made by Rocchetti & Rocchetti. As revealed in the "Making of" documentary on the DVD, the look of Count von Fersen was influenced by 1980s rock singer Adam Ant. Ladurée made the pastries for the film; its macarons are featured in a scene between Marie-Antoinette and Ambassador Mercy.[7]

• Kirsten Dunst costumes, at the exhibition Marie-Antoinette, métamorphoses d’une image in 2019
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The Marie Antoinette soundtrack contains new wave and post-punk bands New Order, Gang of Four, The Cure, Siouxsie and the Banshees, Bow Wow Wow, Adam and the Ants, the Strokes, Dustin O'Halloran and the Radio Dept. Some scenes utilise period music by François Couperin, Antonio Vivaldi, Jean-Philippe Rameau and Domenico Scarlatti. The soundtrack also includes songs by electronic musicians Squarepusher and Aphex Twin.

Roger Neill served as a historic music consultant on the film.[8]

In several 2006 interviews, Coppola suggests that her highly stylised interpretation was intentionally very modern in order to humanise the historical figures involved. She admitted taking great artistic liberties with the source material, and said that the film does not focus simply on historical facts – "It is not a lesson of history. It is an interpretation documented, but carried by my desire for covering the subject differently."[9]

Marie Antoinette received both applause and some boos during early Cannes Film Festival press screenings, which one reviewer supposes was because some of the French journalists may have been offended that the film was not sufficiently critical of the regime's decadence.[10] However, film critic Roger Ebert clarified that, in actuality, only a couple of journalists had been booing during the press screening, and that the media had sensationalised the event. He stated that booing is more common in Europe, and sometimes done when someone feels that a film is "politically incorrect".[11]

In the United States and Canada, Marie Antoinette opened with $5,361,050 from 859 theatres, with an average of $6,241 per theatre.[22] Nevertheless, the film quickly faded, grossing $15,962,471 in North America and $60,917,189 worldwide, against a production budget of $40 million.[4] Marie Antoinette made $7,870,774 in France, where the film is set, but fared less well in the United Kingdom, where it took $1,727,858 at the box office, while the film's biggest international market was Japan, where it earned a total of $15,735,433.[4]

The Region 1 and Region 2 DVD versions of Marie Antoinette were released in February 2007. Special features on the disc included a making-of featurette, two deleted scenes and a brief parody segment of MTV Cribs, featuring Jason Schwartzman as Louis XVI. No commentary was available for the DVD. In France, the double-disc edition included additional special features: Sofia Coppola's first short film, Lick the Star, and a BBC documentary on Marie Antoinette. A collector's edition boxset, entitled "Coffret Royal", was also released in France, and included the double-disc edition of the movie, Antonia Fraser's biography, photographs and a fan. The Japanese edition was released on July 19. This two-disc edition included the same extra features as the North American release, though it also included the American, European and Japanese theatrical trailers and Japanese TV spots. A limited-edition special Japanese boxed set contained the two disc DVD set, a jewellery box, a Swarovski high-heeled shoe brooch, a hand mirror, and a lace handkerchief.

Pathe Films released a Blu-ray version of Marie Antoinette on January 4, 2012, alongside Coppola's first film The Virgin Suicides exclusively in France. It ports over the previously released bonus features along with the previously released short film and documentary from the French DVD. While it is a region-free disc, the English-language track contains forced subtitles and the BBC documentary is not English-friendly.

A manufacture on demand Blu-ray was released through Sony's Choice Collection on October 6, 2016.[26] This release, along with other Choice Collection releases, was strongly criticised for being a BD-R disc, which means it is a burnt disc instead of pressed, these discs are essentially a bootleg and a BD-R is more susceptible to damage and has a much shorter lifespan of about 10 years opposed to a pressed disc lasting for 100 years if properly cared for. Reviews were mixed of the Blu-ray video quality, with High Def Digest stating "Everything carries the unfocused blur of non-HD video".[27]

Another Blu-ray of the film, unlike the first release that was sold online, was physically released by Mill Creek Entertainment on October 29, 2019, as part of a double feature set containing that and Kirsten Dunst's fellow film Little Women.

• Marie Antoinette at IMDb
• Marie Antoinette at AllMovie
• Marie Antoinette at Rotten Tomatoes
• Marie Antoinette at the American Film Institute Catalog
• Translated interview with Sofia Coppola
• Screencaps